Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie

Authors

  • Nathalie Weidhase Bournemouth University Author

DOI:

https://doi.org/10.1558/pomh.40058

Keywords:

Rockumentary, music documentary, history, industry

Abstract

Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie. Marburg: Schueren Verlag, 2018. 412 pp. ISBN 978-3-89472-842-7 (pbk).

Author Biography

  • Nathalie Weidhase, Bournemouth University

    Nathalie Weidhase is a Postdoctoral Researcher in Media, Culture and Communication at Bournemouth University. She has published on women in popular music and celebrity feminism in the journal Celebrity Studies, as well as in the collection Women, Celebrity and Cultures of Ageing: Freeze Frame (2015). Her research on Meghan Markle and Brexit is to be published in the forthcoming collection Love Across the Atlantic: UK-US Romance in Popular Culture (2020).

References

Halligan, Benjamin, Robert Edgar and Kirsty Fairclough-Isaacs, eds. 2013. The Music Documentary: Acid Rock to Electropop. London: Routledge. https://doi.org/10.4324/9780203118689

Long, Paul, and Tim Wall. 2010. ‘Constructing the Histories of Popular Music: The Britannia Series’. In Popular Music and Television in Britain, ed. Ian Inglis, 11–26. Farnham: Ashgate.

Polaschek, Bronwyn. 2017. ‘The Dissonant Personas of a Female Celebrity: Amy and the Public Self of Amy Winehouse’. Celebrity Studies 9/1: 17–33. https://doi.org/10.1080/19392397.2017.1321490

Vernallis, Carol. 2013. Unruly Media: YouTube, Music Video, and the Digital New Cinema. Oxford: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199766994.001.0001

Downloads

Published

2020-08-21

How to Cite

Weidhase, N. (2020). Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie. Popular Music History, 12(2), 243–246. https://doi.org/10.1558/pomh.40058