From corporates and media to state control: International perspectives on the music business
Issued Date: 12 Nov 2012
Abstract
Richard Coopey introduces this special issue of Popular Music History: From corporates and media to state control: International perspectives on the music business
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References
Boyd, Joe. 2006. White Bicycles: Making Music in the 1960s. London: Serpent’s Tail.
Napier Bell, Simon. 2001. Black Vinyl, White Powder. London: Ebury Press.
Oldham, Andrew Loog. 2000. Stoned: A Memoir of London in the 1960s. London: Secker and Warburg.
—2003. 2Stoned. London: Secker and Warburg.
Peterson, Richard A., and David G. Berger. 1975. ‘Cycles in Symbol Production: The Case of Popular Music’. American Sociological Review 40 (April): 158–73. http://dx.doi.org/10.2307/2094343
Napier Bell, Simon. 2001. Black Vinyl, White Powder. London: Ebury Press.
Oldham, Andrew Loog. 2000. Stoned: A Memoir of London in the 1960s. London: Secker and Warburg.
—2003. 2Stoned. London: Secker and Warburg.
Peterson, Richard A., and David G. Berger. 1975. ‘Cycles in Symbol Production: The Case of Popular Music’. American Sociological Review 40 (April): 158–73. http://dx.doi.org/10.2307/2094343
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