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Elements of Music Management View
Graham Ball , Tony Crean, Sally Gross, George Musgrave
 
The Music of Fantasy Cinema View
Janet K. Halfyard, Mark Brill, Philip Hayward, J. Drew Stephen, Lee Barron, Liz Giuffre, Ben Winters, Alexander G. Binns, Scott Murphy, Victoria Hancock, Jamie L. Webster
 
Beyond 2.0 View
Steve Collins, Sherman Young
 
Cultural Mapping and Musical Diversity View
Britta Sweers, Sarah M. Ross, Tom Beardslee, Shai Burstyn, Marc-Antoine Camp, Brigitte Bachmann-Geiser, David Vitali, Dieter Ringli, Patricia Jäggi, Vincenzo della Ratta, Ana Hofman, Zuzana Jurkova, Svend Kjeldsen, Marcello Sorce Keller, Gerda Lechleitner, Matthew Machin-Autenrieth, Lukas Park, Marzanna Poplawska, Thomas Solomon, Pekka Suutari
 
Terror Tracks View
James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward
 
Ludomusicology View
Michiel Kamp, Tim Summers, Mark Sweeney, Stephen Baysted, Samantha Blickhan, Isabella van Elferen, William Gibbons, Freya Jarman, Anahid Kassabian, Elizabeth Medina-Gray, Melanie Fritsch
 
The Making of the Musical World View
Andrew Killick
 
Equinox eBooks Publishing Bill Russell and the New Orleans Jazz Revival American Music View
Ray Smith, Mike Pointon
 
The Lifetime Soundtrack View
Lauren Istvandity
 
Drawn to Sound View
Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Globalization and World Music View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music before Neoliberalism View
Simone Krüger Bridge
 
Bikutsi View
Anja Brunner
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Equinox eBooks Publishing Elements of Music Management What is Music Management? View
Sally Gross, George Musgrave
 
Lee Morgan View
Tom Perchard
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music in Postdemocracy View
Simone Krüger Bridge
 
CALICO Journal Vol 21 No. 1 (2004) Musical Spanish View
Linda C. Jones
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Equinox eBooks Publishing The Making of the Musical World The Music Tree View
Andrew Killick
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Jazz as a music of migration, a 'world music' View
Duncan Heining
 
Local Acts, Global Success View
Michael Murphy, Jim Rogers
 
The Last Miles View
George Cole
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Turkish Folk Music Between Ghent and Turkey View
Liselotte Sels
 
Popular Music History Vol 1 No. 1 (2004) Popular Music and Historiography View
Charles Hamm
 
Open Up the Doors View
Mark Evans
 
Trajectories and Themes in World Popular Music View
Simone Krüger Bridge
 
Movies, Moves and Music View
Mark Evans, Mary Fogarty, Greg S. Faller, Faye Woods, Brian Su-Jen Chung, Afia Ofori-Mensa, Diane Hughes, Gillian Turnbull, Philip Hayward, Jon Fitzgerald, Colleen Dunagan, Roxane Fenton, Usha Iyer, Megan Anne Todd, Sarah-Mace Dennis, Kelly Kessler
 
Being Prez View
Dave Gelly
 
Threads /Uncommon People View
Nigel Humberstone, Joanne Wingate
 
Sounds Northern View
Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah
 
Equinox eBooks Publishing Sounds Icelandic ‘A Nation without Music?’: Symphonic Music and Nation-Building View
Kimberly Cannady, Kristín Loftsdóttir
 
Mr. P.C. View
Rob Palmer
 
Equinox eBooks Publishing The Study of Religious Experience 9. Music as Spiritual Experience View
June Boyce-Tillman
 
The Handbook on Music Business and Creative Industries in Education View
Daniel Walzer, Mahdi Fathi, Wilbur Chang, Jei-Zheng Wu, Marzieh Khakifirooz, Mathew Flynn, Kirk McNally, Alex Timewell, Jeremy Peters, Taneshia Nash Laird, Sekou Campbell, Simon Strange, Hussein Boon, Nicole Canham, Rod Davies, Vicky Armstrong, Helen Elizabeth Davies, Joe Sferra, Taylor Ackley, Ian Stevenson, Gerhard Roux, Ben Toscher, Martin Lücke, Mark Thorley, Louise Godwin, Sean Foran, Vincent Perry, Jade O'Regan, Tom O'Halloran
 
The Lost Women of Rock Music View
Helen Reddington, Derek Scott
 
Equinox eBooks Publishing The Lifetime Soundtrack Emotion, Feeling and Musical Memories View
Lauren Istvandity
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz World Music as both a 'brand' and a music of commitment. View
Duncan Heining
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz France, a musical melting pot View
Duncan Heining
 
Perfect Beat Vol 2 No. 4 (1996) DIRECTIONS IN POPULAR MUSIC STUDIES View
BRUCE JOHNSON
 
Soul Unsung View
Kevin Le Gendre
 
Equinox eBooks Publishing Keith Jarrett Winding Paths to Musical Mastership View
Wolfgang Sandner
 
Equinox eBooks Publishing The Lifetime Soundtrack Effects of Music-Making on Musical Memories and the Lifetime Soundtrack View
Lauren Istvandity
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music Studies and Interdisciplinarity View
Steve Waksman
 
Equinox eBooks Publishing The Lifetime Soundtrack Renewed Perspectives on Musical Memory View
Lauren Istvandity
 
Equinox eBooks Publishing Ludomusicology Modularity in Video Game Music View
Elizabeth Medina-Gray
 
Equinox eBooks Publishing The History of European Jazz 37. Jews and Jewish Music View
Gabriele Coen
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Sounds Icelandic View
Þorbjörg Daphne Hall , Nicola Dibben, Árni Heimir Ingólfsson , Tony Mitchell, Kimberly Cannady, Kristín Loftsdóttir, Ragnheiður Ólafsdóttir, John Richardson, Arnar Eggert Thoroddsen, Sarah Baker, Brad Osborn, Sarah Boak, Nick Prior, David Kenneth Blake
 
Song for Someone: The Musical Life of Kenny Wheeler View
Brian Shaw, Nick Smart
 
Journal of World Popular Music Vol 1 No. 2 (2014) Thirty Years of World Music View
Timothy D. Taylor
 
Perfect Beat Vol 2 No. 4 (1996) MUSIC ARCHIVE FOR THE PACIFIC View
MICHAEL HANNAN
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Journal of Film Music Vol 5 No. 1-2 (2012) Melodramatic Music in the Western View
Mariana Whitmer
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity Cultural Mapping and Musical Diversity View
Britta Sweers, Sarah Ross
 
Perfect Beat Vol 12 No. 1 (2011) Revisionist Popular Music History View
Roy Shuker
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Popular Music History Vol 1 No. 1 (2004) Popular Music Resources View
Andy Lineham
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Equinox eBooks Publishing Bikutsi Musical Changes towards Beti Music by Modern Dance Bands in Yaoundé in the 1970s View
Anja Brunner
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 4. Mapping 'Inconvenient' Music Heritage View
Ana Hofman
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Turkish Folk Music in Theory and Practice View
Liselotte Sels
 
Equinox eBooks Publishing Elements of Music Management Music Development: The Role of A and R - Music will Never Stop View
Sally Gross
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
The History of European Jazz View
Francesco Martinelli, Alyn Shipton, Duncan Heining, George McKay, Selwyn Harris, Michael Heffley, Gabriele Coen, Michael Dregni, Rainer Lotz, Xavier Prevost, Cormac Larkin, Martin Pfleiderer, Bert Vuijsje, Jean-Pol Schroeder, Marc Demuth, Tore Mortensen, Lars Westin, Juha Henriksson, Bjorn Stendahl, Vernhardur Linnet, Krystian Brodacki, Yvetta Kajanova, Gabor Turi, Andreas Felber, Bruno Spoerri, Cyril Moshkow, Dmitri Podberezsky, Alexander Yudin, Chema Martinez, Rui Eduardo Paes, Indrikis Veitners, Ruta Skudiene, Tiit Lauk, Sakis Papadimitriou, Mike Mazur, Virgil Mihaiu, Vladimir Gadjev, Hulya Tuncag, Rain Sultanov, Armen Manukian, Halina Maria Boniszewska, Pedro Cravinho, Jan Bruer, Måns Wallgren, Iço Vidmar, Eleni Novakovska, Edin Zubčević
 
Gone in the Air View
Brian Morton
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music in the Films: The Promotion of Film Music in the Concert Hall View
Leith Stevens †
 
Journal of World Popular Music Vol 4 No. 2 (2017) Some Notes on Popular Music in my (Professional) Life View
Bruno Nettl
 
Popular Music History Vol 3 No. 3 (2008) Traditional music and the World Music marketplace: A producer’s experience View
Joe Boyd,
 
Equinox eBooks Publishing Ludomusicology Analyzing Game Musical Immersion: The ALI Model View
Isabella van Elferen
 
Equinox eBooks Publishing The Making of the Musical World American Popular Music and the World View
Andrew Killick
 
Popular Music History Vol 10 No. 2 (2015) Introduction: Special issue on Popular Music and Heritage View
Marion Leonard, Robert Knifton
 
Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
Jörg Jewanski
 
Equinox eBooks Publishing The Lifetime Soundtrack Recorded Music and Memory: Capturing, Indexing and Archiving the Past View
Lauren Istvandity
 
Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Equinox eBooks Publishing Sounds Icelandic Spatiality, Sociality and Circulation: Popular Music Scenes in Reykjavík View
Nick Prior
 
Popular Music History Vol 8 No. 3 (2013) Soccer sounds: Popular music and football in Britain View
Dave Laing, Andy Linehan
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history View
Toby Martin
 
Perfect Beat Vol 16 No. 1-2 (2015) Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry View
Christina Ballico
 
Equinox eBooks Publishing Ludomusicology Game and Play in Music Video Games View
Anahid Kassabian, Freya Jarman
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Musical Functions in Turkey and Ghent View
Liselotte Sels
 
Perfect Beat Vol 1 No. 3 (1993) STAR MOVES Choreography, Choreographers and Australian Music Video View
Rachael Gorham, Arielle Nakache
 
The Godfather of British Jazz View
Clark Tracey
 
Journal of World Popular Music Vol 2 No. 2 (2015) World Music, World Circuit: In Conversation with Nick Gold View
Simone Krüger
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Neoliberalism and the Global Music Industry View
Simone Krüger Bridge
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey The Turkish Folk Music Network in Ghent View
Liselotte Sels
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Perfect Beat Vol 4 No. 1 (1998) MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones View
CORALIE JOYCE
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Turkish Folk Music Events in Turkey and Ghent View
Liselotte Sels
 
Equinox eBooks Publishing The Making of the Musical World Popular and Traditional Musics of Indigenous Peoples View
Andrew Killick
 
Perfect Beat Vol 3 No. 4 (1998) MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance View
SEBASTIAN CHAN
 
Journal of Film Music Vol 4 No. 2 (2011) Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials View
Nicol William Snedden
 
Perfect Beat Vol 2 No. 4 (1996) QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA View
DON NILES
 
Equinox eBooks Publishing The Lifetime Soundtrack Assembling an Interdisciplinary Approach to Musical Memories View
Lauren Istvandity
 
Equinox eBooks Publishing Sounds Icelandic Surrealism in Icelandic Popular Music View
John Richardson
 
Journal of Film Music Vol 6 No. 1 (2013) Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier View
Mark Durrand
 
Journal of World Popular Music Vol 6 No. 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music View
Jeremy Wallach
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘Well-worn grooves’: Music, materiality and biographical memory View
Iain A. Taylor
 
Popular Music History Vol 6 No. 3 (2011) Adopting the rights-based model: Music multinationals and local music industries since 1945 View
Gerben Bakker
 
Equinox eBooks Publishing Local Acts, Global Success Chaos, Clergy, Cash and Concerts: The Live Music Industry View
Michael Murphy, Jim Rogers
 
Perfect Beat Vol 14 No. 2 (2013) Youth, radio and Australian popular music policy View
Chris K. Wilson
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Theory Through the Lens of Film View
Frank Lehman
 
Perfect Beat Vol 1 No. 2 (1993) AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry View
Diane Langman
 
Perfect Beat Vol 10 No. 2 (2009) Music as territory: Aksim Siming and stringband music in the Madang area View
Junichiro Suwa
 
Equinox eBooks Publishing Advancing Nonviolence and Social Transformation Chapter 18. Music and Nonviolence: Reflections on Possibility and Hope View
Lauren Levesque
 
Encyclopedia of Film Music and Sound View
Mark Evans
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Experiential knowledge: Dance as source for popular music historiography View
Beate Peter
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Equinox eBooks Publishing Elements of Music Management Music Marketing: Streams, Sales and Fan Accumulation - Life's a Stream View
Graham Ball
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Perfect Beat Vol 3 No. 3 (1997) ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC View
ALINE SCOTT-MAXWELL
 
Implicit Religion Vol 17 No. 2 (2014) Music as an Aid to Philosophizing about Religion View
Peter Donovan
 
Perfect Beat Vol 1 No. 4 (1994) LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video View
Bruce Sheridan, Philip Hayward
 
Journal of Film Music Vol 7 No. 2 (2014) Ron Rodman, Tuning In: American Narrative Television Music View
James Deaville
 
Popular Music History Vol 3 No. 3 (2008) The Archive of Contemporary Music, New York View
Andy Linehan
 
Equinox eBooks Publishing Scouse Pop Rainy Day Music: Art Pop and the Scouse Romantic View
Paul Skillen
 
Perfect Beat Vol 1 No. 4 (1994) CLIMBING THE ROCK: The New Zealand Music Industry View
Roy Shuker
 
Equinox eBooks Publishing In Search of Fela Anikulapo Kuti Underground System: Egypt ’80 (musical overview 1979 – 1997) View
Max Reinhardt, Rita Ray
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Popular music history on screen: the pop/rock biopic View
Ian Inglis
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Listening again to popular music as history View
Paul Leslie Long, Nicholas Gebhardt
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Brief History of Turkish Music in Ghent View
Liselotte Sels
 
Journal of World Popular Music Vol 6 No. 2 (2019) Currents and Contradictions in the Ethnomusicology of Popular Music View
Harris M. Berger
 
Equinox eBooks Publishing The Making of the Musical World Reflections: Unity and Diversity in the World’s Music View
Andrew Killick
 
Journal of Film Music Vol 2 No. 1 (2007) Roger Hickman. Reel Music: Exploring 100 Years of Film Music View
Lora Matthews
 
Perfect Beat Vol 14 No. 2 (2013) Introduction: policy and popular music View
Jennifer Cattermole, Martin Cloonan, Shane Homan
 
Journal of Film Music Vol 2 No. 1 (2007) Whose Classical Music? Reflections on Film Adaptation View
Lawrence Kramer
 
Popular Music History Vol 9 No. 2 (2014) The lifetime soundtrack: Music as an archive for autobiographical memory View
Lauren Istvandity
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Equinox eBooks Publishing Bikutsi Performing Beti ‘Village’ Music: Les Vétérans View
Anja Brunner
 
Perfect Beat Vol 9 No. 1 (2008) REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 View
David Panichi
 
Religious Studies and Theology Vol 34 No. 1 (2015) Music in Islamic Spiritual Care: A Review of Classical Sources View
Nazila Isgandarova
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Folk Music Notation and the TRT Archive View
Liselotte Sels
 
Journal of Film Music Vol 4 No. 2 (2011) Modular Structures in Film Music: The Answer to Synchronization Problems? View
Bartlomiej P Walus
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Popular Music History Vol 1 No. 3 (2004) What story should a history of popular music tell? View
Allan Moore
 
Perfect Beat Vol 19 No. 2 (2018) Rationales in flux: Charting transcultural Polynesian music-making processes View
Andrew Faleatua
 
Equinox eBooks Publishing Scouse Pop Some Aspects of the Music Industry in Liverpool View
Paul Skillen
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Contextual and Musical Aspects of Performances in Turkey and Ghent View
Liselotte Sels
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 View
Anne Cleaton
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Perfect Beat Vol 16 No. 1-2 (2015) Mutiny Music: A Sonic Passage Between Islands View
Joseph Cummins
 
Journal for the Academic Study of Religion Vol 20 No. 2 (2007) Brand of Choice: Why Hillsong Music is Winning Sales and Souls View
E.H. McIntyre
 
Equinox eBooks Publishing Mosaics Appendix 4: Royal Academy of Music Collier Alumni View
Duncan Heining
 
Journal of Film Music Vol 7 No. 2 (2014) Swiss Film Music: Anthology 1923–2012 View
Michael Baumgartner
 
Popular Music History Vol 6 No. 3 (2011) The making of a Yugoslav popular music industry View
Dean Vuletic
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 View
Giacomo Bottà
 
Journal of Film Music Vol 4 No. 1 (2011) The Problem of Music in a Historical Film View
Herbert Stothart
 
Popular Music History Vol 10 No. 3 (2015) Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University View
Timothy Young
 
Perfect Beat Vol 8 No. 4 (2008) WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia View
MARTIN CLOONAN
 
Equinox eBooks Publishing Song for Someone: The Musical Life of Kenny Wheeler Music for Large and Small Ensembles: (1984-1995) View
Brian Shaw, Nick Smart
 
Perfect Beat Vol 11 No. 1 (2010) State of play: Live original music venues in Western Australia View
Dawn Bennett
 
Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
John O'Flynn, Áine Mangaoang
 
Jazz Research Journal Vol 9 No. 1 (2015) The jazz storyteller: Improvisers’ perspectives on music and narrative View
Sven Bjerstedt
 
Equinox eBooks Publishing Ludomusicology Analyzing Video Game Music: Sources, Methods and a Case Study View
Tim Summers
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The lost musical histories of Merthyr Tydfil View
Paul Carr
 
Popular Music History Vol 5 No. 1 (2010) Unconscious anchors: Bernard Herrmann’s music for Marnie View
Tom Schneller
 
Equinox eBooks Publishing The Northern Soul Scene Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes View
Nicola Smith
 
Perfect Beat Vol 19 No. 1 (2018) Still Rage-ing: Australia’s music video programme at 30 View
Liz Giuffre
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK View
Paul Carr
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Equinox eBooks Publishing Ludomusicology Suture and Peritexts: Music Beyond Gameplay and Diegesis View
Michiel Kamp
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Perfect Beat Vol 2 No. 4 (1996) DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session View
JON FITZGERALD
 
Perfect Beat Vol 2 No. 4 (1996) CROSS-CULTURAL CONNECTIONS An Overview of Musical Change on the Yap islands of Micronesia View
DEIRDRE MARSHALL-DEAN
 
Journal of Film Music Vol 2 No. 2-4 (2009) Wavering Sonorities and the Nascent Film Noir Musical Style View
Roger Hickman
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 3. Dying Language, Multi-Identity and Music for the Young View
Pekka Suutari
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Perfect Beat Vol 14 No. 2 (2013) Popular music, cultural policy, and the Festival of Pacific Arts View
Dan Bendrups
 
Equinox eBooks Publishing Identifying Roots Kunta Kinte in American TV, Film, and Music View
Richard Newton
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Journal of Film Music Vol 7 No. 2 (2014) Frank Lehman, Hollywood Harmony: Musical Wonder and the Sound of Cinema View
Erik Heine
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
Journal of Film Music Vol 7 No. 2 (2014) Hannah Lewis, French Musical Culture and the Coming of Sound Cinema View
Colin Roust
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Recorded Time Listening Again to Popular Music History View
Paul Leslie Long
 
Perfect Beat Vol 12 No. 2 (2011) The success of hopelessness: the evolution of Korean indie music View
Hyunjoon Shin
 
Equinox eBooks Publishing Ludomusicology Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games View
William Gibbons
 
Equinox eBooks Publishing Ludomusicology “It’s a me, Mario!” – Playing With Video Game Music View
Melanie Fritsch
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Ain’t misbehavin’: Jazz music in children’s television View
Liam Maloy
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
Jocelyne Guilbault
 
Perfect Beat Vol 14 No. 1 (2013) Language, music and cultural consolidation on Minami Daito View
Philip Hayward, Daniel Long
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Extreme music for extreme people? Norwegian black metal and transcendent violence View
Michelle Phillipov
 
Perfect Beat Vol 11 No. 2 (2010) Governmental as anything: live music and law and order in Melbourne View
Shane Homan
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
Paul Long, Sarah Raine
 
Popular Music History Vol 3 No. 1 (2008) The origins and development of The Institute of Popular Music: An interview View
Dave Horn
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) The poetics of recorded time: Listening again to popular music history View
Paul Long
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
ROY SHUKER
 
Jazz Research Journal Vol 11 No. 2 (2017) Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music View
Alexandre Gagatsis
 
Perfect Beat Vol 20 No. 1 (2019) Experiences and perceptions of gender in the Australian music industry View
Hannah Mary Fairlamb, Bianca Fileborn
 
Journal of Film Music Vol 5 No. 1-2 (2012) "'Leitmotif': On the Application of a Word to Film Music" View
Stephen C. Meyer
 
Journal of World Popular Music Vol 1 No. 2 (2014) No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music View
Tom Wagner
 
Perfect Beat Vol 13 No. 1 (2012) New age music and Japanese tradition: Kitaro Live in Yakushiji View
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Equinox eBooks Publishing Cultural Mapping and Musical Diversity 11. Mapping and Representing Musical Diversity in Switzerland: The Role of Artists, Ethnomusicologists, and Officials View
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Perfect Beat Vol 1 No. 3 (1993) SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival View
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Perfect Beat Vol 1 No. 1 (1992) TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations View
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Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Nine lives in the music business: Reg Dwight and Elton John in the 1960s View
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Perfect Beat Vol 2 No. 3 (1995) NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene View
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Journal of World Popular Music Vol 7 No. 1 (2020) Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. View
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Perfect Beat Vol 2 No. 1 (1994) THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music View
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Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) ‘[I] hate girls and emo[tion]s: Negotiating masculinity in grindcore music View
Rosemary Overell
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. View
Sarah Kenny
 
Journal of World Popular Music Vol 7 No. 1 (2020) The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory View
Mariana Barreto
 
Perfect Beat Vol 15 No. 1 (2014) German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? View
Andrew Wright Hurley
 
Perfect Beat Vol 1 No. 3 (1993) SUCCESS IS IN THE AIR The Soundtrack, Music and Marketing of Strictly Ba!lroom View
Meret Valtwies
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Popular Music History Vol 1 No. 3 (2004) Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s View
Eamonn Forde
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi View
Linda Maria Koldau
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Living with music: Departures and returns among early New Orleans jazz musicians View
Nicholas Gebhardt
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change View
Dave Wilson
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) View
William H. Rosar
 
Popular Music History Vol 5 No. 1 (2010) Introduction to the special issue: The music of Bernard Herrmann View
Dave Laing
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Perfect Beat Vol 18 No. 1 (2017) Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream View
Henry Johnson
 
Perfect Beat Vol 2 No. 3 (1995) A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River View
ADRIAN MCNEIL
 
Journal of Film Music Vol 4 No. 2 (2011) Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical View
Melissa Ursula Dawn Goldsmith
 
Journal of World Popular Music Vol 7 No. 1 (2020) “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality View
Brent Keogh, Ian Collinson
 
Journal of World Popular Music Vol 6 No. 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music View
Vincenzo Perna
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music View
Kendra Salois
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Journal of Film Music Vol 4 No. 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) View
Linda K. Schubert
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Paths Between the Spiritual and the Real: On the Intersection of Musical Style, Symmetry, and Cycle in Kenji Mizoguchi’s Ugetsu (1953) View
David Pacun
 
Journal of Film Music Vol 5 No. 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History View
Peter Moormann
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 1 No. 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” View
Chris Tonelli
 
Popular Music History Vol 5 No. 1 (2010) Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann View
Jonathan Waxman
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Perfect Beat Vol 13 No. 2 (2012) Planes of illusion: music soundtrack, rendition and attribution in Sanctum< (2011) View
Jon Fitzgerald, Philip Hayward, David Brennan
 
Equinox eBooks Publishing Sounds Northern 2. Another Uniquely Mancunian Offering?: Un-Convention and the Intermediation of Music Culture and Place View
Paul Long, Jez Collins
 
Gender and Language Vol 12 No. 3 (2018) ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music View
Christina Schoux Casey, Maeve Eberhardt
 
Popular Music History Vol 11 No. 3 (2018) Following better things: Grammar schools, religion and English rock music in the early 1970s View
Alistair Mutch
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). View
Barbara Pemberton
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 12. Tracing the Minhag Ashkenaz in Swiss Synagogue Music: Advocates of Intangible Cultural Heritage Meet Agents of Cultural Sustainability View
Sarah Ross
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ View
Jared Mackley-Crump
 
Perfect Beat Vol 17 No. 1 (2016) Musical Landscapes of Lihir: Exploring Performance and Place in a Museum Exhibition View
Kirsty Gillespie
 
Popular Music History (0) ADVANCE ACCESS Space to play: The sound of British female punk music and its engagement with reggae in the 1970s View
Helen Reddington
 
Perfect Beat Vol 17 No. 1 (2016) Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs View
Robin Ann Ryan, Mark Bradley Cain
 
Popular Music History Vol 7 No. 3 (2012) Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. View
Richard Witts
 
Popular Music History Vol 10 No. 3 (2015) Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) View
Marlie Centawer
 
Popular Music History Vol 8 No. 3 (2013) The making of identity and its relation to place and success: The case of ‘mainstream’ popular music in Newcastle NSW, 1973–1988 View
Gaye Sheather, Phillip McIntyre
 
Journal of World Popular Music Vol 3 No. 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television View
Liz Giuffre
 
Equinox eBooks Publishing In Search of Fela Anikulapo Kuti Zombie & Kalakuta Show: The Kalakuta Republic vs The Nigerian Army (1974-1978) and the passing of Africa ’70 (musical overview up to 1978) View
Max Reinhardt, Rita Ray, Rita Ray
 
Equinox eBooks Publishing Religion and Touch 4. Widsith’s Lyre: A Personal Exploration of Religion, Music and Touch View
Andy Letcher
 
Perfect Beat Vol 11 No. 1 (2010) O’Flynn, John. 2009. The Irishness of Irish Music. Hampshire: Ashgate. ISBN 978-0- View
Helen O'Shea
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Popular Music History Vol 3 No. 2 (2008) It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music View
Pete Dale
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann View
Richard Littlefield
 
Perfect Beat Vol 4 No. 4 (2000) John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press View
PHILIP HAYWARD
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book View
Eric Hung
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 View
Ben Green
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music View
Ewa Mazierska, Zsolt Győri
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. View
Judith Bernanke
 
Journal of World Popular Music Vol 4 No. 2 (2017) Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time View
Pablo Alabarces, Felipe Trotta
 
Perfect Beat Vol 2 No. 3 (1995) RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands View
LUTGARD MUTSAERS
 
Journal of World Popular Music Vol 2 No. 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl View
Arno van der Hoeven
 
Journal of World Popular Music Vol 3 No. 1 (2016) “Spark and Cultivate”: LISTEN and Grassroots Feminist Activism in the Melbourne Music Scene View
Catherine Strong, Evelyn Morris
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 19 No. 1 (2018) Putting a premium on music: Exploring the vinyl revival in the Philippines View
Monika E. Schoop
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples View
Matthew Brown
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 8. The Space of the Gong Culture in the Central Highlands of Vietnam: Old and New Directions in Ede Traditional Music View
Vincenzo della Ratta
 
Journal of Film Music Vol 6 No. 1 (2013) Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf View
Alexis Luko
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo View
David Cooper
 
Perfect Beat Vol 11 No. 1 (2010) Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. View
Roy Shuker
 
Perfect Beat Vol 8 No. 3 (2007) Kahn-Harris, K (2006) Extreme Metal: Music and Culture on the Edge, Oxford: Berg View
MICHELLE PHILLIPOV
 
Perfect Beat Vol 1 No. 3 (1993) Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises View
Andrew Murphie
 
Popular Music History Vol 8 No. 3 (2013) An introduction to the music collection at the National Library of Sweden View
Jan Olofsson, Hans Gustafsson, David Brodin
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies The Mystery of Herrmann's Music for Selznick's Portrait of Jennie View
Thomas DeMary
 
Perfect Beat Vol 8 No. 4 (2008) Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate View
JON STRATTON
 
Journal of Film Music Vol 3 No. 2 (2010) “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey View
Julia Heimerdinger
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. View
Kheng K. Koay
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much View
James Wierzbicki
 
Perfect Beat Vol 2 No. 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music View
Andrew MURPHIE
 
Perfect Beat Vol 11 No. 1 (2010) Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan View
Mark Evans
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) How hard is it to remember Bananarama? The perennial forgetting of girls in music View
Lucy Robinson
 
Perfect Beat Vol 9 No. 1 (2008) Evans, M (2007) Open Up the Doors: Music in the Modern Church, London: Equinox View
ROBIN RYAN
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] View
Rebecca FÜlÖP
 
Perfect Beat Vol 20 No. 1 (2019) ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard View
Paul Ballam-Cross
 
Journal of Film Music Vol 2 No. 2-4 (2009) Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. View
Kendra Preston Leonard
 
Popular Music History Vol 10 No. 2 (2015) Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney View
Gaëlle Crenn
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 4 No. 3 (2008) Dancing the River: Fluidity of Eros and Gender in Music and Dance of African Diasporic Spiritual Traditions View
David Hatfield Sparks
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 View
Kari Kallioniemi
 
Perfect Beat Vol 9 No. 1 (2008) Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate View
GEOFF KING
 
Perfect Beat Vol 9 No. 1 (2008) BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s View
JON STRATTON
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Perfect Beat Vol 9 No. 1 (2008) UKULELE AFFECTIONS AND HAWAIIAN FAMILY CONNECTIONS The Music and Memories of Musician/Producer Rick Cunha View
KARL NEUENFELDT
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK They preferred to sit on the floor: Rock music in South Wales at a time of industrial change View
Mike Jones
 
Perfect Beat Vol 3 No. 3 (1997) INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet View
KARL NEUENFELDT
 
Journal of World Popular Music Vol 2 No. 2 (2015) Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) View
Heather Strohschein
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis View
Patrick Wood
 
CALICO Journal Vol 4 No. 3 (1986) When the Music Stops: A Review of Using Computers in Language Learning View
John Underwood
 
Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
BRUCE JOHNSON
 
Elton John View
Dave Laing†
 
Journal of World Popular Music Vol 1 No. 1 (2014) Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) View
Nabeel Zuberi
 
Journal of World Popular Music Vol 2 No. 1 (2015) Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) View
Imani Sanga
 
Fieldwork in Religion Vol 11 No. 1 (2016) Special Issue: Fieldwork on G. I. Gurdjieff and the “Work” Petsche, Johanna J. M. 2015. Gurdjieff and Music: The Gurdjieff/de Hartmann Piano Music and its Esoteric Significance. Leiden and Boston, MA: Brill. xvi + 279pp. Ebook. US$130. E-ISBN: 9789004284449. Hbk. US$142.00. ISBN-13: 96789004284425 View
Carole M. Cusack
 
Rufus Wainwright View
Katherine Williams
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] View
James Wierzbicki
 
Perfect Beat Vol 14 No. 2 (2013) Review of Novak, D. 2013. Japanoise: Music at the Edge of Cuirculation. Duke University Press. View
Rosemary Overell
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 1. Kulturkreise, Culture Areas and Chronotopes: Old Concepts Reconsidered for the Mapping of Music Cultures Today View
Marcello Sorce Keller
 
Journal of World Popular Music Vol 2 No. 1 (2015) Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) View
William Ross Hagen
 
Popular Music History Vol 4 No. 3 (2009) Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). View
Noel McLaughlin
 
Popular Music History Vol 7 No. 1 (2012) Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). View
Faye Woods
 
Journal of World Popular Music Vol 1 No. 1 (2014) Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. View
Emília Barna
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba View
Iván Darias Alfonso
 
Journal of Film Music Vol 2 No. 1 (2007) Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] View
Tom Schneller
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press View
Robert G H Burns
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain View
Nabeel Zuberi
 
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