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The Handbook on Music Business and Creative Industries in Education View
Daniel Walzer, Mahdi Fathi, Wilbur Chang, Jei-Zheng Wu, Marzieh Khakifirooz, Mathew Flynn, Kirk McNally, Alex Timewell, Jeremy Peters, Taneshia Nash Laird, Sekou Campbell, Simon Strange, Hussein Boon, Nicole Canham, Rod Davies, Vicky Armstrong, Helen Elizabeth Davies, Joe Sferra, Taylor Ackley, Ian Stevenson, Gerhard Roux, Ben Toscher, Martin Lücke, Mark Thorley, Louise Godwin, Sean Foran, Vincent Perry, Jade O'Regan, Tom O'Halloran
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Perfect Beat Vol 1 No. 4 (1994) CLIMBING THE ROCK: The New Zealand Music Industry View
Roy Shuker
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Neoliberalism and the Global Music Industry View
Simone Krüger Bridge
 
Equinox eBooks Publishing Local Acts, Global Success Chaos, Clergy, Cash and Concerts: The Live Music Industry View
Michael Murphy, Jim Rogers
 
Popular Music History Vol 6 No. 3 (2011) The making of a Yugoslav popular music industry View
Dean Vuletic
 
Equinox eBooks Publishing Elements of Music Management Live Music Industry: Nothing Like the Real Thing View
Tony Crean
 
Equinox eBooks Publishing Scouse Pop Some Aspects of the Music Industry in Liverpool View
Paul Skillen
 
Perfect Beat Vol 20 No. 1 (2019) Experiences and perceptions of gender in the Australian music industry View
Hannah Mary Fairlamb, Bianca Fileborn
 
Perfect Beat Vol 1 No. 2 (1993) AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry View
Diane Langman
 
Popular Music History Vol 6 No. 3 (2011) Adopting the rights-based model: Music multinationals and local music industries since 1945 View
Gerben Bakker
 
Perfect Beat Vol 1 No. 1 (1992) It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study View
Marcus Breen
 
Perfect Beat Vol 16 No. 1-2 (2015) Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry View
Christina Ballico
 
Equinox eBooks Publishing She's at the Controls Becoming Professional: Entering the Music Industry View
Helen Reddington
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Perfect Beat Vol 19 No. 2 (2018) Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes View
Emma-Jayne Reekie
 
Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
ROY SHUKER
 
Perfect Beat Vol 8 No. 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture View
Philip Hayward, SUEO KUWAHARA
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK They preferred to sit on the floor: Rock music in South Wales at a time of industrial change View
Mike Jones
 
Popular Music History Vol 7 No. 3 (2012) Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). View
Phil Hardy
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
Popular Music History Vol 3 No. 1 (2008) Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). View
Dave Laing
 
Journal of World Popular Music Vol 3 No. 1 (2016) Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Durham, NC: Duke University Press. 368pp. ISBN 978-0- 8223-5338-6 (pbk) View
Carolyn Chong
 
Elton John View
Dave Laing†
 
Elements of Music Management View
Graham Ball , Tony Crean, Sally Gross, George Musgrave
 
Local Acts, Global Success View
Michael Murphy, Jim Rogers
 
Perfect Beat Vol 1 No. 3 (1993) CO-LOCATIONS - AN INTRODUCTION View
Philip Hayward
 
Drawn to Sound View
Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki
 
Equinox eBooks Publishing Elements of Music Management What is Music Management? View
Sally Gross, George Musgrave
 
She's at the Controls View
Helen Reddington
 
Equinox eBooks Publishing Elements of Music Management Music Development: The Role of A and R - Music will Never Stop View
Sally Gross
 
Beyond 2.0 View
Steve Collins, Sherman Young
 
Journal of World Popular Music Vol 1 No. 1 (2014) Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 View
Pedro Nunes
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s View
Alessandro Cecchi
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Before #MeToo: Hearing Vulnerability View
Diane Hughes, Mark Evans
 
Perfect Beat Vol 8 No. 4 (2008) WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia View
MARTIN CLOONAN
 
Prince View
Annie Potts
 
Perfect Beat Vol 2 No. 4 (1996) QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA View
DON NILES
 
Perfect Beat Vol 10 No. 1 (2009) Television special Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC View
Jon Fitzgerald
 
Popular Music History Vol 1 No. 3 (2004) Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s View
Eamonn Forde
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes View
Samuel Charles Whiting
 
Perfect Beat Vol 14 No. 2 (2013) Youth, radio and Australian popular music policy View
Chris K. Wilson
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Perfect Beat Vol 19 No. 1 (2018) Still Rage-ing: Australia’s music video programme at 30 View
Liz Giuffre
 
Perfect Beat Vol 4 No. 1 (1998) EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music View
JONAS BAES, AMAPOLA BAES
 
Popular Music History Vol 3 No. 1 (2008) The origins and development of The Institute of Popular Music: An interview View
Dave Horn
 
Journal of World Popular Music Vol 1 No. 2 (2014) No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music View
Tom Wagner
 
Equinox eBooks Publishing Local Acts, Global Success Deep Roots and Scattered Seeds: 1800s to the 1930s View
Michael Murphy, Jim Rogers
 
Send in the Clones View
Georgina Gregory
 
Open Up the Doors View
Mark Evans
 
Perfect Beat Vol 11 No. 2 (2010) Governmental as anything: live music and law and order in Melbourne View
Shane Homan
 
Journal of World Popular Music Vol 2 No. 2 (2015) World Music, World Circuit: In Conversation with Nick Gold View
Simone Krüger
 
Perfect Beat Vol 3 No. 2 (1997) CITING THE SOUND - New Zealand lndie Rock in North America View
GEOFF STAHL
 
Popular Music History Vol 3 No. 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground View
Peter Webb
 
Encyclopedia of Film Music and Sound View
Mark Evans
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Youth and linguistic stylization in Naija Afro Hip Hop View
Idom T. Inyabri
 
Perfect Beat Vol 8 No. 4 (2008) THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY View
PHILIP McINTYRE, BRYAN PATON
 
Perfect Beat Vol 2 No. 2 (1995) GNARNAYARRAHE WAITAIRIE, Claim and Pundulumura View
ROBIN RYAN
 
Perfect Beat Vol 9 No. 1 (2008) REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 View
David Panichi
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music before Neoliberalism View
Simone Krüger Bridge
 
Scouse Pop View
Paul Skillen, Paul Du Noyer
 
Journal of World Popular Music Vol 4 No. 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright View
Caspar Melville
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
Terry Monaghan
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK View
Paul Carr
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Music, poetry, and the politics of identity in Réunion Island: an historical overview View
Guillaume Samson, Shawn Pitre
 
Popular Music History Vol 3 No. 2 (2008) Afraid of Technology?: Major label response to advancements in digital technology View
Aaron Robert Furgason
 
Equinox eBooks Publishing She's at the Controls Male Culture and Studio Territory View
Helen Reddington
 
Perfect Beat Vol 19 No. 2 (2018) Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s View
Laura Glitsos
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Perfect Beat Vol 10 No. 1 (2009) Television special Local interpretation: Music Video, Heritage and Community in Contemporary Vanuatu View
Phil Hayward
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Popular Music History Vol 1 No. 3 (2004) Taste-making and trend-spotting: the folk revival journalism of Robert Shelton View
David Laing
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
The Beatles View
Ian Inglis
 
Journal of World Popular Music Vol 1 No. 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts View
Duncan Wheeler, Lucy O'Brien
 
Popular Music History Vol 7 No. 2 (2012) You can make me whole again: popular music tributes embodying the reunion View
Georgina Gregory
 
Equinox eBooks Publishing She's at the Controls Conclusion View
Helen Reddington
 
In Search of Fela Anikulapo Kuti View
Max Reinhardt, Rita Ray
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Nine lives in the music business: Reg Dwight and Elton John in the 1960s View
Dave Laing
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 7 No. 1 (2020) From Here, There and Everywhere: Recording Popular Music in the “Field” View
Brent Keogh
 
Popular Music History Vol 10 No. 2 (2015) Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney View
Gaëlle Crenn
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s View
Alessandro Bratus
 
Journal of Film Music Vol 6 No. 2 (2013) Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive View
Alessandro Bratus
 
Popular Music History Vol 1 No. 1 (2004) "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s View
Toru Mitsui
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Globalization and World Music View
Simone Krüger Bridge
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK View
Tim Wall, Simon Barber
 
Popular Music History Vol 4 No. 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* View
Justin A. Williams
 
Popular Music History Vol 9 No. 1 (2014) The creative process of The Beatles revisited: A multi-level analysis of the interaction between individual and collaborative creativity View
Yrjö Heinonen
 
Equinox eBooks Publishing Sounds Icelandic Beyond Reykjavik 101: Iceland’s Popular Music Mainstream and the Eurovision Song Contest View
Sarah Baker
 
Equinox eBooks Publishing Local Acts, Global Success Introduction View
Michael Murphy, Jim Rogers
 
Perfect Beat Vol 12 No. 2 (2011) God Bless come back: new experiments with nostalgia in Indonesian rock View
Emma Baulch
 
Equinox eBooks Publishing Elements of Music Management Music Marketing: Streams, Sales and Fan Accumulation - Life's a Stream View
Graham Ball
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City View
Scott Currie
 
Perfect Beat Vol 10 No. 1 (2009) Television special Thai television and pleeng luuk tung: The role of television in the Isan cultural revival View
James Leonard Mitchell
 
Journal of World Popular Music Vol 6 No. 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics View
Samuel Horlor
 
Popular Music History Vol 4 No. 1 (2009) The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett View
Dale Carter
 
Equinox eBooks Publishing The Beatles References View
Ian Inglis
 
Equinox eBooks Publishing Elements of Music Management Law: Geographical Boundaries in Outta Space View
Sally Gross
 
Journal of Film Music Vol 5 No. 1-2 (2012) Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera View
Jacqueline Avila
 
Popular Music History Vol 10 No. 1 (2015) Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 View
Ian Trowell
 
Perfect Beat Vol 10 No. 1 (2009) Television special Orchestrating the Waterfront Dispute: Music and Discourse in Bastard Boys View
Rebecca Dawn Coyle
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah View
Mike Brocken
 
Journal of World Popular Music Vol 2 No. 1 (2015) When Digital is Physical and Ethnomusicologists are File Sharers View
Denis Crowdy
 
Perfect Beat Vol 20 No. 1 (2019) Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand View
Matthew Bannister
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s View
Aleisha Ward
 
Equinox eBooks Publishing Local Acts, Global Success Shocks, Youth and Diamond Success: 1970s to 1990s View
Michael Murphy, Jim Rogers
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation View
Jeremy Wallach, Alexandra Levine
 
Journal of World Popular Music Vol 3 No. 2 (2016) From South Korea to the Southern Hemisphere: K-Pop below the Equator View
Stephen Epstein
 
Journal of World Popular Music Vol 1 No. 1 (2014) Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club View
Lucy Durán
 
Equinox eBooks Publishing Sounds Northern 2. Another Uniquely Mancunian Offering?: Un-Convention and the Intermediation of Music Culture and Place View
Paul Long, Jez Collins
 
Perfect Beat Vol 14 No. 1 (2013) Language, music and cultural consolidation on Minami Daito View
Philip Hayward, Daniel Long
 
Equinox eBooks Publishing Sounds Northern 9. The Missing Star of MC Tunes View
Les Gillon, Ewa Mazierska
 
Popular Music History Vol 7 No. 1 (2012) Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society View
Marcus Collins
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival View
Alison Caroline Eales
 
Perfect Beat Vol 12 No. 1 (2011) Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung View
James Mitchell
 
Equinox eBooks Publishing Scouse Pop Preface View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Foreword View
Paul Du Noyer
 
Equinox eBooks Publishing Scouse Pop Acknowledgements View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Appendix 1: List of interviews View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Appendix 2: Scouse Pop TV View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Notes View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Bibliography View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Index View
Paul Skillen
 
Perfect Beat Vol 9 No. 1 (2008) BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s View
JON STRATTON
 
Jazz Research Journal Vol 1 No. 2 (2007) David Murray: the making of a progressive musician View
Tim Wall
 
Equinox eBooks Publishing The Northern Soul Scene Acquiring Rights and Righting Wrongs? View
Ady Croasdell
 
This is Hip View
Peter Jones
 
Popular Music History Vol 10 No. 1 (2015) ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield View
Owen Hatherley
 
Jazz Research Journal Vol 11 No. 2 (2017) Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 View
Alan John Ainsworth
 
Equinox eBooks Publishing The Beatles Introduction View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Index View
Ian Inglis
 
Equinox eBooks Publishing Scouse Pop The Audience Respond View
Paul Skillen
 
Perfect Beat Vol 17 No. 2 (2016) Watching them walk out taller than they walked in: Sydney's venues in 2016 View
Martin Cloonan
 
Journal of World Popular Music Vol 4 No. 2 (2017) Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time View
Pablo Alabarces, Felipe Trotta
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 13. Flamenco for Andalusia, Flamenco for Humanity: Regionalisation and Intangible Cultural Heritage in Spain View
Matthew Machin-Autenrieth
 
Equinox eBooks Publishing Sounds Northern 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain View
Richard Witts
 
Equinox eBooks Publishing Sounds Northern 5. The Contrasting Soundscapes of Hull and London in David Bowie's Ziggy Stardust and the Spiders from Mars View
Peter Atkinson
 
Equinox eBooks Publishing Sounds Northern 3. 'They Say a Town is Just a Town, Full Stop, but What do They Know?': Architecture, Urbanism and Pop in Sheffield View
Owen Hatherley
 
Equinox eBooks Publishing In Search of Fela Anikulapo Kuti Nigerian Highlife and Victor Olayia View
Max Reinhardt, Rita Ray
 
Equinox eBooks Publishing In Search of Fela Anikulapo Kuti Fela Discography View
Max Reinhardt, Rita Ray
 
Equinox eBooks Publishing In Search of Fela Anikulapo Kuti Fela Time Line View
Max Reinhardt, Rita Ray
 
Equinox eBooks Publishing In Search of Fela Anikulapo Kuti Preface View
Max Reinhardt, Rita Ray
 
Equinox eBooks Publishing Elements of Music Management Artistic Entrepreneurship: The Business of Art and the Art of Business View
George Musgrave
 
Living Life Without Loving the Beatles View
Gary Hall
 
Equinox eBooks Publishing Elvis Phenomenon View
Mark Duffett
 
Equinox eBooks Publishing This is Hip Acknowledgements View
Peter Jones
 
Equinox eBooks Publishing This is Hip Notes View
Peter Jones
 
Equinox eBooks Publishing This is Hip Index View
Peter Jones
 
Popular Music History Vol 3 No. 3 (2008) Introduction to the Special Issue View
Tuulikki Pietilä
 
Equinox eBooks Publishing Scouse Pop A Sense of Place View
Paul Skillen
 
Equinox eBooks Publishing Sounds Northern 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 View
Ian Trowell
 
Equinox eBooks Publishing Elvis Image View
Mark Duffett
 
Equinox eBooks Publishing Elvis Roots View
Mark Duffett
 
Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Journal of World Popular Music Vol 1 No. 2 (2014) Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) View
Nina Menezes
 
Journal of World Popular Music Vol 1 No. 2 (2014) Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) View
Matt Stahl
 
Jazz Research Journal Vol 11 No. 1 (2017) Promotion anxieties: Jazz promoters within the UK scene View
Haftor Medbøe, Zack Moir
 
Perfect Beat Vol 18 No. 1 (2017) ‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia View
Pat O'Grady
 
Perfect Beat Vol 12 No. 2 (2011) Introduction: New Perspectives on Popular Music in Asia View
Shelley Brunt
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie View
Nathalie Weidhase
 
Journal of World Popular Music Vol 4 No. 1 (2017) Editor's Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Perfect Beat Vol 1 No. 4 (1994) North Meets South View
Philip Hayward, Tony Mitchell, Roy Shukar
 
Popular Music History Vol 1 No. 1 (2004) Editor's Introduction View
Robert Strachan
 
Journal of World Popular Music Vol 1 No. 2 (2014) Editorial Introduction to Issue 1.2 View
Simone Krüger, Sarah Baker
 
Perfect Beat Vol 16 No. 1-2 (2015) Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work. Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp. View
Natalie Lewandowski
 
Popular Music History Vol 9 No. 2 (2014) Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). View
Tony Farsides
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Steve Collins and Sherman Young. 2014. Beyond 2.0: The Future of Music. Sheffield: Equinox. 162pp. ISBN 978-1-84553-9-382 (pbk) View
Paul Fischer
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. View
Judith Bernanke
 
Journal of World Popular Music Vol 2 No. 2 (2015) Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org View
Deborah Justice
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. View
Bradford Lee Eden
 
Perfect Beat Vol 17 No. 2 (2016) Introduction View
Oli Wilson
 
Perfect Beat Vol 10 No. 2 (2009) Stroud, Sean. 2008. The Defence of Tradition in Brazilian Popular Music. Hampshire: Ashgate. ISBN 978-0-7546-6343-0 (hbk). 215 pp View
Flavia Lucia Rubini-Lean
 
Perfect Beat Vol 14 No. 2 (2013) Introduction: policy and popular music View
Jennifer Cattermole, Martin Cloonan, Shane Homan
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Journal of World Popular Music Vol 2 No. 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World View
Andrew Alter, Denis Crowdy, Stephen Collins
 
Perfect Beat Vol 11 No. 2 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Popular Music History Vol 1 No. 3 (2004) Introduction to the Special Issue View
David Laing
 
Journal of World Popular Music Vol 3 No. 1 (2016) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Perfect Beat Vol 20 No. 1 (2019) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Journal of Film Music Vol 7 No. 2 (2014) Hannah Lewis, French Musical Culture and the Coming of Sound Cinema View
Colin Roust
 
Journal of World Popular Music Vol 2 No. 2 (2015) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 11 No. 3 (2018) A tribute to Dave Laing View
Adam Behr
 
Perfect Beat Vol 10 No. 1 (2009) Television special Dialing In: The Sound of Television in the Pacific Region View
Mark Evans
 
Perfect Beat Vol 19 No. 2 (2018) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Perfect Beat Vol 1 No. 1 (1992) Editorial Introduction View
Philip Hayward
 
Popular Music History Vol 10 No. 3 (2015) Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) View
Marlie Centawer
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). View
Barbara Pemberton
 
Perfect Beat Vol 13 No. 2 (2012) Roy Shuker. 2010. Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice. Burlington, VT: Ashgate. ISBN 978-0-7546-6782-7 (hbk). 223pp. View
Robert W. Fry
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Perfect Beat Vol 19 No. 1 (2018) Putting a premium on music: Exploring the vinyl revival in the Philippines View
Monika E. Schoop
 
Journal of World Popular Music Vol 1 No. 1 (2014) Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) View
Nabeel Zuberi
 
Journal of World Popular Music Vol 1 No. 1 (2014) Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). View
Bruce Johnson
 
Journal of World Popular Music Vol 3 No. 1 (2016) “Spark and Cultivate”: LISTEN and Grassroots Feminist Activism in the Melbourne Music Scene View
Catherine Strong, Evelyn Morris
 
Perfect Beat Vol 1 No. 2 (1993) Sound Alliances: An Introduction View
Philip Hayward
 
Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
BRUCE JOHNSON
 
Journal of World Popular Music Vol 1 No. 2 (2014) Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– View
Thomas Wagner
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Sound and Vision: 60 Years of Motion Picture Soundtracks View
Jon Burlingame
 
Journal of World Popular Music Vol 6 No. 2 (2019) Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship View
Kimberly Kattari
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 9 No. 2 (2014) Diane Pecknold, ed., Hidden in the Mix: The African American Presence in Country Music. Durham, NC: Duke University Press, 2013. 392 pp. $24.89. ISBN 978-082235-163-4 (pbk). View
Don Cusic
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. View
Sarah Kenny
 
Journal of World Popular Music Vol 1 No. 2 (2014) Thirty Years of World Music View
Timothy D. Taylor
 
Popular Music History Vol 3 No. 1 (2008) Introduction to the special issue: 20 years of the Institute of Popular Music View
Dave Laing
 
Journal of World Popular Music Vol 2 No. 1 (2015) Editors' Introduction View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Popular Music History Vol 10 No. 1 (2015) Introduction to the special issue: Listening to the North of England View
Ewa Mazierska
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Listening again to popular music as history View
Paul Leslie Long, Nicholas Gebhardt
 
Journal of Film Music Vol 2 No. 2-4 (2009) Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. View
Lori Stevens
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Popular Music History Vol 10 No. 2 (2015) A critical survey of museum collections of popular music in the United Kingdom View
Marion Leonard, Robert Knifton
 
Perfect Beat Vol 10 No. 2 (2009) Tokita, Alison McQueen and David W. Hughes, eds. 2008. The Ashgate Research Companion to Japanese Music. Aldershot: Ashgate. ISBN 978-0-7546-5699-9 (hbk). 446 pp View
Henry Johnson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music Studies and Interdisciplinarity View
Steve Waksman
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. View
Kheng K. Koay
 
Perfect Beat Vol 16 No. 1-2 (2015) Introduction View
Shelley Brunt, Oli Wilson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity View
Neil Deane, Elke Schuch
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 View
Giacomo Bottà
 
Journal of World Popular Music Vol 2 No. 2 (2015) Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) View
Henry Johnson
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Pacific Dimensions - New Directions and Policies View
PHILIP HAYWARD
 
Perfect Beat Vol 11 No. 1 (2010) O’Flynn, John. 2009. The Irishness of Irish Music. Hampshire: Ashgate. ISBN 978-0- View
Helen O'Shea
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) View
Lauren Istvandity
 
Journal of World Popular Music Vol 4 No. 1 (2017) Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk View
Jez Collins
 
Journal of World Popular Music Vol 6 No. 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music View
Vincenzo Perna
 
Popular Music History Vol 8 No. 3 (2013) Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). View
Sarah Davis
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Journal of Film Music Vol 5 No. 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring View
Katherine K. Preston
 
Popular Music History Vol 3 No. 3 (2008) The Archive of Contemporary Music, New York View
Andy Linehan
 
Perfect Beat Vol 4 No. 1 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Journal of Film Music Vol 7 No. 2 (2014) Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 View
Carolin Beinroth, Claudia Bullerjahn
 
Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
John O'Flynn, Áine Mangaoang
 
Perfect Beat Vol 11 No. 1 (2010) State of play: Live original music venues in Western Australia View
Dawn Bennett
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Popular Music History Vol 4 No. 2 (2009) Introduction to the special issue: music, characterization and urban space View
Sara Cohen, John Schofield, Brett Lashua
 
Journal of World Popular Music Vol 2 No. 2 (2015) Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean View
Samuel Dwinell
 
Perfect Beat Vol 18 No. 2 (2017) Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table View
Declan Martin
 
Perfect Beat Vol 17 No. 2 (2016) Melbourne popular music in the museum: Locating the academy in the sonic city View
Marcus Breen
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Perfect Beat Vol 3 No. 4 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Journal of World Popular Music Vol 6 No. 2 (2019) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett
 
Perfect Beat Vol 15 No. 1 (2014) Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air View
Jennifer Cattermole
 
Perfect Beat Vol 9 No. 1 (2008) Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate View
SHANE HOMAN
 
Perfect Beat Vol 8 No. 4 (2008) Introduction View
Mark Evans, Denis Crowdy
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto View
MALCOLM PHILPOTT, GREG SEETO
 
Perfect Beat Vol 4 No. 3 (1999) SCREEN SCORES View
JON FITZGERALD
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies View
DENNIS CROWDY
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Journal of World Popular Music Vol 6 No. 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music View
Jeremy Wallach
 
Perfect Beat Vol 17 No. 2 (2016) Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. View
Rachel Tollett
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] View
James Wierzbicki
 
Perfect Beat Vol 10 No. 1 (2009) Television special Maintaining Rage: Counting down without a host for over 20 years View
Liz Giuffre
 
Perfect Beat Vol 19 No. 1 (2018) Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies View
Nabeel Zuberi
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Introduction: Sounding out the past View
Paul Long, Nicholas Gebhardt
 
Journal of World Popular Music Vol 7 No. 1 (2020) Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. View
Hyunjoon Shin
 
Perfect Beat Vol 18 No. 1 (2017) Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories View
Lauren Istvandity
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Journal of Film Music Vol 2 No. 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity View
William H. Rosar
 
Popular Music History Vol 11 No. 2 (2016) Review article View
Dave Laing
 
Popular Music History Vol 7 No. 1 (2012) Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). View
Faye Woods
 
Journal of World Popular Music Vol 6 No. 2 (2019) Currents and Contradictions in the Ethnomusicology of Popular Music View
Harris M. Berger
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Perfect Beat Vol 12 No. 1 (2011) ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform View
Henry Johnson
 
Popular Music History Vol 4 No. 1 (2009) Resource notes: the Rockheim Project in Norway View
Andy Lineham
 
Perfect Beat Vol 19 No. 1 (2018) Editorial Introduction View
Shelley Brunt, Oli Wilson
 
Popular Music History Vol 4 No. 3 (2009) The production of English rock and roll stardom in the 1950s View
Martin Cloonan
 
Perfect Beat Vol 2 No. 3 (1995) Traffic -An Introduction View
PHILIP HAYWARD
 
Popular Music History Vol 9 No. 2 (2014) The lifetime soundtrack: Music as an archive for autobiographical memory View
Lauren Istvandity
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Perfect Beat Vol 3 No. 4 (1998) MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand View
TONY MITCHELL, ROY SHUKER
 
Journal of World Popular Music Vol 7 No. 1 (2020) The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory View
Mariana Barreto
 
Popular Music History Vol 9 No. 2 (2014) Resource Notes View
Brock Silversides
 
Perfect Beat Vol 2 No. 4 (1996) TRAJECTION -AN INTRODUCTION View
PHILIP HAYWARD
 
Perfect Beat Vol 19 No. 2 (2018) From punk to platforms: The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’ View
Jared Davis
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann View
Richard Littlefield
 
Perfect Beat Vol 2 No. 2 (1995) Emergences - An Introduction View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 1 No. 1 (2014) Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. View
Emília Barna
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Perfect Beat Vol 14 No. 1 (2013) Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95. View
Eric A. Galm
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Collins, K. (ed) (2008) From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot: Ashgate View
Susan Luckman
 
Perfect Beat Vol 1 No. 1 (1992) TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations View
KATRINA McMANUS
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) View
Nick Prior
 
Perfect Beat Vol 20 No. 1 (2019) Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. View
Brent Keogh
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Popular Music History Vol 8 No. 3 (2013) David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). View
Holly Holmes
 
Perfect Beat Vol 12 No. 2 (2011) The success of hopelessness: the evolution of Korean indie music View
Hyunjoon Shin
 
Popular Music History Vol 3 No. 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places View
Jonathan Feig
 
Perfect Beat Vol 13 No. 1 (2012) 'Like him or loathe him': 
critical reactions to André Rieu in Australia View
Sarah Keith
 
Journal of Film Music Vol 2 No. 2-4 (2009) Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. View
Paul A. Merkley
 
Perfect Beat Vol 2 No. 4 (1996) DIRECTIONS IN POPULAR MUSIC STUDIES View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 4 (1996) AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY View
GEORGE H. LEWIS
 
Journal of Film Music Vol 4 No. 2 (2011) Modular Structures in Film Music: The Answer to Synchronization Problems? View
Bartlomiej P Walus
 
Journal of Film Music Vol 6 No. 2 (2013) Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana View
C. Letcher
 
Popular Music History Vol 7 No. 1 (2012) Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). View
Paula Hearsum
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book View
Eric Hung
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Perfect Beat Vol 14 No. 2 (2013) Popular music, cultural policy, and the Festival of Pacific Arts View
Dan Bendrups
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Journal of World Popular Music Vol 7 No. 1 (2020) “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality View
Brent Keogh, Ian Collinson
 
Perfect Beat Vol 3 No. 2 (1997) Editorial View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 6 No. 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea View
Oli Wilson
 
Perfect Beat Vol 17 No. 1 (2016) Introduction View
Oli Wilson, Dan Bendrups, Donna Weston
 
Journal of World Popular Music Vol 7 No. 1 (2020) Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) View
Colin Harte
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music View
Bruce Johnson
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Journal of World Popular Music Vol 1 No. 2 (2014) Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) View
Iris Yellum
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music View
Marcus O'Dair
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Michael Lasser, City Songs and American Life, 1900–1950 View
Arno van der Hoeven
 
Implicit Religion Vol 7 No. 1 (2004) Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution View
Michael Amoah
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Popular Music History Vol 3 No. 1 (2008) Collections at the IPM View
Robert Strachan
 
Popular Music History Vol 7 No. 3 (2012) Minority language, majority canon View
Sarah Hill
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
Perfect Beat Vol 3 No. 2 (1997) NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List View
TONY MITCHELL
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) The poetics of recorded time: Listening again to popular music history View
Paul Long
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Perfect Beat Vol 13 No. 1 (2012) De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. View
Andreas Steen
 
Perfect Beat Vol 15 No. 2 (2014) Dan, Henry ‘Seaman’ and Karl Neuenfeldt. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. ISBN 978-1-922059-208 (pbk). 170 pp. View
Bruce Johnson
 
Journal for the Academic Study of Religion Vol 29 No. 3 (2016) Monique Ingalls, Carolyn Landau and Tom Wagner (eds.), Christian Congregational Music: Performance, Identity and Experience. Surrey: Ashgate, 2013, pp. xiii + 228, ISBN: 978-1-4094-6602-4 (hbk). View
Sarah Penicka-Smith
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Popular Music History Vol 8 No. 1 (2013) Matt Stahl, Unfree Masters: Recording Artists and the Politics of Work. Durham, NC: Duke University Press, 2012. 312 pp. ISBN 978-0-8223-53430 (hbk). View
Jason Toynbee
 
Popular Music History (0) ADVANCE ACCESS Space to play: The sound of British female punk music and its engagement with reggae in the 1970s View
Helen Reddington
 
Popular Music History Vol 6 No. 3 (2011) Making a scene: The Bergen wave in popular music, 1990–2008 View
Stig Tenold
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” View
Lora Matthews
 
Journal of World Popular Music Vol 6 No. 2 (2019) Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music View
Yair Hashachar
 
Popular Music History Vol 5 No. 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music View
Mike Jones
 
Perfect Beat Vol 17 No. 1 (2016) An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia View
Brent Keogh
 
Journal of Film Music Vol 2 No. 2-4 (2009) Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. View
Kendra Preston Leonard
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 View
Anne Cleaton
 
Jazz Research Journal Vol 9 No. 2 (2015) Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 View
Chris Ealham
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘Well-worn grooves’: Music, materiality and biographical memory View
Iain A. Taylor
 
Journal of World Popular Music Vol 1 No. 1 (2014) Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). View
Åse Ottosson
 
Journal of World Popular Music Vol 7 No. 1 (2020) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock
 
Journal of Film Music Vol 1 No. 1 (2002) Linda Danly. Hugo Friedhofer: The Best Years of His Life: A Hollywood Master of Music for the Movies Lanham, MD: Scarecrow Press, 1999. [xi, 212 p. ISBN: 0810835827. $39.50] View
Linda Schubert
 
Perfect Beat Vol 18 No. 1 (2017) Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream View
Henry Johnson
 
Popular Music History Vol 11 No. 3 (2018) Experiencing Progressive Rock by Robert G. H. Burns View
Sam Vallen
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Perfect Beat Vol 4 No. 1 (1998) MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones View
CORALIE JOYCE
 
Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis View
Patrick Wood
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Resource notes View
Andy Linehan
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain View
Nabeel Zuberi
 
Journal of Film Music Vol 7 No. 2 (2014) Swiss Film Music: Anthology 1923–2012 View
Michael Baumgartner
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? View
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Jonathan P. J. Stock
 
Journal of World Popular Music Vol 6 No. 1 (2019) Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
 
Popular Music History Vol 11 No. 3 (2018) Editors’ introduction View
Shane Homan, Catherine Strong
 
Journal for the Academic Study of Religion Vol 28 No. 3 (2015) Faith in Motion Carole M. Cusack and Alex Norman (eds.), Handbook of New Religions and Cultural Production. Brill, Leiden, 2012, pp. xxix + 789, ISBN: 9789004221871. View
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Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
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Perfect Beat Vol 2 No. 4 (1996) MUSIC ARCHIVE FOR THE PACIFIC View
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Popular Music History Vol 5 No. 2 (2010) Book Review: Emma Baulch, Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press, 2007. 226 pp. ISBN 978-0-8223-4115-4 (pbk) $22.95 View
Emma Baulch
 
Journal of World Popular Music Vol 2 No. 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl View
Arno van der Hoeven
 
Popular Music History Vol 10 No. 2 (2015) Introduction: Special issue on Popular Music and Heritage View
Marion Leonard, Robert Knifton
 
Perfect Beat Vol 15 No. 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat View
Shelley Brunt, Oli Wilson, Catherine Strong
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Perfect Beat Vol 10 No. 2 (2009) Williams, Andrew. 2007. Portable Music and its Functions. New York: Peter Lang. ISBN 978-0-8204-8125-8 (pbk). 127 pp View
Michael Bull
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries View
Malvina Silba
 
Journal of World Popular Music Vol 3 No. 2 (2016) David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) View
Russell P. Skelchy
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Journal of World Popular Music Vol 1 No. 2 (2014) Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) View
Emma Baulch
 
Perfect Beat Vol 3 No. 3 (1997) SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song View
PETER DUNBAR-HALL
 
Popular Music History Vol 7 No. 2 (2012) Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). View
Dale Carter
 
Journal of World Popular Music Vol 3 No. 1 (2016) Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) View
Alf Arvidsson
 
Perfect Beat Vol 1 No. 4 (1994) STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate View
Michael Pickering, Roy Shuker
 
Pomegranate: The International Journal of Pagan Studies Vol 15 No. 1-2 (2013) Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). View
Ethan Doyle White
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. View
Sean Foran
 
Perfect Beat Vol 8 No. 3 (2007) Kahn-Harris, K (2006) Extreme Metal: Music and Culture on the Edge, Oxford: Berg View
MICHELLE PHILLIPOV
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Journal of World Popular Music Vol 3 No. 1 (2016) She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s View
Catherine Strong, Ian Rogers
 
Perfect Beat Vol 1 No. 2 (1993) LOOKING OUT An interview with Kev Carmody View
Rob Johnson
 
Journal of World Popular Music Vol 2 No. 1 (2015) Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk) View
Motti Regev
 
Journal of Film Music Vol 5 No. 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History View
Peter Moormann
 
Journal of World Popular Music Vol 2 No. 1 (2015) Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) View
Thomas R. Hilder
 
Popular Music History Vol 2 No. 1 (2007) April 2007 BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 View
David Simonelli
 
Perfect Beat Vol 2 No. 1 (1994) THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music View
KARL NEUENFELDT
 
Popular Music History Vol 8 No. 3 (2013) How English became the language of pop in Denmark View
Henrik Smith-Sivertsen
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Popular Music History Vol 1 No. 3 (2004) What story should a history of popular music tell? View
Allan Moore
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Ghost Singers: The Singing Voice in Korean Pop Cinema View
Sarah Keith, Alex Mesker
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Guest Editorial View
Alessandro Cecchi, Maurizio Corbella
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Popular Music History Vol 11 No. 3 (2018) A tribute to Dave Laing View
Martin Cloonan
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues View
Kevin Fellezs
 
Journal of World Popular Music Vol 4 No. 2 (2017) Questionable Tastes: Women, Love Songs and Gender Subalternity View
Carolina Spataro
 
Jazz Research Journal Vol 2 No. 2 (2008) Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa View
Charles Hersch,
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Introduction: The collective problem in jazz View
Nicholas Gebhardt
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Perfect Beat Vol 9 No. 1 (2008) Introduction View
Mark Evans, Denis Crowdy
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 View
Kari Kallioniemi
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Jazz Research Journal Vol 1 No. 2 (2007) The parallax of art and commerce: UK jazz musicians on marketing View
Michael James Macaulay
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics The politics, aesthetics and dissonance of music in everyday life View
Roger Fagge
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music in the K-12 Classroom and the Quest for Education Justice View
Kathryn Metz
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Editorial: The Global Circulations of Jazz View
Stéphane Dorin
 
Journal of Film Music Vol 4 No. 2 (2011) Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical View
Melissa Ursula Dawn Goldsmith
 
Journal of Film Music Vol 4 No. 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) View
Linda K. Schubert
 
Popular Music History Vol 8 No. 3 (2013) An introduction to the music collection at the National Library of Sweden View
Jan Olofsson, Hans Gustafsson, David Brodin
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Popular Music History Vol 7 No. 3 (2012) Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). View
Helen Reddington
 
Journal of Film Music Vol 6 No. 2 (2013) The Barry Gray Archive View
François Evans
 
Popular Music History Vol 2 No. 2 (2007) Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage View
Michael Brocken
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Perfect Beat Vol 3 No. 4 (1998) CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style View
DENNIS CROWDY
 
Jazz Research Journal Vol 11 No. 2 (2017) Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music View
Alexandre Gagatsis
 
Perfect Beat Vol 2 No. 2 (1995) A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea View
PHILIP HAYWARD
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene View
Zsolt Győri
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
Perfect Beat Vol 1 No. 2 (1993) JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I View
Andrew N. Weintraub
 
Perfect Beat Vol 1 No. 3 (1993) SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival View
Jilli Streit-Warburton
 
Perfect Beat Vol 3 No. 4 (1998) EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire View
JULIE RICKWOOD
 
Popular Music History Vol 7 No. 2 (2012) Resource notes View
Andy Linehan
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Journal for the Academic Study of Religion Vol 20 No. 2 (2007) Brand of Choice: Why Hillsong Music is Winning Sales and Souls View
E.H. McIntyre
 
Perfect Beat Vol 18 No. 2 (2017) Playing bluegrass in Australia across country and folk scenes View
Miriam Amy Jones
 
Popular Music History Vol 8 No. 2 (2013) Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan View
Mike Jones
 
Perfect Beat Vol 17 No. 1 (2016) Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp View
Leonieke Bolderman
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Perfect Beat Vol 12 No. 2 (2011) Book Review: Goddard, M., and Benjamin Halligan, eds. 2010. Mark E. Smith and The Fall: Art, Music, and Politics. Aldershot: Ashgate. ISBN 9-780-754-66867-1 (pbk). 209 pp. View
Rob Chapman
 
Journal of World Popular Music Vol 3 No. 2 (2016) Rosemary Overell. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. Basingstoke: Palgrave Macmillan. 224pp. ISBN 9781-137-40676-7 (hbk) View
Daniel Wilson
 
Perfect Beat Vol 14 No. 2 (2013) Music festivals and regional development policy: towards a festival ecology View
Chris Gibson
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Equinox eBooks Publishing Sensual Religion 8. North American Indigenous Song, the Sacred and the Senses View
Byron Dueck
 
Popular Music History Vol 1 No. 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 View
Matt Brennan
 
Journal of Film Music Vol 2 No. 2-4 (2009) David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. View
Michael Remson
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history View
Toby Martin
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Popular Music History Vol 3 No. 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). View
Dave Laing
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading View
David Neumeyer
 
Perfect Beat Vol 2 No. 1 (1994) EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s View
SHUHEI HOSOKAWA
 
Popular Music History Vol 4 No. 1 (2009) Nicola Dibben, Björk. London: Equinox, 2009. ix + 221 pp. ISBN 978-0-253-22065-3 (pbk) View
Chloë Mullett
 
Popular Music History Vol 7 No. 3 (2012) Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). View
Chris Ealham
 
Journal of Film Music Vol 1 No. 1 (2002) Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD View
Linda Schubert
 
Perfect Beat Vol 1 No. 3 (1993) Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. View
Theo Van Leeuwen
 
Perfect Beat Vol 1 No. 3 (1993) Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain View
Philip Hayward
 
Perfect Beat Vol 1 No. 3 (1993) Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books View
Tim Sowden
 
Perfect Beat Vol 1 No. 3 (1993) Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises View
Andrew Murphie
 
Perfect Beat Vol 1 No. 3 (1993) Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins View
Mark Brown
 
Perfect Beat Vol 16 No. 1-2 (2015) Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno View
Botond Vitos
 
Popular Music History Vol 10 No. 1 (2015) Hashtag 0161: Did Bugzy Malone put Manny on the map? View
Kamila Rymajdo
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Popular Music History Vol 10 No. 2 (2015) Resource notes: Amplifying intangible heritage as a resource for museum narratives View
Rob Horrocks
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 1 (1994) Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Perfect Beat Vol 1 No. 2 (1993) CULTURE, CUSTOM AND COLLABORATION: The production of Yothu Yindi's Treaty videos View
Lisa Nicol
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Experiential knowledge: Dance as source for popular music historiography View
Beate Peter
 
Perfect Beat Vol 19 No. 2 (2018) An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology View
Gene Shill
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Wonderbrass: A South Wales jazz collective View
Rob Smith
 
Perfect Beat Vol 15 No. 1 (2014) Novak, David. 2013. Japanoise: Music at the Edge of Circulation. Durham NC: Duke University Press. ISBN 978-0-8223-5392-8 (pbk). 292 pp. View
Rosemary Overell
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
Paul Long, Sarah Raine
 
Popular Music History Vol 4 No. 1 (2009) Historical approaches to Merseybeat: delivery, affinity and diversity View
Ian Inglis
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Perfect Beat Vol 2 No. 2 (1995) PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND View
MARK DERBY, HELEN WILSON
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Journal of World Popular Music Vol 4 No. 1 (2017) “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 View
David Baker, Lauren Istvandity
 
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