Latest Issue: Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) RSS2 logo

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Journal Issue Title
 
The Beatles View
Ian Inglis
 
Equinox eBooks Publishing The Beatles and their Audiences The Beatles and Biography View
James McGrath, Marcus Collins
 
The Beatles in Context View
Marcus Collins, James Patrick McGrath, Matthew Caygill, Mark Christian, Lucy Brown, Martin King, Colin Campbell, Jonathan Goss, Sharif Gemie, Gerry Carlin, Mark Jones
 
Equinox eBooks Publishing The Beatles in Context The Bohemian Beatles View
Colin Campbell
 
Equinox eBooks Publishing The Beatles and their Audiences Teaching The Beatles View
Mike Brocken, Marcus Collins, Cliff Eisen
 
The Beatles and their Audiences View
Marcus Collins, James Patrick McGrath, Yrjo Heinonen, Martha Bari, Richard Coopey, Mike Brocken, Cliff Eisen, Mike Kirkup, Stephanie Fremaux, Richard Mills, Holly S Tessler, Oliver Julien
 
Equinox eBooks Publishing The Beatles in Context The Beatles and the Left View
Matthew Caygill
 
Living Life Without Loving the Beatles View
Gary Hall
 
Equinox eBooks Publishing The Beatles and their Audiences The Beatles and Digital Media View
Stephanie Fremaux
 
Equinox eBooks Publishing The Beatles in Context The Beatles and Black Liverpool View
Mark Christian
 
Equinox eBooks Publishing The Beatles and their Audiences The Creative Process of the Beatles Revisited View
Yrjo Heinonen
 
Equinox eBooks Publishing The Beatles and their Audiences The Beatles Book: Marketing and Image-Making View
Mike Kirkup
 
Equinox eBooks Publishing The Beatles in Context I Want to Hold Your Hand: Love, Marriage and The Beatles View
Lucy Brown
 
Equinox eBooks Publishing The Beatles in Context I'm a Loser: Masculinity and The Beatles as Singer-Songwriters View
Martin King
 
Equinox eBooks Publishing The Beatles and their Audiences The Beatles and their Audiences: Creativity, Reception, Interpretation View
James McGrath
 
Equinox eBooks Publishing The Beatles and their Audiences Double-tracked vocals, multitrack arrangements: the Beatles and re-recording View
Oliver Julien
 
Equinox eBooks Publishing The Beatles and their Audiences The Beatles Through Fans' Eyes View
Richard Mills
 
Equinox eBooks Publishing The Beatles in Context 'Misunderstanding All You See: Charles Manson Reading the Beatles at the End of the World View
Gerry Carlin, Mark Jones
 
Popular Music History Vol 9 No. 1 (2014) Let it be? Exploring The Beatles grey market, 1970–1995 View
Holly Tessler
 
Popular Music History Vol 9 No. 1 (2014) ‘Some kind of innocence’: The Beatles Monthly and the fan community View
Mike Kirkup
 
Popular Music History Vol 9 No. 1 (2014) Introduction to the special issue on The Beatles: Nothing you can know that isn’t known? View
Marcus Collins
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil View
Gustavo Alonso
 
Popular Music History Vol 5 No. 2 (2010) The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 View
Holly Tessler
 
Equinox eBooks Publishing The Beatles in Context Understanding the Beatles: Polity, Identity, Context View
Marcus Collins
 
Popular Music History Vol 9 No. 1 (2014) We can work it out: Popular and academic writing on The Beatles View
Marcus Collins
 
Equinox eBooks Publishing The Beatles and their Audiences Let It Be? Exploring The Beatles' Grey Market, 1970-1995 View
Holly Tessler
 
Equinox eBooks Publishing The Beatles in Context McCartney Remembers View
Marcus Collins
 
Popular Music History Vol 9 No. 1 (2014) The creative process of The Beatles revisited: A multi-level analysis of the interaction between individual and collaborative creativity View
Yrjö Heinonen
 
Popular Music History Vol 10 No. 3 (2015) Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) View
Marlie Centawer
 
Popular Music History Vol 11 No. 2 (2016) Banning the Beatles: ‘A Day in the Life’ at the BBC and the creation of Radio 1 View
Gordon R. Thompson
 
Equinox eBooks Publishing The Beatles in Context From Liverpool to Tibet: Tomorrow Never Knows and the Troubled Path to the East View
Sharif Gemie
 
Perfect Beat Vol 9 No. 1 (2008) Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate View
SHANE HOMAN
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music View
Bruce Johnson
 
Perfect Beat Vol 17 No. 1 (2016) Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp View
Leonieke Bolderman
 
Perfect Beat Vol 14 No. 1 (2013) Olivier Julien, ed. 2008. Sgt. Pepper and the Beatles: It Was Forty Years Ago Today. Burlington, VT: Ashgate. ISBN 978-0-7546-6708-7 (pbk). 208pp. View
Rob Bowman
 
Equinox eBooks Publishing The Beatles in Context Magical Mystery Tour: Suburbia and Utopia in Music and Film View
Jonathan Goss
 
International Journal for the Study of New Religions Vol 6 No. 1 (2015) American Veda: From Emerson and the Beatles to Yoga and Meditation. How Indian Spirituality Changed the West, by Philip Goldberg. Harmony Books, 2010, 416pp., 8pp. b&w illustrations. Hb. $26.00, ISBN-13: 9780385521345; Pb. $15.00. ISBN-13: 9780385521352 View
Måns Broo
 
Popular Music History Vol 9 No. 1 (2014) ‘Where you once belonged’: Class, race and the Liverpool roots of Lennon and McCartney’s songs View
James McGrath
 
Equinox eBooks Publishing The Beatles Legacy and Legend View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Images and Identities View
Ian Inglis
 
Equinox eBooks Publishing The Beatles On Stage View
Ian Inglis
 
Equinox eBooks Publishing The Beatles In the Studio View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Recordings 1962-1965 View
Ian Inglis
 
Equinox eBooks Publishing The Beatles References View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Recordings 1966-1970 View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Time and Place View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Songwriters View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Acknowledgements View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Introduction View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Index View
Ian Inglis
 
Do You Want to Know a Secret? View
Billy J. Kramer, Alyn Shipton
 
Chicago Calling View
D. Todd Allen
 
Popular Music History Vol 8 No. 1 (2013) Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das View
Jeffrey W. Cupchik
 
Sounds Northern View
Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah
 
Equinox eBooks Publishing AoL East and West Transcendental Meditation and the Art of Living Foundation View
Inga Bårdsen Tøllefsen, Milda Ališauskienė, James R. Lewis
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Implicit Religion Vol 13 No. 2 (2010) The Gospel and Popular Culture View
Francis Bridger
 
Equinox eBooks Publishing Yoga in Britain Yoga in Popular Music and 'Counter Culture' (the 60s and 70s) View
Suzanne Newcombe
 
Popular Music History Vol 8 No. 3 (2013) How English became the language of pop in Denmark View
Henrik Smith-Sivertsen
 
Lee Morgan View
Tom Perchard
 
Equinox eBooks Publishing Sounds Northern Index View
Ewa Mazierska
 
Equinox eBooks Publishing Sounds Northern Is It Really Grim Up North?: Popular Music in the North of England View
Ewa Mazierska
 
Equinox eBooks Publishing The Making of the Musical World South Asia: Another Tree in the Wood View
Andrew Killick
 
Drawn to Sound View
Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki
 
Popular Music History Vol 4 No. 1 (2009) Historical approaches to Merseybeat: delivery, affinity and diversity View
Ian Inglis
 
Equinox eBooks Publishing Scouse Pop A Sense of Place View
Paul Skillen
 
Equinox eBooks Publishing Religion and Senses of Place 1. Clouds Drifting Through a Landscape: Glimpses of Rishikesh View
Stephen Jacobs
 
Equinox eBooks Publishing Elvis Comeback View
Mark Duffett
 
Perfect Beat Vol 9 No. 1 (2008) Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate View
GEOFF KING
 
Popular Music History Vol 4 No. 3 (2009) Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City View
James McGrath
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Popular music history on screen: the pop/rock biopic View
Ian Inglis
 
Popular Music History Vol 4 No. 3 (2009) Sam Taylor-Wood, Nowhere Boy (2009). View
Spencer Leigh
 
Perfect Beat Vol 9 No. 1 (2008) BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s View
JON STRATTON
 
Popular Music History Vol 8 No. 3 (2013) Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). View
Sarah Davis
 
Popular Music History Vol 9 No. 2 (2014) Joel Williamson, Elvis Presley: A Southern Life. Oxford: Oxford University Press, 2015. 368 pp. £25.00. ISBN 978-0-19986-317-4 (hbk). View
Jon Stewart
 
Perfect Beat Vol 14 No. 2 (2013) Gregory, G. 2012. Send in the Clones: A Cultural Study of the Tribute Band. Sheffield: Equinox. ISBN 978-1-84553263-5 (hbk); 978-1-84553-245-1 (pbk). 172 pp. View
Eric Haanstad
 
Perfect Beat Vol 9 No. 1 (2008) Homan, S (ed) (2006) Access All Eras: Tribute Bands and Global Pop Culture, Maidenhead, Berkshire: Open University Press View
DAVID NICHOLS
 
Perfect Beat Vol 9 No. 1 (2008) Brophy, P (2004) 100 Modern Soundtracks, London: British Film Institute Publishing View
TONY MITCHELL
 
Perfect Beat Vol 9 No. 1 (2008) Evans, M (2007) Open Up the Doors: Music in the Modern Church, London: Equinox View
ROBIN RYAN
 
Perfect Beat Vol 18 No. 1 (2017) Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. View
Christina Ballico
 
Popular Music History Vol 7 No. 2 (2012) You can make me whole again: popular music tributes embodying the reunion View
Georgina Gregory
 
Perfect Beat Vol 17 No. 2 (2016) Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. View
Rachel Tollett
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. View
Bradford Lee Eden
 
Perfect Beat Vol 12 No. 1 (2011) Revisionist Popular Music History View
Roy Shuker
 
Popular Music History Vol 4 No. 3 (2009) Gordon Thompson, Please Please Me: Sixties British Pop, Inside Out. Oxford and New York: Oxford University Press, 2007. xii + 340 pp. ISBN 978-0-19-533318-3 (hbk). View
Dave Laing
 
Popular Music History Vol 7 No. 1 (2012) Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). View
Faye Woods
 
Popular Music History Vol 10 No. 1 (2015) The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars View
Peter Atkinson
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Review of Bob Dylan by Keith Negus View
Phil Hardy
 
Popular Music History Vol 9 No. 3 (2014) Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 View
Nick Braae
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Popular Music History Vol 1 No. 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 View
Matt Brennan
 
Popular Music History Vol 2 No. 2 (2007) Allusion and Influence in Elvis Costello View
Dai Griffiths
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
Popular Music History Vol 1 No. 2 (2004) University jazz and the Mersey Sound: Student days in Liverpool, a memoir View
Brian Hudson
 
Fieldwork in Religion Vol 11 No. 2 (2016) Oliver, Paul. 2014. Hinduism and the 1960s: The Rise of a Counter-Culture. London: Bloomsbury. ix + 189pp. £19.99. ISBN: 9781472531551 (pbk). View
Steven J. Sutcliffe
 
International Journal for the Study of New Religions Vol 5 No. 1 (2014) Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. View
Carole M. Cusack
 
Perfect Beat Vol 19 No. 2 (2018) Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes View
Emma-Jayne Reekie
 
Perfect Beat Vol 15 No. 1 (2014) Plasketes, George, ed. 2013. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham, Surrey and Burlington, VT: Ashgate. ISBN 978-1-4094-4176-2 (hbk). 250 pp. View
Nick Braae
 
Perfect Beat Vol 12 No. 2 (2011) Book Review: Laing, D. 2010. Buddy Holly. London: Equinox. ISBN 978-1-84553-627-5 (pbk). 194 pp. View
Roger Landes
 
Popular Music History Vol 10 No. 2 (2015) The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective View
Philippe Le Guern
 
Journal of Film Music Vol 7 No. 2 (2014) Linda M. Koldau, Mythos U-Boot View
Arndt Niebisch
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The lost musical histories of Merthyr Tydfil View
Paul Carr
 
International Journal for the Study of New Religions Vol 4 No. 2 (2013) Cinema of the Occult: New Age, Satanism, Wicca, and Spiritualism in Film, by Carrol L. Fry. Bethlehem. Lehigh University Press, 2008. 301pp., hb., $62.50/ £39.95. ISBN-13: 9780934223959. View
Carole M. Cusack
 
Popular Music History Vol 10 No. 1 (2015) George Plasketes, ed. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham and Burlington: Ashgate, 2013. 250 pp. £80.75. ISBN 9781409441762 (hbk). View
Paula Hearsum
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Popular Music History Vol 10 No. 1 (2015) Introduction to the special issue: Listening to the North of England View
Ewa Mazierska
 
Popular Music History Vol 9 No. 3 (2014) Reviews in brief View
Dave Laing
 
Health and Social Care Chaplaincy Vol 7 No. 1 (2019) Alexander Von Gontard, Buddhist Understanding of Childhood Spirituality: The Buddha’s Children View
Medini Richardson
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain View
Nabeel Zuberi
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie View
Nathalie Weidhase
 
Popular Music History Vol 10 No. 3 (2015) ‘How Belfast got the blues’: Towards an alternative history View
Noel McLaughlin, Joanna Braniff
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah View
Mike Brocken
 
Journal of World Popular Music Vol 6 No. 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity View
Neil Deane, Elke Schuch
 
Popular Music History Vol 7 No. 2 (2012) Introduction: making things whole again—the Take That reunion View
Tim Wise
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Introduction: Sounding out the past View
Paul Long, Nicholas Gebhardt
 
Equinox eBooks Publishing The History of European Jazz 2a. Great Britain: 1900 - 1960 View
Alyn Shipton
 
Perfect Beat Vol 1 No. 4 (1994) WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT View
Michael Flint
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) The poetics of recorded time: Listening again to popular music history View
Paul Long
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. View
Dean Biron
 
Journal for the Academic Study of Religion Vol 24 No. 3 (2011) Religion and Celebrity Editorial Introduction View
Carole Cusack
 
Gender and Language Vol 10 No. 2 (2016) Ten Years of Gender and Language View
Carmen Rosa Caldas-Coulthard, Tommaso Milani
 
Journal of World Popular Music Vol 4 No. 2 (2017) Some Notes on Popular Music in my (Professional) Life View
Bruno Nettl
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Popular Music History Vol 11 No. 2 (2016) Review article View
Dave Laing
 
Popular Music History Vol 6 No. 3 (2011) Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). View
James McGrath
 
Popular Music History Vol 1 No. 3 (2004) What story should a history of popular music tell? View
Allan Moore
 
Popular Music History Vol 11 No. 2 (2016) The names of pop groups in the UK hit parades of the 1960s: Patterns and peculiarities View
Stephen J. Coffey
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Popular Music History Vol 2 No. 1 (2007) April 2007 BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 View
David Simonelli
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Popular Music History Vol 5 No. 2 (2010) Resource Notes: Rock and pop collecting at the V&A View
Kristian Volsing
 
Popular Music History Vol 8 No. 2 (2013) Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan View
Mike Jones
 
Popular Music History Vol 8 No. 2 (2013) Bob Dylan: the politics of influence View
Gary Browning
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK They preferred to sit on the floor: Rock music in South Wales at a time of industrial change View
Mike Jones
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Popular Music History Vol 3 No. 1 (2008) The Liverpool sounds project: Oral history research at the IPM View
Dave Laing
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 View
Kari Kallioniemi
 
Perfect Beat Vol 1 No. 1 (1992) CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave View
Philip Hayward
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Popular Music History Vol 7 No. 2 (2012) Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). View
Dale Carter
 
Popular Music History Vol 3 No. 1 (2008) Collections at the IPM View
Robert Strachan
 
Religions of South Asia Vol 12 No. 3 (2018) Yoga in Britain: Stretching Spirituality and Educating Yogis, by Suzanne Newcomb View
Christopher Patrick Miller
 
Popular Music History Vol 1 No. 2 (2004) Q and The Face: Narratives of consumption in the UK music press in the 1980s View
Stephen Hill
 
Popular Music History Vol 1 No. 3 (2004) Taste-making and trend-spotting: the folk revival journalism of Robert Shelton View
David Laing
 
Popular Music History Vol 5 No. 3 (2010) ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s View
Jon Stratton
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) View
Donna Weston
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues View
Kevin Fellezs
 
Journal of World Popular Music Vol 2 No. 2 (2015) Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org View
Deborah Justice
 
Popular Music History Vol 6 No. 3 (2011) Making a scene: The Bergen wave in popular music, 1990–2008 View
Stig Tenold
 
Popular Music History Vol 5 No. 2 (2010) Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach View
Richard Ekins
 
Popular Music History Vol 1 No. 2 (2004) Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories View
Michael Brocken
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Popular Music History Vol 4 No. 3 (2009) The production of English rock and roll stardom in the 1950s View
Martin Cloonan
 
Journal of World Popular Music Vol 3 No. 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) View
Jun Zubillaga-Pow
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Popular Music History Vol 9 No. 3 (2014) Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music View
Eve M Brank, Kathleen A Fox, Victoria Kaspar
 
Journal of World Popular Music Vol 3 No. 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television View
Liz Giuffre
 
Perfect Beat Vol 20 No. 1 (2019) ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard View
Paul Ballam-Cross
 
Popular Music History Vol 1 No. 3 (2004) Critical negotiations: rock criticism in the Nordic countries View
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
Journal of World Popular Music Vol 6 No. 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music View
Jeremy Wallach
 
Journal for the Academic Study of Religion Vol 32 No. 1 (2019) 'The Answer to All Your Problems?' The Overly Positive Presentation of Meditation in the Media View
Anna Lutkajtis
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi View
Linda Maria Koldau
 
Popular Music History Vol 7 No. 3 (2012) Minority language, majority canon View
Sarah Hill
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From South to East: Exoticism in Polish popular music of the state socialist period View
Ewa Mazierska
 
Perfect Beat Vol 8 No. 4 (2008) THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY View
PHILIP McINTYRE, BRYAN PATON
 
Perfect Beat Vol 18 No. 1 (2017) ‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia View
Pat O'Grady
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s View
Andy Bennett
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Popular Music History Vol 4 No. 1 (2009) The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett View
Dale Carter
 
Perfect Beat Vol 3 No. 4 (1998) MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand View
TONY MITCHELL, ROY SHUKER
 
Perfect Beat Vol 1 No. 1 (1992) TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations View
KATRINA McMANUS
 
Perfect Beat Vol 1 No. 1 (1992) It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study View
Marcus Breen
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Equinox eBooks Publishing The History of European Jazz 9b. Sweden: 1970-2000 View
Måns Wallgren
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Implicit Religion Vol 13 No. 2 (2010) The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon View
Rupert Till
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Rock opera and resistance: Stephen, the King as a building block of minority ethnic identity in Transylvania and the United States View
Imola Bülgözdi, Zsófia O. Réti
 
Perfect Beat Vol 1 No. 1 (1992) MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. View
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Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Nine lives in the music business: Reg Dwight and Elton John in the 1960s View
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Popular Music History Vol 5 No. 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music View
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Jazz Research Journal Vol 11 No. 1 (2017) Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 View
David Borgo
 
Popular Music History Vol 10 No. 3 (2015) The multi-layered transnationalism of Fran Palermo View
Ewa Mazierska, Bence Kránicz
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Orientalism in Outer-space: The Ascendancy of Sanskrit Mantras in Hollywood Science Fiction Films and Soundtracks View
Scott Daniel Dunbar
 
Perfect Beat Vol 2 No. 3 (1995) RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands View
LUTGARD MUTSAERS
 
Perfect Beat Vol 3 No. 2 (1997) AUSTRALIA'S NATIONAL INSTRUMENT? View
BRUCE JOHNSON
 
Perfect Beat Vol 3 No. 2 (1997) BACK EAST - The Blue Diamonds' Indonesian Tours View
LUTGARD MUTSAERS
 
Perfect Beat Vol 3 No. 2 (1997) UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s View
ROBIN RYAN
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘Well-worn grooves’: Music, materiality and biographical memory View
Iain A. Taylor
 
Perfect Beat Vol 20 No. 1 (2019) Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand View
Matthew Bannister
 
Popular Music History Vol 7 No. 1 (2012) Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society View
Marcus Collins
 
Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
Terry Monaghan
 
Popular Music History Vol 4 No. 3 (2009) Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness View
Noel McLaughlin
 
Religions of South Asia Vol 1 No. 1 (2007) June 2007 Remembering Ourselves: On Some Countercultural Echoes of Contemporary Tantric Studies View
Jeffrey J. Kripal
 
Popular Music History Vol 8 No. 2 (2013) ‘I is somebody else’: Bob Dylan/Arthur Rimbaud View
Kat Peddie
 
Popular Music History Vol 10 No. 2 (2015) A critical survey of museum collections of popular music in the United Kingdom View
Marion Leonard, Robert Knifton
 
Jazz Research Journal Vol 12 No. 2 (2018) Jazz’s little brother: The origins of the Spanish blues scene View
Josep Pedro
 
Perfect Beat Vol 2 No. 4 (1996) TEMPTATION AND EXPLOITATION Apple House Music, the Copyright Loophole and Legal Bootlegging View
RAELENE LAWRANCE, KERRYN WELSH
 
Equinox eBooks Publishing The History of European Jazz 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade View
Duncan Heining
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Journal of World Popular Music Vol 1 No. 2 (2014) Thirty Years of World Music View
Timothy D. Taylor
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Experiential knowledge: Dance as source for popular music historiography View
Beate Peter
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact View
Alex de Lacey
 
Perfect Beat Vol 1 No. 3 (1993) SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival View
Jilli Streit-Warburton
 
Popular Music History Vol 5 No. 1 (2010) Bernard Herrmann—‘pop’ composer? View
Edward Green
 
Implicit Religion Vol 18 No. 4 (2015) “As We See, So We Learn’: Doctor Who as Religious Education View
Owen D. Edwards
 
Journal of World Popular Music Vol 2 No. 2 (2015) Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean View
Samuel Dwinell
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Perfect Beat Vol 17 No. 2 (2016) Perth, unreal city: Perth in the song lyrics of artists from elsewhere View
Jon Stratton
 
Equinox eBooks Publishing The History of European Jazz 19. Switzerland View
Bruno Spoerri
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes View
Samuel Charles Whiting
 
Popular Music History Vol 3 No. 1 (2008) The origins and development of The Institute of Popular Music: An interview View
Dave Horn
 
Equinox eBooks Publishing The History of European Jazz European Jazz: Stories that Needed to be Told View
Francesco Martinelli
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study View
Alexander Gagatsis
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Implicit Religion Vol 7 No. 3 (2004) At the Confluence of Paradox: Implicit Religion and the Wild View
Leslie van Gelder
 
Religions of South Asia Vol 6 No. 1 (2012) The Glorious Disappearance of Vaishnavas: ISKCON’s Vision of Exemplary Death View
Anna King
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Ain’t misbehavin’: Jazz music in children’s television View
Liam Maloy
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s View
Zlatko Jovanovic
 
Religious Studies and Theology Vol 31 No. 1 (2012) Pop Patristic Reincarnation? A Critique of Origen’s Alleged Doctrine of Reincarnation View
Cyril Wohrer
 
Perfect Beat Vol 1 No. 4 (1994) LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video View
Bruce Sheridan, Philip Hayward
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Fieldwork in Religion Vol 14 No. 2 (2019) Walter Day: The First Video Game Religious Pilgrim View
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Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK View
Tim Wall, Simon Barber
 
Popular Music History (0) ADVANCE ACCESS Space to play: The sound of British female punk music and its engagement with reggae in the 1970s View
Helen Reddington
 
Perfect Beat Vol 11 No. 1 (2010) Realms of re-enchantment: socio-cultural investigations of festival music space View
Mark Jennings
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
Paul Long, Sarah Raine
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Equinox eBooks Publishing The History of European Jazz 34. Armenia View
Armen Manukian
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Perfect Beat Vol 11 No. 2 (2010) Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island View
Philip Hayward, John Fangjun Li
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival View
Matt Brennan
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Perfect Beat Vol 19 No. 2 (2018) Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s View
Laura Glitsos
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
Equinox eBooks Publishing The History of European Jazz 12. Iceland View
Vernhardur Linnet
 
Buddhist Studies Review Vol 28 No. 2 (2011) Reforming the Priests of Manipe: Reflections on the “Buddhist Modernist Monk” in Euro-America View
Laura Harrington
 
Perfect Beat Vol 2 No. 4 (1996) QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA View
DON NILES
 
Implicit Religion Vol 16 No. 1 (2013) Spirituality and Religious Tolerance View
Philip Hughes
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Jazz Research Journal Vol 9 No. 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization View
Richard Ekins
 
Journal for the Academic Study of Religion Vol 24 No. 3 (2011) Religion and Celebrity Celebrity Push, Celebrity Pull: Understanding the Role of the Notable Person in Pilgrimage View
Alex Norman
 
Journal of World Popular Music Vol 4 No. 1 (2017) “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 View
David Baker, Lauren Istvandity
 
Perfect Beat Vol 12 No. 1 (2011) ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform View
Henry Johnson
 
Popular Music History Vol 4 No. 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* View
Justin A. Williams
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ View
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Popular Music History Vol 4 No. 2 (2009) Gigographies: where popular musicians play View
Dave Laing
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ View
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Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
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Journal of World Popular Music Vol 3 No. 1 (2016) She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s View
Catherine Strong, Ian Rogers
 
International Journal of Speech Language and the Law Vol 3 No. 2 (1996) Allusions and other 'innuendo' meanings in libel actions: the value of semantic and pragmatic evidence View
Alan Durant
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
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Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Journal of World Popular Music Vol 4 No. 2 (2017) Questionable Tastes: Women, Love Songs and Gender Subalternity View
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Fieldwork in Religion Vol 14 No. 1 (2019) Social Generation as a Lens: A Qualitative Take on Generational Theory View
Frederique A. Demeijer, Hijme C. Stoffels
 
Equinox eBooks Publishing The History of European Jazz 11. Norway View
Bjorn Stendahl
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Media-Archaeologies: An Invitation View
Angela A. Piccini
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Sites of Media Archaeology: Producing the Contemporary as a Shared Topic View
Jussi Parikka
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Media Archaeology-As-Such: Occasional Thoughts on (Més-)alliances with Archaeologies Proper View
Wolfgang Ernst
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Artifactual Interpretation View
Grant Wythoff
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Becoming Archaeological View
Ruth Tringham, Michael Ashley
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Symmetrical Media Archaeology: Boundary and Context View
Greg Bailey
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) The Sex Pistols' Guitar Tuner: Material Culture and Mythology View
Paul Graves-Brown
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Kinetic Architecture and Aerial Rides: Towards a Media Archeology of the Revolving Restaurant View View
Synne Tollerud Bull
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Fragile Storage, Digital Futures View
Grant Bollmer
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Surveying New Sites: Landscapes and Archaeologies of the Internet View
R. J. Wilson
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Archaeologies of Electronic Waste View
Sy Taffel
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Excavating Atari: Where the Media was the Archaeology View
Andrew Reinhard
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Materializing Media Archaeologies: The MAD-P Hard Drive Excavation View
Sara Perry, Colleen Morgan
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) A Giant on the Shoulders of Dwarfs: Archaeology and Recursion in Friedrich Kittler’s Works View
Tania Hron, Sandrina Khaled
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) AnArcheology for AnArchives: Why Do We Need—Especially for the Arts—A Complementary Concept to the Archive? View
Siegfried Zielinski, Geoffrey Winthrop-Young
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Collective Re-Excavation and Lost Media from the Last Century of British Prehistoric Studies View
Jennifer Wexler, Andrew Bevan, Chiara Bonacchi, Adi Keinan-Schoonbaert, Daniel Pett, Neil Wilkin
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Hemerochronia, or, Take a Walk on the Wild Side of Time: Sideline Snippets on Media Archaeology View
Geoffrey Winthrop-Young
 
Perfect Beat Vol 9 No. 1 (2008) MELBOURNES BY THE DOZEN Four rock albums and the evocation of place View
JOHN ENCARNACAO
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation View
Carl Clements
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
Perfect Beat Vol 12 No. 2 (2011) God Bless come back: new experiments with nostalgia in Indonesian rock View
Emma Baulch
 
International Journal for the Study of New Religions Vol 6 No. 2 (2015) Gurdjieffian Overtones in Leon MacLaren’s School of Economic Science View
Johanna J.M. Petsche
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Perfect Beat Vol 10 No. 1 (2009) Television special Maintaining Rage: Counting down without a host for over 20 years View
Liz Giuffre
 
Journal for the Academic Study of Religion Vol 31 No. 2 (2018) Special Issue: Religion and Humanitarianism The Dark Side of Dharma: Why Have Adverse Effects of Meditation Been Ignored in Contemporary Western Secular Contexts? View
Anna Lutkajtis
 
Perfect Beat Vol 4 No. 3 (1999) GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts View
ROBIN RYAN
 
Popular Music History Vol 10 No. 2 (2015) No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses View
Kathleen Pirrie Adams
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Implicit Religion Vol 19 No. 1 (2016) The Sacramental Thought-World of Implicit Religion View
William J. F. Keenan
 
Jazz Research Journal Vol 3 No. 2 (2009) Jazz Britannia: mediating the story of British jazz on television View
Tim Wall, Paul Long
 
Journal of Film Music Vol 6 No. 1 (2013) Modal Interchange and Semantic Resonance in Themes by John Williams View
Tom Schneller
 
Popular Music History Vol 6 No. 3 (2011) Adopting the rights-based model: Music multinationals and local music industries since 1945 View
Gerben Bakker
 
Popular Music History Vol 7 No. 1 (2012) Mapping live provisions in Welsh-language rock, 1978–80 View
Craig Owen Jones
 
Journal of Film Music Vol 2 No. 1 (2007) The Manchurian Candidate (1962): An Interview with David Amram View
William H. Rosar
 
Popular Music History Vol 8 No. 1 (2013) More than microphoning: capturing the role of the recording engineer from the 1980s to the 1990s View
Steven Parker, Robert Davis
 
Popular Music History Vol 3 No. 2 (2008) It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music View
Pete Dale
 
Implicit Religion Vol 19 No. 1 (2016) A Phoney Holy War: Reflections on the Myth of Spiritual Revolution View
William J. F. Keenan
 
Journal of Film Music Vol 4 No. 2 (2011) Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials View
Nicol William Snedden
 
International Journal for the Study of New Religions Vol 7 No. 2 (2016) Aleister Crowley on Drugs View
Christopher Partridge
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Equinox eBooks Publishing The History of European Jazz 9a. Sweden: 1919-1969 View
Jan Bruer
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Equinox eBooks Publishing New Age in Norway Hindu-inspired Meditation Movements in Norway: TM, Acem and the Art of Living Foundation View
Inga Tøllefsen
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Popular Music History Vol 9 No. 3 (2014) Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 View
Rebecca S. Miller
 
Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Gender and Language Vol 11 No. 1 (2017) Negotiating the tall poppy syndrome in New Zealand workplaces: women leaders managing the challenge View
Janet Holmes, Meredith Marra, Mariana Lazzaro-Salazar
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Equinox eBooks Publishing The History of European Jazz Subject Index View
Francesco Martinelli
 
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