Globalization and commercialization of Caribbean music

Authors

  • Mike Alleyne Middle Tennessee State University Author

DOI:

https://doi.org/10.1558/pomh.v3i3.247

Keywords:

authenticity, Bob Marley, Caribbean music, commercialization, cultural global, globalization, popular music, record industry, reggae, technology, text

Abstract

This article discusses the impact of globalization on Anglophone Caribbean popular music—calypso and reggae—chronologically addressing its aesthetic and economic transformations from the early 1900s through to the twenty-first century. It explores the artistic and commercial consequences of unequal transcultural interaction in both aural and visual realms, and also assesses the implications surrounding the recent international impact of performers from Barbados.

Author Biography

  • Mike Alleyne, Middle Tennessee State University

    Mike Alleyne is a Professor in Recording Industry at Middle Tennessee State University and a record producer. His articles and book chapters on popular music have been widely published, and he currently focuses on album graphics, record production, and film sound. Recent writings include ‘Facing The Music’, an editorial published in Billboard magazine. He is an editorial board member of the journal Popular Music & Society.

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Discography

Catch a Fire. 1999. Classic Albums Series. Eagle Rock. DVD.

Published

2009-09-06

Issue

Section

Articles

How to Cite

Alleyne, M. (2009). Globalization and commercialization of Caribbean music. Popular Music History, 3(3), 247-273. https://doi.org/10.1558/pomh.v3i3.247