Latest Issue: Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) RSS2 logo

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Journal Issue Title
 
Perfect Beat Vol 12 No. 1 (2011) Revisionist Popular Music History View
Roy Shuker
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Popular music history on screen: the pop/rock biopic View
Ian Inglis
 
Popular Music History Vol 1 No. 3 (2004) What story should a history of popular music tell? View
Allan Moore
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Listening again to popular music as history View
Paul Leslie Long, Nicholas Gebhardt
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Recorded Time Listening Again to Popular Music History View
Paul Leslie Long
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) The poetics of recorded time: Listening again to popular music history View
Paul Long
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK View
Paul Carr
 
Popular Music History Vol 1 No. 2 (2004) Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories View
Michael Brocken
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. View
Sarah Kenny
 
Popular Music History Vol 4 No. 3 (2009) Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City View
James McGrath
 
Perfect Beat Vol 11 No. 1 (2010) Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. View
Roy Shuker
 
Perfect Beat Vol 9 No. 1 (2008) Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate View
GEOFF KING
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music View
Bruce Johnson
 
Journal of World Popular Music Vol 2 No. 2 (2015) Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) View
Heather Strohschein
 
Journal of World Popular Music Vol 3 No. 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) View
Jun Zubillaga-Pow
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) View
Antti-Ville Kärjä
 
Popular Music History Vol 7 No. 2 (2012) Introduction: making things whole again—the Take That reunion View
Tim Wise
 
Popular Music History Vol 10 No. 2 (2015) Introduction: Special issue on Popular Music and Heritage View
Marion Leonard, Robert Knifton
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Popular Music History Vol 1 No. 1 (2004) Editor's Introduction View
Robert Strachan
 
Popular Music History Vol 1 No. 3 (2004) Introduction to the Special Issue View
David Laing
 
Journal of World Popular Music Vol 4 No. 2 (2017) Some Notes on Popular Music in my (Professional) Life View
Bruno Nettl
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Trajectories and Themes in World Popular Music View
Simone Krüger Bridge
 
Popular Music History Vol 3 No. 1 (2008) Introduction to the special issue: 20 years of the Institute of Popular Music View
Dave Laing
 
Local Acts, Global Success View
Michael Murphy, Jim Rogers
 
Popular Music History Vol 10 No. 2 (2015) A critical survey of museum collections of popular music in the United Kingdom View
Marion Leonard, Robert Knifton
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
Popular Music History Vol 3 No. 1 (2008) The origins and development of The Institute of Popular Music: An interview View
Dave Horn
 
Perfect Beat Vol 17 No. 2 (2016) Melbourne popular music in the museum: Locating the academy in the sonic city View
Marcus Breen
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Popular Music History Vol 3 No. 1 (2008) The Liverpool sounds project: Oral history research at the IPM View
Dave Laing
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Equinox eBooks Publishing The Making of the Musical World West Africa: Joining In and Standing Out View
Andrew Killick
 
James Brown View
John Scannell
 
Journal of World Popular Music Vol 6 No. 2 (2019) Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship View
Kimberly Kattari
 
Perfect Beat Vol 8 No. 4 (2008) THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY View
PHILIP McINTYRE, BRYAN PATON
 
Popular Music History Vol 3 No. 1 (2008) Collections at the IPM View
Robert Strachan
 
Popular Music History Vol 4 No. 3 (2009) The production of English rock and roll stardom in the 1950s View
Martin Cloonan
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘Well-worn grooves’: Music, materiality and biographical memory View
Iain A. Taylor
 
Popular Music History Vol 5 No. 1 (2010) Bernard Herrmann—‘pop’ composer? View
Edward Green
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Experiential knowledge: Dance as source for popular music historiography View
Beate Peter
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history View
Toby Martin
 
Perfect Beat Vol 18 No. 2 (2017) Playing bluegrass in Australia across country and folk scenes View
Miriam Amy Jones
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music in the K-12 Classroom and the Quest for Education Justice View
Kathryn Metz
 
Journal of World Popular Music Vol 6 No. 2 (2019) Currents and Contradictions in the Ethnomusicology of Popular Music View
Harris M. Berger
 
The Lost Women of Rock Music View
Helen Reddington, Derek Scott
 
Popular Music History Vol 11 No. 3 (2018) Editors’ introduction View
Shane Homan, Catherine Strong
 
Popular Music History Vol 10 No. 2 (2015) Resource notes: Amplifying intangible heritage as a resource for museum narratives View
Rob Horrocks
 
Technomad View
Graham St John
 
Popular Music History Vol 5 No. 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music View
Mike Jones
 
Perfect Beat Vol 19 No. 1 (2018) Still Rage-ing: Australia’s music video programme at 30 View
Liz Giuffre
 
Popular Music History Vol 8 No. 1 (2013) A mysterious music in the air: cultural origins of the loudspeaker View
Kyle Devine
 
Journal of World Popular Music Vol 4 No. 1 (2017) “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 View
David Baker, Lauren Istvandity
 
Popular Music History Vol 5 No. 2 (2010) The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 View
Holly Tessler
 
The Beatles View
Ian Inglis
 
Popular Music History Vol 8 No. 3 (2013) How English became the language of pop in Denmark View
Henrik Smith-Sivertsen
 
Journal of Film Music Vol 5 No. 1-2 (2012) Melodramatic Music in the Western View
Mariana Whitmer
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The lost musical histories of Merthyr Tydfil View
Paul Carr
 
Popular Music History Vol 8 No. 1 (2013) Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das View
Jeffrey W. Cupchik
 
Jazz Research Journal (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Towards a history of jazz in Greece in the interwar era View
Panagiota Anagnostou
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Companion Website View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Acknowledgements View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Bibliography View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Index View
Simone Krüger Bridge
 
Equinox eBooks Publishing The Making of the Musical World American Popular Music and the World View
Andrew Killick
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Perfect Beat Vol 20 No. 1 (2019) Experiences and perceptions of gender in the Australian music industry View
Hannah Mary Fairlamb, Bianca Fileborn
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music before Neoliberalism View
Simone Krüger Bridge
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Pompey Pop: A case study of a local music archive View
Dave Allen
 
Equinox eBooks Publishing The Beatles References View
Ian Inglis
 
Equinox eBooks Publishing Local Acts, Global Success Introduction View
Michael Murphy, Jim Rogers
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah View
Mike Brocken
 
Equinox eBooks Publishing The Making of the Musical World Africa in America: Old Ways, New Means View
Andrew Killick
 
Popular Music History Vol 9 No. 3 (2014) Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos View
Paul Archibald
 
Jazz on BBC Radio 1922-1972 View
Tim Wall
 
Popular Music History Vol 5 No. 3 (2010) ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years View
Nedim Hassan
 
Popular Music History Vol 8 No. 2 (2013) Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan View
Mike Jones
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain View
Lawrence Davies
 
Jazz Me Blues View
Chris Barber, Alyn Shipton
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ View
Clifford Hill Korman
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'How you gonna see me now': Recontextualizing metal artists and moral panics View
Brad Klypchak
 
Equinox eBooks Publishing The History of European Jazz Series Editor's Note View
Alyn Shipton
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Perfect Beat Vol 10 No. 1 (2009) Television special Thai television and pleeng luuk tung: The role of television in the Isan cultural revival View
James Leonard Mitchell
 
Equinox eBooks Publishing The History of European Jazz European Jazz: Stories that Needed to be Told View
Francesco Martinelli
 
Soul Unsung View
Kevin Le Gendre
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED View
Kimberly Hannon Teal
 
Equinox eBooks Publishing The Beatles Introduction View
Ian Inglis
 
Perfect Beat Vol 14 No. 1 (2013) Whose home; which island?: displacement and identity in ‘My Island Home’ View
Jon Stratton
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Equinox eBooks Publishing The Making of the Musical World The Caribbean: Powerhouse of Popular Styles View
Andrew Killick
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Popular Music History Vol 1 No. 1 (2004) A Question of Standards: "My Funny Valentine" and Musical Intertextuality View
Alan Stanbridge
 
Popular Music History Vol 10 No. 3 (2015) ‘How Belfast got the blues’: Towards an alternative history View
Noel McLaughlin, Joanna Braniff
 
Equinox eBooks Publishing The Making of the Musical World Western Europe: The Familiar Stranger View
Andrew Killick
 
Popular Music History Vol 10 No. 1 (2015) ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield View
Owen Hatherley
 
Equinox eBooks Publishing Ludomusicology Introduction View
Michiel Kamp, Tim Summers, Mark Sweeney
 
Equinox eBooks Publishing The Making of the Musical World East Asia: Ancient Traditions and Modern Inventions View
Andrew Killick
 
Equinox eBooks Publishing The History of European Jazz Subject Index View
Francesco Martinelli
 
Equinox eBooks Publishing The History of European Jazz Index of Works View
Francesco Martinelli
 
Equinox eBooks Publishing In Search of Fela Anikulapo Kuti Fear Not For Man/Who No Know Go Know: Fela: The legend, the cult, the orisha, the inspiration, the corporation, the industry View
Max Reinhardt, Rita Ray
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK They preferred to sit on the floor: Rock music in South Wales at a time of industrial change View
Mike Jones
 
Trad Dads, Dirty Boppers and Free Fusioneers View
Duncan Heining
 
Equinox eBooks Publishing The Beatles Index View
Ian Inglis
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 The BBC and New British Jazz, 1965-1972 View
Tim Wall
 
Equinox eBooks Publishing Sounds Northern 3. 'They Say a Town is Just a Town, Full Stop, but What do They Know?': Architecture, Urbanism and Pop in Sheffield View
Owen Hatherley
 
Equinox eBooks Publishing Elvis Phenomenon View
Mark Duffett
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 Presenting Ellington and Recorded Jazz, 1933-1942 View
Tim Wall
 
Equinox eBooks Publishing Sounds Northern 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain View
Richard Witts
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox View
Will Finch
 
Equinox eBooks Publishing Sounds Northern 10. Hashtag 0161: Did Bugzy Malone put Manny on the map? View
Kamila Rymajdo
 
Implicit Religion Vol 12 No. 3 (2009) Helping Students See What Ordinarily Remains Hidden: How Implicit Religion Can Enrich Teaching View
Andrew M. Wender
 
Equinox eBooks Publishing Sounds Northern 2. Another Uniquely Mancunian Offering?: Un-Convention and the Intermediation of Music Culture and Place View
Paul Long, Jez Collins
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World Historical Consciousness and the Use of the Past in a Material World View
John Baines, Henriette van der Blom, Yi Chen, Tim Rood
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 1. Ancient Near East and Hittite Traditions: Introduction View
Paul Collins
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 6. Egyptian and Maya Traditions: Introduction View
John Baines
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 10. Chinese Traditions: Introduction View
Glen Dudbridge†
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 14. Biblical Traditions: Introduction View
Laura Feldt
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 17. Classical Traditions: Introduction View
Henriette van der Blom, Tim Rood
 
Journal of World Popular Music Vol 1 No. 2 (2014) Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) View
Nina Menezes
 
Perfect Beat Vol 12 No. 2 (2011) Introduction: New Perspectives on Popular Music in Asia View
Shelley Brunt
 
Perfect Beat Vol 10 No. 2 (2009) Stroud, Sean. 2008. The Defence of Tradition in Brazilian Popular Music. Hampshire: Ashgate. ISBN 978-0-7546-6343-0 (hbk). 215 pp View
Flavia Lucia Rubini-Lean
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music Studies and Interdisciplinarity View
Steve Waksman
 
Popular Music History Vol 1 No. 2 (2004) Resource Notes View
Andy Linehan
 
Journal of World Popular Music Vol 4 No. 1 (2017) Editor's Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Popular Music History Vol 1 No. 1 (2004) History beings yesterday View
Paul Oliver
 
Journal of World Popular Music Vol 6 No. 2 (2019) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett
 
Journal of World Popular Music Vol 2 No. 2 (2015) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Journal of World Popular Music Vol 3 No. 1 (2016) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Popular Music History Vol 4 No. 2 (2009) Introduction to the special issue: music, characterization and urban space View
Sara Cohen, John Schofield, Brett Lashua
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Introduction: Sounding out the past View
Paul Long, Nicholas Gebhardt
 
Popular Music History Vol 1 No. 1 (2004) Popular Music Resources View
Andy Lineham
 
Journal of World Popular Music Vol 2 No. 1 (2015) Editors' Introduction View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 10 No. 3 (2015) Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) View
Marlie Centawer
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 View
Giacomo Bottà
 
Perfect Beat Vol 1 No. 1 (1992) Editorial Introduction View
Philip Hayward
 
Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
BRUCE JOHNSON
 
Popular Music History Vol 4 No. 3 (2009) Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). View
Noel McLaughlin
 
Perfect Beat Vol 20 No. 1 (2019) Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. View
Brent Keogh
 
Popular Music History Vol 7 No. 1 (2012) Resource notes View
Dave Laing
 
Popular Music History Vol 7 No. 1 (2012) Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). View
Faye Woods
 
Journal of World Popular Music Vol 1 No. 2 (2014) Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) View
Katelyn Barney
 
Popular Music History Vol 1 No. 1 (2004) Popular Music and Historiography View
Charles Hamm
 
Journal of World Popular Music Vol 1 No. 2 (2014) Editorial Introduction to Issue 1.2 View
Simone Krüger, Sarah Baker
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). View
Barbara Pemberton
 
Popular Music History Vol 7 No. 3 (2012) Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). View
Phil Hardy
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) View
Lauren Istvandity
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
Popular Music History Vol 3 No. 3 (2008) The Archive of Contemporary Music, New York View
Andy Linehan
 
Popular Music History Vol 3 No. 3 (2008) Introduction to the Special Issue View
Tuulikki Pietilä
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Perfect Beat Vol 14 No. 1 (2013) Philip Tagg. ‘Scotch Snaps: The Big Picture’. Online video documentary located at http://www.youtube.com/watch?v=3BQAD5uZsLY and also http://tagg.org/ptavmat.htm (1 hour 15 mins) View
Bruce Johnson
 
Journal of World Popular Music Vol 2 No. 2 (2015) Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) View
Henry Johnson
 
Popular Music History Vol 4 No. 2 (2009) Resource notes View
Ditmer Weertman
 
Journal of World Popular Music Vol 6 No. 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music View
Jeremy Wallach
 
Perfect Beat Vol 11 No. 2 (2010) Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. View
Dan Bendrups
 
Journal of World Popular Music Vol 4 No. 1 (2017) Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk View
Jez Collins
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Perfect Beat Vol 10 No. 1 (2009) Television special Dialing In: The Sound of Television in the Pacific Region View
Mark Evans
 
Journal of World Popular Music Vol 7 No. 1 (2020) Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. View
Hyunjoon Shin
 
Popular Music History Vol 8 No. 3 (2013) David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). View
Holly Holmes
 
Popular Music History Vol 7 No. 3 (2012) Minority language, majority canon View
Sarah Hill
 
Popular Music History Vol 4 No. 1 (2009) Resource notes: the Rockheim Project in Norway View
Andy Lineham
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Perfect Beat Vol 10 No. 2 (2009) Tokita, Alison McQueen and David W. Hughes, eds. 2008. The Ashgate Research Companion to Japanese Music. Aldershot: Ashgate. ISBN 978-0-7546-5699-9 (hbk). 446 pp View
Henry Johnson
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Popular Music History Vol 9 No. 2 (2014) Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). View
Tony Farsides
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) View
Jostine Loubser
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 View
Ben Green
 
Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
John O'Flynn, Áine Mangaoang
 
Journal of Film Music Vol 6 No. 1 (2013) Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York View
Roger Hickman
 
Popular Music History Vol 3 No. 2 (2008) Resource notes View
Janne Mäkelä
 
Perfect Beat Vol 10 No. 2 (2009) Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp View
Martin Cloonan
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie View
Nathalie Weidhase
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Popular Music History Vol 10 No. 1 (2015) Introduction to the special issue: Listening to the North of England View
Ewa Mazierska
 
Popular Music History Vol 10 No. 3 (2015) Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University View
Timothy Young
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 View
Kari Kallioniemi
 
Popular Music History Vol 2 No. 2 (2007) Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage View
Michael Brocken
 
Perfect Beat Vol 8 No. 4 (2008) WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia View
MARTIN CLOONAN
 
Popular Music History Vol 3 No. 1 (2008) Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). View
Dave Laing
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music View
Marcus O'Dair
 
Popular Music History Vol 5 No. 1 (2010) Introduction to the special issue: The music of Bernard Herrmann View
Dave Laing
 
Journal of Film Music Vol 5 No. 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring View
Katherine K. Preston
 
Perfect Beat Vol 4 No. 4 (2000) John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press View
PHILIP HAYWARD
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Perfect Beat Vol 18 No. 2 (2017) Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. View
Jared Mackley-Crump
 
Popular Music History Vol 9 No. 2 (2014) Diane Pecknold, ed., Hidden in the Mix: The African American Presence in Country Music. Durham, NC: Duke University Press, 2013. 392 pp. $24.89. ISBN 978-082235-163-4 (pbk). View
Don Cusic
 
Perfect Beat Vol 2 No. 1 (1994) Pacific Dimensions - New Directions and Policies View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 2 No. 2 (2015) Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD View
Paul Long
 
Journal of World Popular Music Vol 1 No. 1 (2014) Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). View
Bruce Johnson
 
Perfect Beat Vol 19 No. 2 (2018) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Perfect Beat Vol 4 No. 1 (1998) EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music View
JONAS BAES, AMAPOLA BAES
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music View
Ewa Mazierska, Zsolt Győri
 
Journal of World Popular Music Vol 6 No. 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music View
Vincenzo Perna
 
Popular Music History Vol 11 No. 3 (2018) A tribute to Dave Laing View
Adam Behr
 
Journal of World Popular Music Vol 6 No. 1 (2019) Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
 
Popular Music History Vol 7 No. 1 (2012) Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). View
Paula Hearsum
 
Perfect Beat Vol 14 No. 2 (2013) Introduction: policy and popular music View
Jennifer Cattermole, Martin Cloonan, Shane Homan
 
Journal of Film Music Vol 4 No. 2 (2011) D. Kern Holoman. The Orchestra: A Very Short Introduction View
Melissa Ursula Dawn Goldsmith
 
Journal of Film Music Vol 2 No. 1 (2007) Roger Hickman. Reel Music: Exploring 100 Years of Film Music View
Lora Matthews
 
Perfect Beat Vol 3 No. 4 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Popular Music History Vol 6 No. 3 (2011) Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. View
Dave Laing
 
Perfect Beat Vol 17 No. 2 (2016) Introduction View
Oli Wilson
 
Popular Music History Vol 9 No. 2 (2014) The lifetime soundtrack: Music as an archive for autobiographical memory View
Lauren Istvandity
 
Perfect Beat Vol 16 No. 1-2 (2015) Introduction View
Shelley Brunt, Oli Wilson
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Journal of World Popular Music Vol 2 No. 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World View
Andrew Alter, Denis Crowdy, Stephen Collins
 
Popular Music History Vol 3 No. 2 (2008) Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705. Farnham, Surrey: Ashgate, 2008. 209 pp. £55.00. ISBN 978 0-7456-6526-7 (hbk) View
Bruce Johnson
 
Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Journal of World Popular Music Vol 1 No. 1 (2014) Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. View
Emília Barna
 
Perfect Beat Vol 19 No. 1 (2018) Editorial Introduction View
Shelley Brunt, Oli Wilson
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Journal of World Popular Music Vol 2 No. 1 (2015) Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) View
Imani Sanga
 
Perfect Beat Vol 13 No. 1 (2012) 'Like him or loathe him': 
critical reactions to André Rieu in Australia View
Sarah Keith
 
Popular Music History Vol 7 No. 2 (2012) Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). View
Dale Carter
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Emma Baulch, Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press, 2007. 226 pp. ISBN 978-0-8223-4115-4 (pbk) $22.95 View
Emma Baulch
 
Fieldwork in Religion Vol 4 No. 2 (2009) Fieldwork in Religion 4:2 2009 EVANS, Mark. 2006. Open Up the Doors: Music in the Modern Church. London: Equinox. xiv + 209 pp. ISBN 1845531868 (hbk); 1845531876 (pbk). £50.00 (hbk); £15.00 (pbk). View
George D. Chryssides
 
Perfect Beat Vol 13 No. 1 (2012) Introduction View
Denis Crowdy, Mark Evans
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Perfect Beat Vol 1 No. 1 (1992) It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study View
Marcus Breen
 
Popular Music History Vol 10 No. 2 (2015) Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney View
Gaëlle Crenn
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) View
Nick Prior
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain View
Nabeel Zuberi
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Journal of World Popular Music Vol 7 No. 1 (2020) The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory View
Mariana Barreto
 
Journal of Film Music Vol 7 No. 2 (2014) Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond View
Megan Woller
 
Journal of World Popular Music Vol 4 No. 1 (2017) Interview with Antti-Ville Kärjä from Music Archive Finland View
Raphaël Nowak
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 14 No. 1 (2013) Andy Bennett and Jon Stratton, eds. 2010. Britpop and the English Music Tradition. Farnham: Ashgate. ISBN 978-0-7546-6805-3 (hbk). 225pp. £55.00. View
Gwen Bouvier
 
Journal of World Popular Music Vol 6 No. 1 (2019) Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk View
Lewis Tennant
 
Popular Music History Vol 6 No. 3 (2011) The making of a Yugoslav popular music industry View
Dean Vuletic
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples View
Matthew Brown
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. View
Jennifer Matthews
 
Perfect Beat Vol 2 No. 4 (1996) DIRECTIONS IN POPULAR MUSIC STUDIES View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 4 (1996) AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY View
GEORGE H. LEWIS
 
Perfect Beat Vol 14 No. 2 (2013) Youth, radio and Australian popular music policy View
Chris K. Wilson
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Resource notes View
Andy Linehan
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Michael Lasser, City Songs and American Life, 1900–1950 View
Arno van der Hoeven
 
Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba View
Iván Darias Alfonso
 
Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Perfect Beat Vol 11 No. 1 (2010) O’Flynn, John. 2009. The Irishness of Irish Music. Hampshire: Ashgate. ISBN 978-0- View
Helen O'Shea
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
Perfect Beat Vol 2 No. 4 (1996) TRAJECTION -AN INTRODUCTION View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 2 No. 1 (2015) Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) View
William Ross Hagen
 
Journal of World Popular Music Vol 6 No. 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity View
Neil Deane, Elke Schuch
 
Popular Music History Vol 2 No. 1 (2007) April 2007 BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 View
David Simonelli
 
Journal of World Popular Music Vol 2 No. 2 (2015) Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean View
Samuel Dwinell
 
Journal of World Popular Music Vol 3 No. 2 (2016) Banning Eyre. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. 339pp. ISBN 978-0-8223-5908-1 (hbk) View
Marc Duby
 
Perfect Beat Vol 18 No. 2 (2017) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Perfect Beat Vol 4 No. 1 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
ROY SHUKER
 
Journal of World Popular Music Vol 2 No. 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl View
Arno van der Hoeven
 
Perfect Beat Vol 15 No. 1 (2014) Introduction View
Mark Evans, Denis Crowdy
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi View
Linda Maria Koldau
 
Journal of World Popular Music Vol 7 No. 1 (2020) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock
 
Perfect Beat Vol 12 No. 2 (2011) The success of hopelessness: the evolution of Korean indie music View
Hyunjoon Shin
 
Perfect Beat Vol 19 No. 1 (2018) Johannes Brusila, Bruce Johnson and John Richardson, eds. 2016. Memory, Space, Sound View
Michael Ahlers
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Journal of World Popular Music Vol 1 No. 2 (2014) Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) View
Iris Yellum
 
Perfect Beat Vol 9 No. 1 (2008) Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate View
SHANE HOMAN
 
Perfect Beat Vol 10 No. 1 (2009) Television special Maintaining Rage: Counting down without a host for over 20 years View
Liz Giuffre
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Journal of World Popular Music Vol 3 No. 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television View
Liz Giuffre
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Popular Music History Vol 6 No. 3 (2011) Resource notes View
Dave Laing
 
Perfect Beat Vol 8 No. 4 (2008) Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books View
APRIL K. HENDERSON
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Popular Music History Vol 5 No. 3 (2010) Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. View
Noel McLaughlin
 
Perfect Beat Vol 12 No. 1 (2011) ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform View
Henry Johnson
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. View
Kheng K. Koay
 
Journal of World Popular Music Vol 7 No. 1 (2020) Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) View
Colin Harte
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Sound and Vision: 60 Years of Motion Picture Soundtracks View
Jon Burlingame
 
Journal of World Popular Music Vol 2 No. 1 (2015) Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) View
Thomas R. Hilder
 
Popular Music History (0) ADVANCE ACCESS Space to play: The sound of British female punk music and its engagement with reggae in the 1970s View
Helen Reddington
 
Popular Music History Vol 6 No. 3 (2011) Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). View
James McGrath
 
Popular Music History Vol 3 No. 1 (2008) Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). View
Christine Adams
 
Journal of Film Music Vol 5 No. 1-2 (2012) Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera View
Jacqueline Avila
 
Perfect Beat Vol 18 No. 1 (2017) Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories View
Lauren Istvandity
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Perfect Beat Vol 14 No. 2 (2013) Popular music, cultural policy, and the Festival of Pacific Arts View
Dan Bendrups
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change View
Dave Wilson
 
Popular Music History Vol 7 No. 3 (2012) Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). View
Helen Reddington
 
Popular Music History Vol 3 No. 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). View
Dave Laing
 
Popular Music History Vol 8 No. 1 (2013) Resource notes View
Andy Linehan
 
Perfect Beat Vol 15 No. 2 (2014) Dan, Henry ‘Seaman’ and Karl Neuenfeldt. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. ISBN 978-1-922059-208 (pbk). 170 pp. View
Bruce Johnson
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Perfect Beat Vol 8 No. 4 (2008) Introduction View
Mark Evans, Denis Crowdy
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Journal of World Popular Music Vol 6 No. 2 (2019) Academia Against Popular Culture: Popular Culture Against Academia View
Esther Clinton
 
Journal of Film Music Vol 7 No. 2 (2014) Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 View
Carolin Beinroth, Claudia Bullerjahn
 
Journal of World Popular Music Vol 7 No. 1 (2020) From Here, There and Everywhere: Recording Popular Music in the “Field” View
Brent Keogh
 
Popular Music History Vol 11 No. 3 (2018) Experiencing Progressive Rock by Robert G. H. Burns View
Sam Vallen
 
Journal of World Popular Music Vol 2 No. 2 (2015) BBC. 2013. World Routes: The Baroque and Beyond (Episodes 1 to 3). Produced by James Parkin, presented by Lucy Durán. BBC Radio 3 programmes, 60 minutes (each) View
Alfredo Colman
 
Perfect Beat Vol 20 No. 1 (2019) Toby Martin. 2015. Yodelling Boundary Riders: Country Music in Australia since the 1920s. View
Natalie Rhook
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s View
Andy Bennett
 
Perfect Beat Vol 15 No. 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat View
Shelley Brunt, Oli Wilson, Catherine Strong
 
Journal of World Popular Music Vol 6 No. 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea View
Oli Wilson
 
Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Perfect Beat Vol 4 No. 1 (1998) MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones View
CORALIE JOYCE
 
Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Journal of Film Music Vol 6 No. 2 (2013) Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana View
C. Letcher
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Popular Music History Vol 10 No. 1 (2015) George Plasketes, ed. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham and Burlington: Ashgate, 2013. 250 pp. £80.75. ISBN 9781409441762 (hbk). View
Paula Hearsum
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” View
Michael V. Pisani
 
Perfect Beat Vol 10 No. 1 (2009) Television special Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC View
Jon Fitzgerald
 
Journal of World Popular Music Vol 3 No. 2 (2016) David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) View
Russell P. Skelchy
 
Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
Jörg Jewanski
 
Popular Music History Vol 10 No. 2 (2015) No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses View
Kathleen Pirrie Adams
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 View
Anne Cleaton
 
Journal of Film Music Vol 2 No. 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity View
William H. Rosar
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Popular Music History Vol 4 No. 3 (2009) Sarah Hill, ‘Blewytirhwng?’ The Place of Welsh Pop Music. Aldershot and Burlington, VT: Ashgate, 2007. 248 pp. ISBN 978-0-7546-5898-6 (hbk). £50.00. View
Rebecca Edwards
 
Popular Music History Vol 9 No. 2 (2014) Resource Notes View
Brock Silversides
 
Perfect Beat Vol 1 No. 1 (1992) TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations View
KATRINA McMANUS
 
Perfect Beat Vol 15 No. 2 (2014) Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp View
Anne Danielsen
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] View
James Wierzbicki
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Moberg, M. 2015. Christian Metal: History, Ideology, Scene. London: Bloomsbury. xii + 188pp. £21.99. ISBN: 978-1-4726-7983-6 (pbk). View
Liam M. Sutherland
 
Popular Music History Vol 1 No. 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 View
Matt Brennan
 
Journal of World Popular Music Vol 1 No. 2 (2014) Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) View
Matt Stahl
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Popular Music History Vol 6 No. 3 (2011) Adopting the rights-based model: Music multinationals and local music industries since 1945 View
Gerben Bakker
 
Popular Music History Vol 7 No. 3 (2012) Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). View
Chris Ealham
 
Perfect Beat Vol 17 No. 1 (2016) Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp View
Leonieke Bolderman
 
Journal of Film Music Vol 6 No. 1 (2013) Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier View
Mark Durrand
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book View
Eric Hung
 
Perfect Beat Vol 17 No. 1 (2016) Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp View
Ariane Gruet-Pelchat
 
Journal of Film Music Vol 4 No. 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. View
James Wierzbicki
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s View
Alessandro Bratus
 
Popular Music History Vol 11 No. 3 (2018) A tribute to Dave Laing View
Martin Cloonan
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Popular Music History Vol 8 No. 3 (2013) Soccer sounds: Popular music and football in Britain View
Dave Laing, Andy Linehan
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Perfect Beat Vol 16 No. 1-2 (2015) Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry View
Christina Ballico
 
Popular Music History Vol 1 No. 2 (2004) Q and The Face: Narratives of consumption in the UK music press in the 1980s View
Stephen Hill
 
Popular Music History Vol 8 No. 1 (2013) Matt Stahl, Unfree Masters: Recording Artists and the Politics of Work. Durham, NC: Duke University Press, 2012. 312 pp. ISBN 978-0-8223-53430 (hbk). View
Jason Toynbee
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Popular Music History Vol 3 No. 2 (2008) Afraid of Technology?: Major label response to advancements in digital technology View
Aaron Robert Furgason
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes View
Samuel Charles Whiting
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From South to East: Exoticism in Polish popular music of the state socialist period View
Ewa Mazierska
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
Paul Long, Sarah Raine
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Popular Music History Vol 9 No. 3 (2014) Reviews in brief View
Dave Laing
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] View
Rebecca FÜlÖP
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 1 No. 2 (2014) Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) View
Jonathan P. J. Stock
 
Implicit Religion Vol 7 No. 1 (2004) Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution View
Michael Amoah
 
Popular Music History Vol 4 No. 3 (2009) ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 View
Alf Arvidsson
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) The extreme metal ‘connoisseur’ View
Nicola Allett
 
Popular Music History Vol 4 No. 1 (2009) Historical approaches to Merseybeat: delivery, affinity and diversity View
Ian Inglis
 
Popular Music History Vol 11 No. 2 (2016) Review article View
Dave Laing
 
Journal of Film Music Vol 7 No. 2 (2014) Hannah Lewis, French Musical Culture and the Coming of Sound Cinema View
Colin Roust
 
Journal of Film Music Vol 4 No. 1 (2011) Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. View
Tony Fonseca
 
Journal of Film Music Vol 5 No. 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film View
Erin Michelle Brooks
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) The ‘double controversy’ of Christian metal View
Marcus Moberg
 
Journal of World Popular Music Vol 4 No. 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright View
Caspar Melville
 
Popular Music History Vol 3 No. 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places View
Jonathan Feig
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries View
Malvina Silba
 
Popular Music History Vol 4 No. 1 (2009) Nicola Dibben, Björk. London: Equinox, 2009. ix + 221 pp. ISBN 978-0-253-22065-3 (pbk) View
Chloë Mullett
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann View
Richard Littlefield
 
Popular Music History Vol 5 No. 3 (2010) Resource notes View
Brian Hickman
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Popular Music History Vol 7 No. 2 (2012) Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Sheffield and Bristol, CT: Equinox, 2012. 212pp. ISBN 978-1-908049-67-4, £55.00 (hbk); ISBN 978-1- 781790-34-2, £17.00 (pbk). View
Nathan Wiseman-Trowse
 
Journal of Film Music Vol 4 No. 1 (2011) The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie View
Ronald Rodman
 
Perfect Beat Vol 19 No. 1 (2018) Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands View
Sebastian Diaz-Gasca
 
Perfect Beat Vol 19 No. 1 (2018) Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play View
Sebastian Diaz-Gasca
 
Popular Music History Vol 1 No. 1 (2004) "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s View
Toru Mitsui
 
Popular Music History Vol 6 No. 3 (2011) Making a scene: The Bergen wave in popular music, 1990–2008 View
Stig Tenold
 
Perfect Beat Vol 17 No. 2 (2016) Watching them walk out taller than they walked in: Sydney's venues in 2016 View
Martin Cloonan
 
Perfect Beat Vol 3 No. 4 (1998) MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand View
TONY MITCHELL, ROY SHUKER
 
Popular Music History Vol 4 No. 1 (2009) Scottish indie music and BBC radio’s Beat Patrol (1995–2000) View
J. Mark Percival
 
Popular Music History Vol 9 No. 3 (2014) Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 View
Nick Braae
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Perfect Beat Vol 18 No. 1 (2017) Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream View
Henry Johnson
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia View
Dijana Jelača
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Steve Collins and Sherman Young. 2014. Beyond 2.0: The Future of Music. Sheffield: Equinox. 162pp. ISBN 978-1-84553-9-382 (pbk) View
Paul Fischer
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? View
William H. Rosar
 
Popular Music History Vol 4 No. 3 (2009) The Vaughan Williams Memorial Library View
Andy Lineham
 
Perfect Beat Vol 1 No. 2 (1993) JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I View
Andrew N. Weintraub
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil View
Gustavo Alonso
 
Journal of World Popular Music Vol 2 No. 2 (2015) Alfredo Colman. 2015. The Paraguayan Harp: From Colonial Transplant to National Emblem. Lanham, MD: Lexington Books. 185pp. ISBN 978-0-7391-9819-3 (hbk) View
Felipe Arocena
 
Journal of Film Music Vol 6 No. 1 (2013) “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas View
Tim Summers
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton View
Dave Laing
 
Perfect Beat Vol 3 No. 3 (1997) SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song View
PETER DUNBAR-HALL
 
Popular Music History Vol 4 No. 3 (2009) Gordon Thompson, Please Please Me: Sixties British Pop, Inside Out. Oxford and New York: Oxford University Press, 2007. xii + 340 pp. ISBN 978-0-19-533318-3 (hbk). View
Dave Laing
 
Journal of World Popular Music Vol 1 No. 1 (2014) Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). View
Åse Ottosson
 
Popular Music History Vol 8 No. 3 (2013) An introduction to the music collection at the National Library of Sweden View
Jan Olofsson, Hans Gustafsson, David Brodin
 
Perfect Beat Vol 14 No. 1 (2013) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. View
Dean Biron
 
Journal of World Popular Music Vol 2 No. 2 (2015) Marc A. Hertzmann.2013. Making Samba: a New History of Race and Music in Brazil. Durham and London: Duke University Press. 392 pp. ISBN: 978-0-8223-5430-7 (pbk) View
Jo Haynes
 
Popular Music History Vol 9 No. 3 (2014) Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music View
Eve M Brank, Kathleen A Fox, Victoria Kaspar
 
Perfect Beat Vol 9 No. 1 (2008) Introduction View
Mark Evans, Denis Crowdy
 
Perfect Beat Vol 3 No. 3 (1997) Editorial View
MARK EVANS
 
Perfect Beat Vol 19 No. 1 (2018) Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies View
Nabeel Zuberi
 
Popular Music History (0) ADVANCE ACCESS In my tomb: Unveiling the Beach Boys state historical landmark View
Dale Carter
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Journal of World Popular Music Vol 1 No. 2 (2014) Thirty Years of World Music View
Timothy D. Taylor
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) How hard is it to remember Bananarama? The perennial forgetting of girls in music View
Lucy Robinson
 
Popular Music History Vol 10 No. 3 (2015) The multi-layered transnationalism of Fran Palermo View
Ewa Mazierska, Bence Kránicz
 
Perfect Beat Vol 16 No. 1-2 (2015) Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music View
Michael Richard Clement Jr.
 
Perfect Beat Vol 11 No. 2 (2010) St. John, Graham. 2009. Technomad: Global Raving Countercultures. London: Equinox. ISBN 978-1-84553-626-8 (pbk). 312pp. View
Ed Montano
 
Popular Music History Vol 8 No. 3 (2013) Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). View
Sarah Davis
 
Perfect Beat Vol 1 No. 2 (1993) TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea View
Michael Webb
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Editorial: The Global Circulations of Jazz View
Stéphane Dorin
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Journal of Film Music Vol 5 No. 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History View
Peter Moormann
 
Perfect Beat Vol 4 No. 3 (1999) THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA View
DENNIS CROWDY, MICHAEL GODDARD
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) View
Donna Weston
 
Perfect Beat Vol 17 No. 1 (2016) An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia View
Brent Keogh
 
Popular Music History Vol 9 No. 2 (2014) Joel Williamson, Elvis Presley: A Southern Life. Oxford: Oxford University Press, 2015. 368 pp. £25.00. ISBN 978-0-19986-317-4 (hbk). View
Jon Stewart
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
Journal of Film Music Vol 4 No. 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) View
Nathan Platte
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
Nathan Platte
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Pomegranate: The International Journal of Pagan Studies Vol 15 No. 1-2 (2013) Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). View
Ethan Doyle White
 
Popular Music History Vol 1 No. 3 (2004) Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate View
Giles Hooper
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Perfect Beat Vol 12 No. 2 (2011) Book Review: Laing, D. 2010. Buddy Holly. London: Equinox. ISBN 978-1-84553-627-5 (pbk). 194 pp. View
Roger Landes
 
Perfect Beat Vol 16 No. 1-2 (2015) Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work. Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp. View
Natalie Lewandowski
 
Journal of World Popular Music Vol 4 No. 2 (2017) Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube View
Simone Pereira de Sá, Simone Evangelista Cunha
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Extreme music for extreme people? Norwegian black metal and transcendent violence View
Michelle Phillipov
 
Journal of World Popular Music Vol 4 No. 1 (2017) “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar View
Markus Verne
 
Journal of World Popular Music Vol 4 No. 2 (2017) Questionable Tastes: Women, Love Songs and Gender Subalternity View
Carolina Spataro
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto View
MALCOLM PHILPOTT, GREG SEETO
 
Perfect Beat Vol 4 No. 3 (1999) SCREEN SCORES View
JON FITZGERALD
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies View
DENNIS CROWDY
 
Popular Music History Vol 4 No. 3 (2009) Dave Laing, Buddy Holly. London: Equinox; Bloomington: Indiana University Press, 2010. 194 pp. ISBN 978-1-84553-627-5 (pbk). View
Peter Doyle
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
Journal of World Popular Music Vol 3 No. 1 (2016) She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s View
Catherine Strong, Ian Rogers
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Popular Music History Vol 3 No. 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground View
Peter Webb
 
Journal of World Popular Music Vol 6 No. 1 (2019) Barbara Browning. A Foreign Sound View
Andrew Snyder
 
Popular Music History Vol 5 No. 1 (2010) Graham St John. Technomad: Global Raving Countercultures. London: Equinox, 2009. 312 pp. ISBN 978-1-84553-626-8 (pbk). £15.00. View
Hillegonda Rietvelt
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) View
Tony Mitchell
 
Popular Music History Vol 1 No. 3 (2004) Taste-making and trend-spotting: the folk revival journalism of Robert Shelton View
David Laing
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Amadeus Stevens: Early Years and Family History View
Zolona E. Stevens Moss †
 
Journal of Film Music Vol 6 No. 2 (2013) Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive View
Alessandro Bratus
 
Popular Music History Vol 8 No. 1 (2013) The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism View
Richard Ekins
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues View
Kevin Fellezs
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press View
Robert G H Burns
 
Perfect Beat Vol 16 No. 1-2 (2015) Music review: In a State of Flux: An Experimental Music Gallery, 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists View
Patricia Alessi
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Manele, symbolic geography and music cosmopolitanism in Romania View
Ruxandra Trandafoiu
 
Journal of World Popular Music Vol 1 No. 1 (2014) Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 View
Pedro Nunes
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. View
Sean Foran
 
Perfect Beat Vol 2 No. 1 (1994) THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music View
KARL NEUENFELDT
 
Journal of Film Music Vol 4 No. 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) View
Linda K. Schubert
 
Popular Music History Vol 7 No. 2 (2012) Resource notes View
Andy Linehan
 
Popular Music History Vol 1 No. 3 (2004) Critical negotiations: rock criticism in the Nordic countries View
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
Perfect Beat Vol 4 No. 3 (1999) Editorial View
MARK EVANS, KARL NEUENFELDT
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
Timothy Koozin
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Guest Editorial View
Alessandro Cecchi, Maurizio Corbella
 
Perfect Beat Vol 3 No. 2 (1997) Editorial View
PHILIP HAYWARD
 
Perfect Beat Vol 15 No. 1 (2014) Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air View
Jennifer Cattermole
 
Journal of World Popular Music Vol 2 No. 2 (2015) World Music, World Circuit: In Conversation with Nick Gold View
Simone Krüger
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
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