‘Where you once belonged’

Class, race and the Liverpool roots of Lennon and McCartney’s songs

Authors

  • James McGrath Leeds Beckett University Author

DOI:

https://doi.org/10.1558/pomh.v9i1.27616

Keywords:

avant-garde, The Beatles, left wing, Liverpool, race, working class

Abstract

While Lennon and McCartney’s class affiliations are ambiguous to degrees that should remain debatable, the depth and the detail in which working-class life defines their work have been overlooked, thus misrepresenting The Beatles’ cultural significance. As Collins (2012) critiques, initial New Left criticisms of The Beatles – almost exclusively in response to one composition, ‘Revolution’ (1968) – have recently been adapted by commentators eager to portray The Beatles as a culturally and politically conservative force. I argue that early Left-wing and recent Right-wing criticisms of The Beatles’ legacy are misleading, because both overlook Lennon and McCartney’s different relationships to working-class culture. I also emphasize an importantly related, even more marginalized aspect of The Beatles’ history: the significance of black musical and cultural influences from Liverpool. The article seeks to offer new interpretations of songs including ‘Norwegian Wood’, ‘A Day in the Life’, ‘Revolution’, ‘Ob-la-di, Ob-la-da’ and ‘Working Class Hero’.

Author Biography

  • James McGrath, Leeds Beckett University

    Dr James McGrath is a Senior Lecturer in Cultural Studies at Leeds Beckett University. He has published widely on The Beatles and on Factory Records. His first book, The Naming of Adult Autism(forthcoming, Rowman & Littlefield, 2016), is a study of autism representations in literature, culture, and scientific discourse.

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Published

2015-09-02

Issue

Section

Articles

How to Cite

McGrath, J. (2015). ‘Where you once belonged’: Class, race and the Liverpool roots of Lennon and McCartney’s songs. Popular Music History, 9(1), 11-31. https://doi.org/10.1558/pomh.v9i1.27616