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| Journal | Issue | Title | |
| The Music of Fantasy Cinema | View | ||
| Janet K. Halfyard, Mark Brill, Philip Hayward, J. Drew Stephen, Lee Barron, Liz Giuffre, Ben Winters, Alexander G. Binns, Scott Murphy, Victoria Hancock, Jamie L. Webster | |||
| Elements of Music Management | View | ||
| Graham Ball , Tony Crean, Sally Gross, George Musgrave | |||
| Beyond 2.0 | View | ||
| Steve Collins, Sherman Young | |||
| Cultural Mapping and Musical Diversity | View | ||
| Britta Sweers, Sarah M. Ross, Tom Beardslee, Shai Burstyn, Marc-Antoine Camp, Brigitte Bachmann-Geiser, David Vitali, Dieter Ringli, Patricia Jäggi, Vincenzo della Ratta, Ana Hofman, Zuzana Jurkova, Svend Kjeldsen, Marcello Sorce Keller, Gerda Lechleitner, Matthew Machin-Autenrieth, Lukas Park, Marzanna Poplawska, Thomas Solomon, Pekka Suutari | |||
| Terror Tracks | View | ||
| James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward | |||
| Ludomusicology | View | ||
| Michiel Kamp, Tim Summers, Mark Sweeney, Stephen Baysted, Samantha Blickhan, Isabella van Elferen, William Gibbons, Freya Jarman, Anahid Kassabian, Elizabeth Medina-Gray, Melanie Fritsch | |||
| The Making of the Musical World | View | ||
| Andrew Killick | |||
| Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | American Music | View |
| Ray Smith, Mike Pointon | |||
| The Lifetime Soundtrack | View | ||
| Lauren Istvandity | |||
| Drawn to Sound | View | ||
| Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki | |||
| Equinox eBooks Publishing | Venue Stories | Music Spaces and Music Memory | View |
| Anna Elias | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Globalization and World Music | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music before Neoliberalism | View |
| Simone Krüger Bridge | |||
| Bikutsi | View | ||
| Anja Brunner | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Elements of Music Management | What is Music Management? | View |
| Sally Gross, George Musgrave | |||
| Lee Morgan | View | ||
| Tom Perchard | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music in Postdemocracy | View |
| Simone Krüger Bridge | |||
| CALICO Journal | Vol 21 No. 1 (2004) | Musical Spanish | View |
| Linda C. Jones | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Music Tree | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Jazz as a music of migration, a 'world music' | View |
| Duncan Heining | |||
| Local Acts, Global Success | View | ||
| Michael Murphy, Jim Rogers | |||
| The Last Miles | View | ||
| George Cole | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Is jazz popular music? | View |
| Simon Frith | |||
| Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
| Dave Laing | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music and Historiography | View |
| Charles Hamm | |||
| Turkish Folk Music between Ghent and Turkey | View | ||
| Liselotte Sels | |||
| Open Up the Doors | View | ||
| Mark Evans | |||
| Trajectories and Themes in World Popular Music | View | ||
| Simone Krüger Bridge | |||
| Movies, Moves and Music | View | ||
| Mark Evans, Mary Fogarty, Greg S. Faller, Faye Woods, Brian Su-Jen Chung, Afia Ofori-Mensa, Diane Hughes, Gillian Turnbull, Philip Hayward, Jon Fitzgerald, Colleen Dunagan, Roxane Fenton, Usha Iyer, Megan Anne Todd, Sarah-Mace Dennis, Kelly Kessler | |||
| Being Prez | View | ||
| Dave Gelly | |||
| Threads /Uncommon People | View | ||
| Nigel Humberstone, Joanne Wingate | |||
| Sounds Northern | View | ||
| Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah | |||
| Equinox eBooks Publishing | Sounds Icelandic | ‘A Nation without Music?’: Symphonic Music and Nation-Building | View |
| Kimberly Cannady, Kristín Loftsdóttir | |||
| Mr. P.C. | View | ||
| Rob Palmer | |||
| Equinox eBooks Publishing | The Study of Religious Experience | 9. Music as Spiritual Experience | View |
| June Boyce-Tillman | |||
| The Handbook on Music Business and Creative Industries in Education | View | ||
| Daniel Walzer, Mahdi Fathi, Wilbur Chang, Jei-Zheng Wu, Marzieh Khakifirooz, Mathew Flynn, Kirk McNally, Alex Timewell, Jeremy Peters, Taneshia Nash Laird, Sekou Campbell, Simon Strange, Hussein Boon, Nicole Canham, Rod Davies, Vicky Armstrong, Helen Elizabeth Davies, Joe Sferra, Taylor Ackley, Ian Stevenson, Gerhard Roux, Ben Toscher, Martin Lücke, Mark Thorley, Louise Godwin, Sean Foran, Vincent Perry, Jade O'Regan, Tom O'Halloran | |||
| The Lost Women of Rock Music | View | ||
| Helen Reddington, Derek Scott | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Emotion, Feeling and Musical Memories | View |
| Lauren Istvandity | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | World Music as both a 'brand' and a music of commitment. | View |
| Duncan Heining | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
| Diane Hughes, Sarah Keith | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | France, a musical melting pot | View |
| Duncan Heining | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DIRECTIONS IN POPULAR MUSIC STUDIES | View |
| BRUCE JOHNSON | |||
| Soul Unsung | View | ||
| Kevin Le Gendre | |||
| Equinox eBooks Publishing | Keith Jarrett | Winding Paths to Musical Mastership | View |
| Wolfgang Sandner | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Effects of Music-Making on Musical Memories and the Lifetime Soundtrack | View |
| Lauren Istvandity | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Renewed Perspectives on Musical Memory | View |
| Lauren Istvandity | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music Studies and Interdisciplinarity | View |
| Steve Waksman | |||
| Equinox eBooks Publishing | Ludomusicology | Modularity in Video Game Music | View |
| Elizabeth Medina-Gray | |||
| Equinox eBooks Publishing | The History of European Jazz | 37. Jews and Jewish Music | View |
| Gabriele Coen | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Pop-Rock as Musical Cosmopolitanism | View |
| Motti Regev | |||
| Sounds Icelandic | View | ||
| Þorbjörg Daphne Hall , Nicola Dibben, Árni Heimir Ingólfsson , Tony Mitchell, Kimberly Cannady, Kristín Loftsdóttir, Ragnheiður Ólafsdóttir, John Richardson, Arnar Eggert Thoroddsen, Sarah Baker, Brad Osborn, Sarah Boak, Nick Prior, David Kenneth Blake | |||
| Song for Someone: The Musical Life of Kenny Wheeler | View | ||
| Brian Shaw, Nick Smart | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Thirty Years of World Music | View |
| Timothy D. Taylor | |||
| Perfect Beat | Vol 2 No. 4 (1996) | MUSIC ARCHIVE FOR THE PACIFIC | View |
| MICHAEL HANNAN | |||
| Perfect Beat | Vol 2 No. 1 (1994) | TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne | View |
| ROBIN RYAN | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodramatic Music in the Western | View |
| Mariana Whitmer | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | Cultural Mapping and Musical Diversity | View |
| Britta Sweers, Sarah Ross | |||
| Perfect Beat | Vol 2 No. 3 (1995) | HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' | View |
| JOHN WHITEOAK | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
| Roy Shuker | |||
| Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
| Joel Isabirye | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music Resources | View |
| Andy Lineham | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Equinox eBooks Publishing | Bikutsi | Musical Changes towards Beti Music by Modern Dance Bands in Yaoundé in the 1970s | View |
| Anja Brunner | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 4. Mapping 'Inconvenient' Music Heritage | View |
| Ana Hofman | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music in Theory and Practice | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Elements of Music Management | Music Development: The Role of A and R - Music will Never Stop | View |
| Sally Gross | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| The History of European Jazz | View | ||
| Francesco Martinelli, Alyn Shipton, Duncan Heining, George McKay, Selwyn Harris, Michael Heffley, Gabriele Coen, Michael Dregni, Rainer Lotz, Xavier Prevost, Cormac Larkin, Martin Pfleiderer, Bert Vuijsje, Jean-Pol Schroeder, Marc Demuth, Tore Mortensen, Lars Westin, Juha Henriksson, Bjorn Stendahl, Vernhardur Linnet, Krystian Brodacki, Yvetta Kajanova, Gabor Turi, Andreas Felber, Bruno Spoerri, Cyril Moshkow, Dmitri Podberezsky, Alexander Yudin, Chema Martinez, Rui Eduardo Paes, Indrikis Veitners, Ruta Skudiene, Tiit Lauk, Sakis Papadimitriou, Mike Mazur, Virgil Mihaiu, Vladimir Gadjev, Hulya Tuncag, Rain Sultanov, Armen Manukian, Halina Maria Boniszewska, Pedro Cravinho, Jan Bruer, Måns Wallgren, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
| Gone in the Air | View | ||
| Brian Morton | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music in the Films: The Promotion of Film Music in the Concert Hall | View |
| Leith Stevens † | |||
| Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
| Joe Boyd, | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Some Notes on Popular Music in my (Professional) Life | View |
| Bruno Nettl | |||
| Equinox eBooks Publishing | Ludomusicology | Analyzing Game Musical Immersion: The ALI Model | View |
| Isabella van Elferen | |||
| Equinox eBooks Publishing | The Making of the Musical World | American Popular Music and the World | View |
| Andrew Killick | |||
| Popular Music History | Vol 10 No. 2 (2015) | Introduction: Special issue on Popular Music and Heritage | View |
| Marion Leonard, Robert Knifton | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
| Jörg Jewanski | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Recorded Music and Memory: Capturing, Indexing and Archiving the Past | View |
| Lauren Istvandity | |||
| Equinox eBooks Publishing | Sounds Icelandic | Spatiality, Sociality and Circulation: Popular Music Scenes in Reykjavík | View |
| Nick Prior | |||
| Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
| FRED COLE, MICHAEL HANNAN | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
| Toby Martin | |||
| Popular Music History | Vol 8 No. 3 (2013) | Soccer sounds: Popular music and football in Britain | View |
| Dave Laing, Andy Linehan | |||
| Equinox eBooks Publishing | Ludomusicology | Game and Play in Music Video Games | View |
| Anahid Kassabian, Freya Jarman | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
| Christina Ballico | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Musical Functions in Turkey and Ghent | View |
| Liselotte Sels | |||
| Perfect Beat | Vol 1 No. 3 (1993) | STAR MOVES Choreography, Choreographers and Australian Music Video | View |
| Rachael Gorham, Arielle Nakache | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| The Godfather of British Jazz | View | ||
| Clark Tracey | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | World Music, World Circuit: In Conversation with Nick Gold | View |
| Simone Krüger | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Neoliberalism and the Global Music Industry | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | The Turkish Folk Music Network in Ghent | View |
| Liselotte Sels | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
| CORALIE JOYCE | |||
| Equinox eBooks Publishing | The Making of the Musical World | Popular and Traditional Musics of Indigenous Peoples | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music Events in Turkey and Ghent | View |
| Liselotte Sels | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials | View |
| Nicol William Snedden | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance | View |
| SEBASTIAN CHAN | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Assembling an Interdisciplinary Approach to Musical Memories | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 2 No. 4 (1996) | QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA | View |
| DON NILES | |||
| Equinox eBooks Publishing | Sounds Icelandic | Surrealism in Icelandic Popular Music | View |
| John Richardson | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier | View |
| Mark Durrand | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
| Gerben Bakker | |||
| Equinox eBooks Publishing | Local Acts, Global Success | Chaos, Clergy, Cash and Concerts: The Live Music Industry | View |
| Michael Murphy, Jim Rogers | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Ektoplazm.com: Psychedelic trance, internet curation and free music distribution | View |
| Christopher David Charles | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Youth, radio and Australian popular music policy | View |
| Chris K. Wilson | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Perfect Beat | Vol 1 No. 2 (1993) | AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry | View |
| Diane Langman | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Theory Through the Lens of Film | View |
| Frank Lehman | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Music as territory: Aksim Siming and stringband music in the Madang area | View |
| Junichiro Suwa | |||
| Equinox eBooks Publishing | Advancing Nonviolence and Social Transformation | Chapter 18. Music and Nonviolence: Reflections on Possibility and Hope | View |
| Lauren Levesque | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Equinox eBooks Publishing | Elements of Music Management | Music Marketing: Streams, Sales and Fan Accumulation - Life's a Stream | View |
| Graham Ball | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Encyclopedia of Film Music and Sound | View | ||
| Mark Evans | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
| Andy Bennett | |||
| Perfect Beat | Vol 3 No. 3 (1997) | ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC | View |
| ALINE SCOTT-MAXWELL | |||
| Implicit Religion | Vol 17 No. 2 (2014) | Music as an Aid to Philosophizing about Religion | View |
| Peter Donovan | |||
| Perfect Beat | Vol 1 No. 4 (1994) | LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video | View |
| Bruce Sheridan, Philip Hayward | |||
| Popular Music History | Vol 3 No. 3 (2008) | The Archive of Contemporary Music, New York | View |
| Andy Linehan | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Ron Rodman, Tuning In: American Narrative Television Music | View |
| James Deaville | |||
| Equinox eBooks Publishing | Scouse Pop | Rainy Day Music: Art Pop and the Scouse Romantic | View |
| Paul Skillen | |||
| Perfect Beat | Vol 1 No. 4 (1994) | CLIMBING THE ROCK: The New Zealand Music Industry | View |
| Roy Shuker | |||
| Equinox eBooks Publishing | In Search of Fela Anikulapo Kuti | Underground System: Egypt ’80 (musical overview 1979 – 1997) | View |
| Max Reinhardt, Rita Ray | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Brief History of Turkish Music in Ghent | View |
| Liselotte Sels | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Listening again to popular music as history | View |
| Paul Leslie Long, Nicholas Gebhardt | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Popular music history on screen: the pop/rock biopic | View |
| Ian Inglis | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
| Harris M. Berger | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Roger Hickman. Reel Music: Exploring 100 Years of Film Music | View |
| Lora Matthews | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Introduction: policy and popular music | View |
| Jennifer Cattermole, Martin Cloonan, Shane Homan | |||
| Equinox eBooks Publishing | The Making of the Musical World | Reflections: Unity and Diversity in the World’s Music | View |
| Andrew Killick | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Whose Classical Music? Reflections on Film Adaptation | View |
| Lawrence Kramer | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Popular Music History | Vol 9 No. 2 (2014) | The lifetime soundtrack: Music as an archive for autobiographical memory | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 9 No. 1 (2008) | REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 | View |
| David Panichi | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Folk Music Notation and the TRT Archive | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Bikutsi | Performing Beti ‘Village’ Music: Les Vétérans | View |
| Anja Brunner | |||
| Religious Studies and Theology | Vol 34 No. 1 (2015) | Music in Islamic Spiritual Care: A Review of Classical Sources | View |
| Nazila Isgandarova | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Modular Structures in Film Music: The Answer to Synchronization Problems? | View |
| Bartlomiej P Walus | |||
| Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
| Allan Moore | |||
| Equinox eBooks Publishing | Scouse Pop | Some Aspects of the Music Industry in Liverpool | View |
| Paul Skillen | |||
| Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
| Richard Coopey | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Rationales in flux: Charting transcultural Polynesian music-making processes | View |
| Andrew Faleatua | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Contextual and Musical Aspects of Performances in Turkey and Ghent | View |
| Liselotte Sels | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
| Anne Cleaton | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
| Joseph Cummins | |||
| Journal for the Academic Study of Religion | Vol 20 No. 2 (2007) | Brand of Choice: Why Hillsong Music is Winning Sales and Souls | View |
| E.H. McIntyre | |||
| Equinox eBooks Publishing | Mosaics | Appendix 4: Royal Academy of Music Collier Alumni | View |
| Duncan Heining | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Swiss Film Music: Anthology 1923–2012 | View |
| Michael Baumgartner | |||
| Popular Music History | Vol 6 No. 3 (2011) | The making of a Yugoslav popular music industry | View |
| Dean Vuletic | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Problem of Music in a Historical Film | View |
| Herbert Stothart | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 | View |
| Giacomo Bottà | |||
| Popular Music History | Vol 10 No. 3 (2015) | Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University | View |
| Timothy Young | |||
| Equinox eBooks Publishing | Song for Someone: The Musical Life of Kenny Wheeler | Music for Large and Small Ensembles: (1984-1995) | View |
| Brian Shaw, Nick Smart | |||
| Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
| MARTIN CLOONAN | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Perfect Beat | Vol 11 No. 1 (2010) | State of play: Live original music venues in Western Australia | View |
| Dawn Bennett | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | The jazz storyteller: Improvisers’ perspectives on music and narrative | View |
| Sven Bjerstedt | |||
| Equinox eBooks Publishing | Ludomusicology | Analyzing Video Game Music: Sources, Methods and a Case Study | View |
| Tim Summers | |||
| Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
| Anthony Y.H. Fung | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The lost musical histories of Merthyr Tydfil | View |
| Paul Carr | |||
| Popular Music History | Vol 5 No. 1 (2010) | Unconscious anchors: Bernard Herrmann’s music for Marnie | View |
| Tom Schneller | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes | View |
| Nicola Smith | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
| Paul Carr | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Still Rage-ing: Australia’s music video programme at 30 | View |
| Liz Giuffre | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
| Kristin McGee | |||
| Equinox eBooks Publishing | Ludomusicology | Suture and Peritexts: Music Beyond Gameplay and Diegesis | View |
| Michiel Kamp | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session | View |
| JON FITZGERALD | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Wavering Sonorities and the Nascent Film Noir Musical Style | View |
| Roger Hickman | |||
| Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
| Morten Michelsen | |||
| Perfect Beat | Vol 2 No. 4 (1996) | CROSS-CULTURAL CONNECTIONS An Overview of Musical Change on the Yap islands of Micronesia | View |
| DEIRDRE MARSHALL-DEAN | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 3. Dying Language, Multi-Identity and Music for the Young | View |
| Pekka Suutari | |||
| Equinox eBooks Publishing | Identifying Roots | Kunta Kinte in American TV, Film, and Music | View |
| Richard Newton | |||
| Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
| Paul Graves-Brown | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Popular Music History | Vol 3 No. 3 (2008) | Globalization and commercialization of Caribbean music | View |
| Mike Alleyne | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Frank Lehman, Hollywood Harmony: Musical Wonder and the Sound of Cinema | View |
| Erik Heine | |||
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Hannah Lewis, French Musical Culture and the Coming of Sound Cinema | View |
| Colin Roust | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content | View |
| Michael Remson | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Recorded Time Listening Again to Popular Music History | View |
| Paul Leslie Long | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Equinox eBooks Publishing | Ludomusicology | Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games | View |
| William Gibbons | |||
| Equinox eBooks Publishing | Ludomusicology | “It’s a me, Mario!” – Playing With Video Game Music | View |
| Melanie Fritsch | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Ain’t misbehavin’: Jazz music in children’s television | View |
| Liam Maloy | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Language, music and cultural consolidation on Minami Daito | View |
| Philip Hayward, Daniel Long | |||
| Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
| Greg Keeffe | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Extreme music for extreme people? Norwegian black metal and transcendent violence | View |
| Michelle Phillipov | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Governmental as anything: live music and law and order in Melbourne | View |
| Shane Homan | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
| Paul Long, Sarah Raine | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Ett minne för livet: A Swedish music collective | View |
| Alf Arvidsson, Jörgen Adolfsson | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
| Paul Long | |||
| Popular Music History | Vol 3 No. 1 (2008) | The origins and development of The Institute of Popular Music: An interview | View |
| Dave Horn | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | "'Leitmotif': On the Application of a Word to Film Music" | View |
| Stephen C. Meyer | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Experiences and perceptions of gender in the Australian music industry | View |
| Hannah Mary Fairlamb, Bianca Fileborn | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music | View |
| Alexandre Gagatsis | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music | View |
| Tom Wagner | |||
| Perfect Beat | Vol 13 No. 1 (2012) | New age music and Japanese tradition: Kitaro Live in Yakushiji | View |
| Kimi Coaldrake | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
| Kyle Devine | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music in a Transnational Context | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Bikutsi | Bikutsi on the Məndzáŋ: Dance Music on Xylophone Ensembles | View |
| Anja Brunner | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Toby Martin. 2015. Yodelling Boundary Riders: Country Music in Australia since the 1920s. | View |
| Natalie Rhook | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 8 No. 2 (2006) | "Be Pagan Once Again": Folk Music, Heritage, and Socio-sacred Networks in Contemporary American Paganism | View |
| Christopher Chase | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes | View |
| Samuel Charles Whiting | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | Attaining unity: Self-reference in the music of John Coltrane | View |
| Marc Medwin | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Popular Music History | Vol 10 No. 2 (2015) | A critical survey of museum collections of popular music in the United Kingdom | View |
| Marion Leonard, Robert Knifton | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture | View |
| Loes Rusch | |||
| Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
| Jonathan Feig | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music | View |
| Jonathan P. J. Stock | |||
| Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
| Brent Keogh | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | The politics, aesthetics and dissonance of music in everyday life | View |
| Roger Fagge | |||
| Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
| Nick Braae | |||
| Popular Music History | Vol 3 No. 1 (2008) | Introduction to the special issue: 20 years of the Institute of Popular Music | View |
| Dave Laing | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC | View |
| Jon Fitzgerald | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Cue Archetypes in the Film Scores of Elmer Bernstein | View |
| Donald C Meyer | |||
| Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
| BRUCE JOHNSON | |||
| Health and Social Care Chaplaincy | Vol 9 No. 2 (2021) | Ecological Awareness in Practice: Spirituality, Community Health, and the Possibilities of Music Therapy | View |
| Astrid Notarangelo | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Local interpretation: Music Video, Heritage and Community in Contemporary Vanuatu | View |
| Phil Hayward | |||
| Popular Music History | Vol 6 No. 3 (2011) | Making a scene: The Bergen wave in popular music, 1990–2008 | View |
| Stig Tenold | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
| Chris Gibson | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
| Liz Giuffre | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Melbourne popular music in the museum: Locating the academy in the sonic city | View |
| Marcus Breen | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
| Tony Fonseca | |||
| Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music | View |
| Yair Hashachar | |||
| Implicit Religion | Vol 17 No. 3 (2014) | Christian Themes in the Heavy Metal Music of Black Sabbath? | View |
| John J Johnson | |||
| Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
| Marcus Breen | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
| Sebastian Diaz-Gasca | |||
| Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Sound, music and gender in mobile games | View |
| David Machin, Theo van Leeuwen | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org | View |
| Deborah Justice | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. | View |
| MELISSA BATTERSBY, MERET VALTWIES | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Realms of re-enchantment: socio-cultural investigations of festival music space | View |
| Mark Jennings | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. | View |
| Anna Szemere | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York | View |
| Roger Hickman | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Manele, symbolic geography and music cosmopolitanism in Romania | View |
| Ruxandra Trandafoiu | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Introduction: New Perspectives on Popular Music in Asia | View |
| Shelley Brunt | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 | View |
| David Simonelli | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Jonathan Pieslak. 2015. Radicalism and Music: An Introduction to the Music Cultures of al-Qa’ida, Racist Skinheads, Christian-Affiliated Radicals, and Eco-Animal Rights Militants | View |
| Sarah J. Dietsche | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Pauwke Berkers and Julian Schaap. 2018. Gender Inequality in Metal Music Production | View |
| Catherine Hoad | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands | View |
| Sebastian Diaz-Gasca | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil | View |
| Gustavo Alonso | |||
| Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
| Henry Johnson | |||
| Perfect Beat | Vol 2 No. 1 (1994) | EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s | View |
| SHUHEI HOSOKAWA | |||
| Equinox eBooks Publishing | Dragon Headz | 5. Music from the Ditch: Weapons of Attitude | View |
| Adam de Paor-Evans | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World | View |
| Andrew Alter, Denis Crowdy, Stephen Collins | |||
| Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
| DAVID GOLDSWORTHY | |||
| Popular Music History | Vol 1 No. 1 (2004) | A Question of Standards: "My Funny Valentine" and Musical Intertextuality | View |
| Alan Stanbridge | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 1 No. 4 (1994) | STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate | View |
| Michael Pickering, Roy Shuker | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
| Michael Richard Clement Jr. | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Jazz Research Journal | Vol 7 No. 2 (2013) | Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice | View |
| Marian S. Jago | |||
| Equinox eBooks Publishing | Elements of Music Management | Live Music Industry: Nothing Like the Real Thing | View |
| Tony Crean | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | San Francisco State University's Music Federation: A local jazz cooperative for teachers | View |
| Meredith Morgan Eliassen | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact | View |
| Alex de Lacey | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Åse Ottosson. 2016. Making Aboriginal Men and Music in Central Australia | View |
| Henry Johnson | |||
| Perfect Beat | Vol 15 No. 2 (2014) | An interview with Tiki Taane: Expressing cultural heritage and identity through music | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship | View |
| Kimberly Kattari | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Orchestrating the Waterfront Dispute: Music and Discourse in Bastard Boys | View |
| Rebecca Dawn Coyle | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu | View |
| Timothy Koozin | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 7.Dancing the Landscape: Music, Place, Collective Memory, and Identity in a Highland Bolivia Pilgrimage | View |
| Tom Solomon | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity | View |
| Neil Deane, Elke Schuch | |||
| Equinox eBooks Publishing | Sounds Northern | Is It Really Grim Up North?: Popular Music in the North of England | View |
| Ewa Mazierska | |||
| Equinox eBooks Publishing | Sounds Icelandic | ‘Even Cute Babies Will Bite When Provoked’: Icelandic Popular Music and the Rise of the Krútt | View |
| Þorbjörg Hall | |||
| Popular Music History | Vol 5 No. 1 (2010) | The deleted music and scenes from Journey to the Center of the Earth | View |
| Bill Wrobel | |||
| Implicit Religion | Vol 7 No. 1 (2004) | Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution | View |
| Michael Amoah | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann: The Beethoven of Film Music? | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film | View |
| Erin Michelle Brooks | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music in the K-12 Classroom and the Quest for Education Justice | View |
| Kathryn Metz | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
| TONY MITCHELL, ROY SHUKER | |||
| Popular Music History | Vol 4 No. 1 (2009) | Scottish indie music and BBC radio’s Beat Patrol (1995–2000) | View |
| J. Mark Percival | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | “‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” | View |
| Kate McQuiston | |||
| Popular Music History | Vol 5 No. 3 (2010) | Forgetting and remembering the Bhundu Boys: conditions of memory in popular music | View |
| Mike Jones | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘Only one can rule the night’: Fairs and music in post-1945 Britain | View |
| Ian Trowell | |||
| Popular Music History | Vol 4 No. 1 (2009) | Discovering authenticity? Harry Smith's Anthology of American Folk Music | View |
| Rory Crutchfield | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 6. Climate and Environment in Idelsohn’s History of Hebrew Music | View |
| Shai Burstyn | |||
| Popular Music History | Vol 1 No. 2 (2004) | Q and The Face: Narratives of consumption in the UK music press in the 1980s | View |
| Stephen Hill | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading | View |
| David Neumeyer | |||
| Perfect Beat | Vol 3 No. 4 (1998) | CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style | View |
| DENNIS CROWDY | |||
| Equinox eBooks Publishing | Yoga in Britain | Yoga in Popular Music and 'Counter Culture' (the 60s and 70s) | View |
| Suzanne Newcombe | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Interview with Antti-Ville Kärjä from Music Archive Finland | View |
| Raphaël Nowak | |||
| Perfect Beat | Vol 2 No. 2 (1995) | A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 | View |
| Carolin Beinroth, Claudia Bullerjahn | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) | View |
| Tomoko Deguchi | |||
| Perfect Beat | Vol 3 No. 3 (1997) | GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 | View |
| RYUICHI TAI | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Negotiating the co-curation of an online community popular music archive | View |
| Beate Peter | |||
| Perfect Beat | Vol 2 No. 2 (1995) | PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND | View |
| MARK DERBY, HELEN WILSON | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s | View |
| Laura Glitsos | |||
| Journal for the Academic Study of Religion | Vol 23 No. 2 (2010) | ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans | View |
| Mark Jennings | |||
| Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
| Lee Yoong Hon | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 2. Mancunian Irish: Identity, Cultural Intimacy and Musical Hybridization – Urban Ethnomusicology and Cultural Mapping | View |
| Svend Kjeldsen | |||
| Perfect Beat | Vol 4 No. 1 (1998) | EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music | View |
| JONAS BAES, AMAPOLA BAES | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Music, poetry, and the politics of identity in Réunion Island: an historical overview | View |
| Guillaume Samson, Shawn Pitre | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea | View |
| Robert Hamilton | |||
| Perfect Beat | Vol 2 No. 2 (1995) | ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) | View |
| JACKEY COYLE, REBECCA COYLE | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Equinox eBooks Publishing | Sounds Icelandic | Beyond Reykjavik 101: Iceland’s Popular Music Mainstream and the Eurovision Song Contest | View |
| Sarah Baker | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Examining the legend and music of Australian saxophonist, Frank Smith | View |
| Ralph Whiteoak | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea | View |
| Oli Wilson | |||
| Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
| MALCOLM PHILPOTT | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums | View |
| José Vicente Neglia | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 | View |
| Hannah Lewis | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Introduction: Asian modernities, musical traditions and strategies of engagemen | View |
| Adrian McNeil | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 15 No. 1-2 (2013) | Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). | View |
| Ethan Doyle White | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Self Borrowing in the Music of Bernard Herrmann | View |
| William Wrobel | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean | View |
| Samuel Dwinell | |||
| Perfect Beat | Vol 3 No. 2 (1997) | NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 3 No. 4 (1998) | 'QUALITY' CRITICISM Music Reviewing in Australian Rock Magazines | View |
| MARK EVANS | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Perfect Beat | Vol 1 No. 2 (1993) | BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES | View |
| Chris Lawe Davies | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? | View |
| Roberto Kolb-Neuhaus | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival | View |
| Lonán Ó Briain | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. | View |
| Sean Foran | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
| Dave Allen | |||
| Perfect Beat | Vol 1 No. 3 (1993) | FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia | View |
| John Whiteoak | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera | View |
| Jacqueline Avila | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Equinox eBooks Publishing | Sounds Northern | 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Listening to Another Italy: Egisto Macchi’s New Music for Italian Documentaries of the 1960s | View |
| Marco Cosci | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Music review: In a State of Flux: An Experimental Music Gallery, 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists | View |
| Patricia Alessi | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Le Mystère de Marcel Cellier: Transfer Processes in Early World Music | View |
| Britta Sweers | |||
| Perfect Beat | Vol 4 No. 1 (1998) | SOUTH·SEA·ISLAND MAGIC Bill Sevesi and the Auckland Music Scene | View |
| SAM SAMPSON | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond | View |
| Megan Woller | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 11. Mapping and Representing Musical Diversity in Switzerland: The Role of Artists, Ethnomusicologists, and Officials | View |
| Marc-Antoine Camp, Brigitte Bachmann-Geiser, David Vitali, Dieter Ringli, Patricia Jäggi | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From South to East: Exoticism in Polish popular music of the state socialist period | View |
| Ewa Mazierska | |||
| Popular Music History | Vol 7 No. 2 (2012) | You can make me whole again: popular music tributes embodying the reunion | View |
| Georgina Gregory | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Nine lives in the music business: Reg Dwight and Elton John in the 1960s | View |
| Dave Laing | |||
| Perfect Beat | Vol 1 No. 3 (1993) | SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival | View |
| Jilli Streit-Warburton | |||
| Perfect Beat | Vol 1 No. 1 (1992) | TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations | View |
| KATRINA McMANUS | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Looking Back and Forward: Turkish Folk Music between Ghent and Turkey | View |
| Liselotte Sels | |||
| PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements | Vol 16 No. 2 (2017) | Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church | View |
| Peter Marina, Michael Wilkinson | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table | View |
| Declan Martin | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes | View |
| Emma-Jayne Reekie | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Billboard’s ‘Hot Country Songs’ chart and the curation of country music culture | View |
| Jada Watson | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music | View |
| Marcus O'Dair | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
| Jennifer Cattermole | |||
| Popular Music History | Vol 4 No. 3 (2009) | Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City | View |
| James McGrath | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Perfect Beat | Vol 1 No. 4 (1994) | WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT | View |
| Michael Flint | |||
| Linguistics and the Human Sciences | Vol 1 No. 3 (2005) Vol. 1, No. 3 (2005) FREE SAMPLE ISSUE | Through a glass darkly: a critique of the influence of linguistics on theories of music | View |
| Edward McDonald | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. | View |
| Kwami Coleman | |||
| Perfect Beat | Vol 13 No. 1 (2012) | ‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations | View |
| Katelyn Barney | |||
| Popular Music History | Vol 9 No. 2 (2014) | ‘What would they know about Green Onions?’: Musical lifestyles of 1960s London mods | View |
| Robert Wyndham Nicholls | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice | View |
| Henry Johnson | |||
| Perfect Beat | Vol 2 No. 4 (1996) | TEMPTATION AND EXPLOITATION Apple House Music, the Copyright Loophole and Legal Bootlegging | View |
| RAELENE LAWRANCE, KERRYN WELSH | |||
| Equinox eBooks Publishing | The Beatles in Context | Magical Mystery Tour: Suburbia and Utopia in Music and Film | View |
| Jonathan Goss | |||
| Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
| Klaus Nathaus | |||
| Popular Music History | Vol 1 No. 2 (2004) | Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories | View |
| Michael Brocken | |||
| Gender and Language | Vol 14 No. 4 (2020) | Maidens, flirts and seducers: the objectification of women’s bodies in the musical works of Chiquinha Gonzaga | View |
| Eliane Regina Crestani Tortola, Larissa Michelle Lara | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) | View |
| Katelyn Barney | |||
| Popular Music History | Vol 9 No. 3 (2014) | Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music | View |
| Eve M Brank, Kathleen A Fox, Victoria Kaspar | |||
| Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
| Richard Ekins | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Peter Gough. Sounds of the New Deal: The Federal Music Project in the West | View |
| Daniel Margolies | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey | View |
| Paul A. Merkley, FRSC | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
| Catherine Strong | |||
| Perfect Beat | Vol 4 No. 1 (1998) | FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site | View |
| MURRAY GARDE | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire | View |
| Tony Lewis | |||
| Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
| TONY MITCHELL | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City | View |
| Scott Currie | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. | View |
| Jason Buchea | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ | View |
| Clifford Hill Korman | |||
| Popular Music History | Vol 11 No. 3 (2018) | Making modern music: Rush, Signals and the limits of creative transgression | View |
| Andy Bennett | |||
| Perfect Beat | Vol 2 No. 4 (1996) | AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand | View |
| SARA VUI-TALITU | |||
| Popular Music History | Vol 4 No. 2 (2009) | Introduction to the special issue: music, characterization and urban space | View |
| Sara Cohen, John Schofield, Brett Lashua | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. | View |
| Hyunjoon Shin | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Supplementing a typology of curation: Learning from George Harrison and Indian music | View |
| Michael Lewis Jones | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle | View |
| Maurizio Corbella | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. | View |
| Arnar Eggert Thoroddsen | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* | View |
| Sarah Reichardt Ellis | |||
| Equinox eBooks Publishing | Sounds Icelandic | Rímur: From National Heritage to Folk Music | View |
| Ragnheiður Ólafsdóttir, Nicola Dibben | |||
| Equinox eBooks Publishing | She's at the Controls | Starting Out: Early Engagements with Sound, Music and Technology | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | She's at the Controls | Becoming Professional: Entering the Music Industry | View |
| Helen Reddington | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music | View |
| KARL NEUENFELDT | |||
| Comparative Islamic Studies | Vol 5 No. 2 (2009) | Sound of Sama: The Use of Poetical Imagery in South Asian Sufi Music | View |
| Kashshaf Ghani | |||
| Journal for the Academic Study of Religion | Vol 31 No. 3 (2018) Special Issue: Religion at the Australian Royal Commission into Institutional Responses to Child Sexual Abuse | Maria S. Guarino, Listen with the Ear of the Heart: Music and Monastery Life in Weston Priory | View |
| Sarah Penicka-Smith | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music | View |
| Anthony Kwame Harrison | |||
| Implicit Religion | Vol 19 No. 1 (2016) | Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion | View |
| Christine King, Francis Stewart | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory | View |
| Mariana Barreto | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | ‘[I] hate girls and emo[tion]s: Negotiating masculinity in grindcore music | View |
| Rosemary Overell | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. | View |
| Sarah Kenny | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
| Manolete Mora | |||
| Perfect Beat | Vol 1 No. 3 (1993) | SUCCESS IS IN THE AIR The Soundtrack, Music and Marketing of Strictly Ba!lroom | View |
| Meret Valtwies | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
| Perfect Beat | Vol 15 No. 1 (2014) | German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? | View |
| Andrew Wright Hurley | |||
| Popular Music History | Vol 1 No. 3 (2004) | Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s | View |
| Eamonn Forde | |||
| Popular Music History | Vol 5 No. 1 (2010) | Introduction to the special issue: The music of Bernard Herrmann | View |
| Dave Laing | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Living with music: Departures and returns among early New Orleans jazz musicians | View |
| Nicholas Gebhardt | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change | View |
| Dave Wilson | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) | View |
| William H. Rosar | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream | View |
| Henry Johnson | |||
| Perfect Beat | Vol 2 No. 3 (1995) | A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River | View |
| ADRIAN MCNEIL | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical | View |
| Melissa Ursula Dawn Goldsmith | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality | View |
| Brent Keogh, Ian Collinson | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music | View |
| Vincenzo Perna | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music | View |
| Kendra Salois | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
| KEITH NEGUS | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) | View |
| Linda K. Schubert | |||
| Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
| Paul Carr | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History | View |
| Peter Moormann | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Paths Between the Spiritual and the Real: On the Intersection of Musical Style, Symmetry, and Cycle in Kenji Mizoguchi’s Ugetsu (1953) | View |
| David Pacun | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
| Oli Wilson | |||
| Popular Music History | Vol 5 No. 1 (2010) | Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann | View |
| Jonathan Waxman | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” | View |
| Chris Tonelli | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Planes of illusion: music soundtrack, rendition and attribution in Sanctum< (2011) | View |
| Jon Fitzgerald, Philip Hayward, David Brennan | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Introduction: A Short History of Afro-Korean Music and Identity | View |
| Kyung Hyun Kim, CedarBough T. Saeji | |||
| Perfect Beat | Vol 3 No. 2 (1997) | A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen | View |
| MICHAEL WEBB | |||
| Equinox eBooks Publishing | Sounds Northern | 2. Another Uniquely Mancunian Offering?: Un-Convention and the Intermediation of Music Culture and Place | View |
| Paul Long, Jez Collins | |||
| Gender and Language | Vol 12 No. 3 (2018) | ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music | View |
| Christina Schoux Casey, Maeve Eberhardt | |||
| Popular Music History | Vol 11 No. 3 (2018) | Following better things: Grammar schools, religion and English rock music in the early 1970s | View |
| Alistair Mutch | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 12. Tracing the Minhag Ashkenaz in Swiss Synagogue Music: Advocates of Intangible Cultural Heritage Meet Agents of Cultural Sustainability | View |
| Sarah Ross | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
| Barbara Pemberton | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ | View |
| Jared Mackley-Crump | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Musical Landscapes of Lihir: Exploring Performance and Place in a Museum Exhibition | View |
| Kirsty Gillespie | |||
| Popular Music History | (0) ADVANCE ACCESS | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs | View |
| Robin Ann Ryan, Mark Bradley Cain | |||
| Popular Music History | Vol 7 No. 3 (2012) | Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. | View |
| Richard Witts | |||
| Popular Music History | Vol 10 No. 3 (2015) | Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) | View |
| Marlie Centawer | |||
| Popular Music History | Vol 8 No. 3 (2013) | The making of identity and its relation to place and success: The case of ‘mainstream’ popular music in Newcastle NSW, 1973–1988 | View |
| Gaye Sheather, Phillip McIntyre | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | View |
| Liz Giuffre | |||
| Equinox eBooks Publishing | In Search of Fela Anikulapo Kuti | Zombie & Kalakuta Show: The Kalakuta Republic vs The Nigerian Army (1974-1978) and the passing of Africa ’70 (musical overview up to 1978) | View |
| Max Reinhardt, Rita Ray, Rita Ray | |||
| Equinox eBooks Publishing | Religion and Touch | 4. Widsith’s Lyre: A Personal Exploration of Religion, Music and Touch | View |
| Andy Letcher | |||
| Perfect Beat | Vol 11 No. 1 (2010) | O’Flynn, John. 2009. The Irishness of Irish Music. Hampshire: Ashgate. ISBN 978-0- | View |
| Helen O'Shea | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann | View |
| Richard Littlefield | |||
| Perfect Beat | Vol 4 No. 4 (2000) | John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press | View |
| PHILIP HAYWARD | |||
| Popular Music History | Vol 3 No. 2 (2008) | It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music | View |
| Pete Dale | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book | View |
| Eric Hung | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 | View |
| Ben Green | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
| Ewa Mazierska, Zsolt Győri | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. | View |
| Judith Bernanke | |||
| Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
| LUTGARD MUTSAERS | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time | View |
| Pablo Alabarces, Felipe Trotta | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl | View |
| Arno van der Hoeven | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples | View |
| Matthew Brown | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | “Spark and Cultivate”: LISTEN and Grassroots Feminist Activism in the Melbourne Music Scene | View |
| Catherine Strong, Evelyn Morris | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Putting a premium on music: Exploring the vinyl revival in the Philippines | View |
| Monika E. Schoop | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo | View |
| David Cooper | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf | View |
| Alexis Luko | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 8. The Space of the Gong Culture in the Central Highlands of Vietnam: Old and New Directions in Ede Traditional Music | View |
| Vincenzo della Ratta | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. | View |
| Roy Shuker | |||
| Perfect Beat | Vol 8 No. 3 (2007) | Kahn-Harris, K (2006) Extreme Metal: Music and Culture on the Edge, Oxford: Berg | View |
| MICHELLE PHILLIPOV | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises | View |
| Andrew Murphie | |||
| Popular Music History | Vol 8 No. 3 (2013) | An introduction to the music collection at the National Library of Sweden | View |
| Jan Olofsson, Hans Gustafsson, David Brodin | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | The Mystery of Herrmann's Music for Selznick's Portrait of Jennie | View |
| Thomas DeMary | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate | View |
| JON STRATTON | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. | View |
| Kheng K. Koay | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
| PHILIP HAYWARD | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much | View |
| James Wierzbicki | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey | View |
| Julia Heimerdinger | |||
| Perfect Beat | Vol 2 No. 4 (1996) | SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music | View |
| Andrew MURPHIE | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan | View |
| Mark Evans | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | How hard is it to remember Bananarama? The perennial forgetting of girls in music | View |
| Lucy Robinson | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Evans, M (2007) Open Up the Doors: Music in the Modern Church, London: Equinox | View |
| ROBIN RYAN | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] | View |
| Rebecca FÜlÖP | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. | View |
| Kendra Preston Leonard | |||
| Perfect Beat | Vol 20 No. 1 (2019) | ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard | View |
| Paul Ballam-Cross | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 4 No. 3 (2008) | Dancing the River: Fluidity of Eros and Gender in Music and Dance of African Diasporic Spiritual Traditions | View |
| David Hatfield Sparks | |||
| Popular Music History | Vol 10 No. 2 (2015) | Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney | View |
| Gaëlle Crenn | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 | View |
| Kari Kallioniemi | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate | View |
| GEOFF KING | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) | View |
| Duncan Wheeler | |||
| Perfect Beat | Vol 9 No. 1 (2008) | UKULELE AFFECTIONS AND HAWAIIAN FAMILY CONNECTIONS The Music and Memories of Musician/Producer Rick Cunha | View |
| KARL NEUENFELDT | |||
| Perfect Beat | Vol 9 No. 1 (2008) | BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s | View |
| JON STRATTON | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
| Mike Jones | |||
| Perfect Beat | Vol 3 No. 3 (1997) | INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet | View |
| KARL NEUENFELDT | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) | View |
| Heather Strohschein | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis | View |
| Patrick Wood | |||
| CALICO Journal | Vol 4 No. 3 (1986) | When the Music Stops: A Review of Using Computers in Language Learning | View |
| John Underwood | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press | View |
| BRUCE JOHNSON | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) | View |
| Nabeel Zuberi | |||
| 1 - 497 of 497 Items | |||
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