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Issue Title
 
Vol 3, No 4 (1998) FLOWING Theories and Taboos in Popular Music Studies Abstract
ANDREW MURPHIE
 
Vol 1, No 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand Abstract
Tony Mitchell
 
Vol 4, No 3 (1999) FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll Abstract
PETER DOYLE
 
Vol 14, No 1 (2013) Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95. Details
Eric A. Galm
 
Vol 4, No 1 (1998) FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site Abstract
MURRAY GARDE
 
Vol 1, No 3 (1993) FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia Abstract
John Whiteoak
 
Vol 2, No 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney Details
TOM BURVILL
 
Vol 19, No 2 (2018) From punk to platforms: The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’ Abstract
Jared Davis
 
Vol 17, No 1 (2016) Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp Details
Ariane Gruet-Pelchat
 
Vol 2, No 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press Details
PHILIP HAYWARD
 
Vol 16, No 1-2 (2015) Gelly, Dave. 2014. An Unholy Row: Jazz in Britain and its Audience 1945–1960. Sheffield: Equinox. ISBN 978-1-84553-712-8 (hbk). 167 pp Details
Aleisha Ward
 
Vol 15, No 1 (2014) German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? Abstract
Andrew Wright Hurley
 
Vol 2, No 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge Details
BRUCE JOHNSON
 
Vol 11, No 2 (2010) Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island Abstract
Philip Hayward, John Fangjun Li
 
Vol 11, No 1 (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea Abstract
Kirsty Gillespie
 
Vol 4, No 1 (1998) GLOBAL PERSPECTIVES Abstract
WILL STRAW
 
Vol 2, No 2 (1995) GNARNAYARRAHE WAITAIRIE, Claim and Pundulumura Abstract
ROBIN RYAN
 
Vol 3, No 3 (1997) GOA TRANCE Abstract
FRED COLE, MICHAEL HANNAN
 
Vol 12, No 2 (2011) God Bless come back: new experiments with nostalgia in Indonesian rock Abstract
Emma Baulch
 
Vol 8, No 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand Abstract
DAN BENDRUPS, HENRY JOHNSON
 
Vol 11, No 2 (2010) Governmental as anything: live music and law and order in Melbourne Abstract
Shane Homan
 
Vol 2, No 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. Details
COLIN MCLEAY
 
Vol 14, No 2 (2013) Gregory, G. 2012. Send in the Clones: A Cultural Study of the Tribute Band. Sheffield: Equinox. ISBN 978-1-84553263-5 (hbk); 978-1-84553-245-1 (pbk). 172 pp. Details
Eric Haanstad
 
Vol 17, No 2 (2016) Guilbault, Jocelyne, and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC: Duke University Press. ISBN 978-0-8223-5760-5 (hbk), 978-0-8223-5774-2 (pbk). 304 pp. Details
Richard Elliott
 
Vol 3, No 3 (1997) GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 Abstract
RYUICHI TAI
 
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