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Table of Contents
Reviews
| Vivien Goldman, Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot. | |
| Judit Csobod |
| Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | |
| Melanie Schiller |
| Alain-Philippe Durand, ed., Hip-Hop en Français: An Exploration of Hip-hop Culture in the Francophone World. | |
| James G. McNally |
| Emily Abrams Ansari, The Sound of a Superpower: Musical Americanism and the Cold War. | |
| Asya Draganova |
| Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | |
| Wolf-Georg Zaddach |
| Kimberly Kattari, Psychobilly: Subcultural Survival. | |
| Louise Barrière |
| Karen Tongson, Why Karen Carpenter Matters. | |
| Jenny Cubin |
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