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Browse Title Index

Issue Title
Vol 8, No 4 (2008) Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books Details
Vol 12, No 1 (2011) Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung Abstract
James Mitchell
Vol 16, No 1-2 (2015) Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. Details
Sarah Elizabeth Raine
Vol 14, No 1 (2013) Language, music and cultural consolidation on Minami Daito Abstract
Philip Hayward, Daniel Long
Vol 1, No 4 (1994) LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video Abstract
Bruce Sheridan, Philip Hayward
Vol 2, No 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. Details
Vol 16, No 1-2 (2015) Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry Abstract
Christina Ballico
Vol 11, No 1 (2010) Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. Details
Roy Shuker
Vol 18, No 2 (2017) Liveness and improficiency in The Clean’s influence upon Dunedin Sound bands Abstract
Darren Jorgensen
Vol 10, No 1 (2009) Local interpretation: Music Video, Heritage and Community in Contemporary Vanuatu Abstract
Phil Hayward
Vol 1, No 2 (1993) LOOKING OUT An interview with Kev Carmody Abstract
Rob Johnson
Vol 8, No 3 (2007) Mackinlay, E (2007) Disturbances and Dislocations: Understanding Teaching and Learning Experiences in Indigenous Australian Women’s Music and Dance, European University Studies Series XI Education, Vol. 932, Bern: Peter Lang Details
Vol 2, No 1 (1994) MADONNA - JUSTIFY OUR LOVE? Abstract
Vol 10, No 1 (2009) Maintaining Rage: Counting down without a host for over 20 years Abstract
Liz Giuffre
Vol 10, No 1 (2009) Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC Abstract
Jon Fitzgerald
Vol 12, No 1 (2011) Malaysian composers, geopolitical spaces and cultural difference Abstract
Jonas Ureta Baes
Vol 2, No 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press Details
Vol 1, No 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin Details
Marcus Breen
Vol 18, No 1 (2017) Marshall, L., and D. Laing, eds. 2015. Popular Music Matters: Essays in Honour of Simon Frith. Farnham: Ashgate. ISBN 978-1-4724-2179-1 (hbk). 252 pp Details
Martin Lussier
Vol 13, No 2 (2012) Marvin D. Sterling. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan. Durham and London: Duke University Press. ISBN 978-0-8223-4722-4 (pbk). 299pp. Details
James R. Edwards
Vol 17, No 2 (2016) Melbourne popular music in the museum: Locating the academy in the sonic city Abstract
Marcus Breen
Vol 9, No 1 (2008) MELBOURNES BY THE DOZEN Four rock albums and the evocation of place Abstract
Vol 15, No 1 (2014) Metcalf, J., and W. Turner, eds. 2014. Rapper, Writer, Pop-Cultural Player: Ice-T and the Politics of Black Cultural Production. Burlington, VT: Ashgate. ISBN 9-781- 47241-835-7 (hbk). 339 pp. Details
James Cox
Vol 19, No 1 (2018) Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play Abstract
Sebastian Diaz-Gasca
Vol 19, No 1 (2018) Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies Abstract
Nabeel Zuberi
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