Latest Issue: Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) RSS2 logo

Search Results


Revise Search
 
Journal Issue Title
 
Dub in Babylon View
Christopher Partridge
 
Journal of World Popular Music Vol 6 No. 1 (2019) Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk View
Lewis Tennant
 
Perfect Beat Vol 1 No. 3 (1993) Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books View
Tim Sowden
 
Popular Music History Vol 10 No. 1 (2015) Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 View
Ian Trowell
 
Popular Music History Vol 3 No. 2 (2008) It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music View
Pete Dale
 
Popular Music History Vol 3 No. 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground View
Peter Webb
 
Threads /Uncommon People View
Nigel Humberstone, Joanne Wingate
 
The Velvet Underground View
Richard Witts
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Popular Music History Vol 7 No. 1 (2012) A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 View
Philip Kiszely
 
Implicit Religion Vol 15 No. 3 (2012) Beyond Krishnacore: Straight Edge Punk and Implicit Religion View
Francis Stewart
 
Equinox eBooks Publishing Sounds Northern 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 View
Ian Trowell
 
Popular Music History Vol 10 No. 1 (2015) ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield View
Owen Hatherley
 
Equinox eBooks Publishing Sounds Northern 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain View
Richard Witts
 
Popular Music History Vol 7 No. 1 (2012) Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). View
Paula Hearsum
 
International Journal for the Study of New Religions Vol 5 No. 1 (2014) Desacralizing Salvation in Straight Edge Christianity and Holistic Spirituality View
Ibrahim Bahige Abraham, Francis Stewart
 
Perfect Beat Vol 19 No. 1 (2018) Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies View
Nabeel Zuberi
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s View
Zlatko Jovanovic
 
Popular Music History (0) ADVANCE ACCESS Space to play: The sound of British female punk music and its engagement with reggae in the 1970s View
Helen Reddington
 
Implicit Religion Vol 19 No. 1 (2016) Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion View
Christine King, Francis Stewart
 
Perfect Beat Vol 20 No. 1 (2019) Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand View
Matthew Bannister
 
Popular Music History Vol 5 No. 2 (2010) Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 View
Jon Stratton
 
Perfect Beat Vol 19 No. 2 (2018) From punk to platforms: The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’ View
Jared Davis
 
Popular Music History Vol 10 No. 3 (2015) Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University View
Timothy Young
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 View
Ben Green
 
Perfect Beat Vol 20 No. 1 (2019) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Perfect Beat Vol 19 No. 2 (2018) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Popular Music History Vol 5 No. 3 (2010) Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. View
Noel McLaughlin
 
Perfect Beat Vol 3 No. 3 (1997) SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan View
SHANE HOMAN
 
Perfect Beat Vol 3 No. 3 (1997) INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet View
KARL NEUENFELDT
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) View
Donna Weston
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. View
Dean Biron
 
Perfect Beat Vol 1 No. 1 (1992) CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave View
Philip Hayward
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). View
Barbara Pemberton
 
Popular Music History Vol 4 No. 3 (2009) Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness View
Noel McLaughlin
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Popular Music History Vol 3 No. 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). View
Dave Laing
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation View
Jeremy Wallach, Alexandra Levine
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music View
Ewa Mazierska, Zsolt Győri
 
Popular Music History Vol 7 No. 3 (2012) Peter Hook, Unknown Pleasures: Inside Joy Division. London: Simon & Schuster, 2012. 386 pp. ISBN 978-0-85720-216-1. £20.00 (hbk). ISBN 978-1-84983-360-8. £14.99 (pbk). £9.99 (Kindle). View
James McGrath
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) How hard is it to remember Bananarama? The perennial forgetting of girls in music View
Lucy Robinson
 
Popular Music History Vol 10 No. 1 (2015) Introduction to the special issue: Listening to the North of England View
Ewa Mazierska
 
Perfect Beat Vol 19 No. 2 (2018) Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s View
Laura Glitsos
 
Popular Music History Vol 10 No. 2 (2015) No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses View
Kathleen Pirrie Adams
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene View
Zsolt Győri
 
Perfect Beat Vol 18 No. 2 (2017) Liveness and improficiency in The Clean’s influence upon Dunedin Sound bands View
Darren Jorgensen
 
Perfect Beat Vol 9 No. 1 (2008) MELBOURNES BY THE DOZEN Four rock albums and the evocation of place View
JOHN ENCARNACAO
 
Journal of World Popular Music Vol 3 No. 1 (2016) She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s View
Catherine Strong, Ian Rogers
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain View
Nabeel Zuberi
 
Journal of World Popular Music Vol 6 No. 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music View
Jeremy Wallach
 
Perfect Beat Vol 14 No. 1 (2013) Andy Bennett and Jon Stratton, eds. 2010. Britpop and the English Music Tradition. Farnham: Ashgate. ISBN 978-0-7546-6805-3 (hbk). 225pp. £55.00. View
Gwen Bouvier
 
Perfect Beat Vol 1 No. 2 (1993) Sound Alliances: An Introduction View
Philip Hayward
 
Perfect Beat Vol 18 No. 1 (2017) Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp View
Matthew Bannister
 
Perfect Beat Vol 18 No. 2 (2017) João Sardinha and Ricardo Campos, eds. Transglobal Sounds: Music, Youth and Migration. New York: Bloomsbury. ISBN 978-1-5013-1196-3 (hbk). 237 pp. View
Pauwke Berkers
 
Implicit Religion Vol 15 No. 2 (2012) Report from the XXXV Denton Conference on the Study of Implicit Religion View
William Keenan
 
Journal of World Popular Music Vol 1 No. 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts View
Duncan Wheeler, Lucy O'Brien
 
Perfect Beat Vol 3 No. 4 (1998) MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand View
TONY MITCHELL, ROY SHUKER
 
Perfect Beat Vol 11 No. 2 (2010) Emo online: networks of sociality/networks of exclusion View
Rosemary Overell
 
Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Popular Music History Vol 4 No. 2 (2009) Introduction to the special issue: music, characterization and urban space View
Sara Cohen, John Schofield, Brett Lashua
 
Perfect Beat Vol 1 No. 3 (1993) Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. View
Theo Van Leeuwen
 
Perfect Beat Vol 1 No. 3 (1993) Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain View
Philip Hayward
 
Perfect Beat Vol 1 No. 3 (1993) Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises View
Andrew Murphie
 
Perfect Beat Vol 1 No. 3 (1993) Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins View
Mark Brown
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Perfect Beat Vol 3 No. 2 (1997) NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List View
TONY MITCHELL
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not View
Andy R. Brown
 
Popular Music History Vol 3 No. 1 (2008) Collections at the IPM View
Robert Strachan
 
Journal of World Popular Music Vol 4 No. 1 (2017) Museum Review: Rock Museum, Budapest, Hungary View
Emília Barna
 
Popular Music History Vol 7 No. 1 (2012) Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). View
Faye Woods
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music View
Marcus O'Dair
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 View
Giacomo Bottà
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Popular Music History Vol 5 No. 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music View
Mike Jones
 
Popular Music History Vol 1 No. 3 (2004) Critical negotiations: rock criticism in the Nordic countries View
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
Implicit Religion Vol 18 No. 2 (2015) The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal View
Owen Coggins
 
Popular Music History Vol 7 No. 1 (2012) Mapping live provisions in Welsh-language rock, 1978–80 View
Craig Owen Jones
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics The politics, aesthetics and dissonance of music in everyday life View
Roger Fagge
 
Perfect Beat Vol 12 No. 2 (2011) The success of hopelessness: the evolution of Korean indie music View
Hyunjoon Shin
 
Perfect Beat Vol 1 No. 2 (1993) SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality View
Philip Hayward
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
Popular Music History Vol 4 No. 3 (2009) Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). View
Noel McLaughlin
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae View
Christopher Partridge
 
Equinox eBooks Publishing Queering Language, Gender and Sexuality 9. On-line Constructions of Metrosexuality and Masculinities: A Membership Categorization Analysis View
Matthew Hall, Brendan Gough, Sarah Seymour-Smith, Susan Hansen
 
Gender and Language Vol 6 No. 2 (2012) Gender and endangered languages On-line constructions of metrosexuality and masculinities: A membership categorization analysis View
Matthew Hall, Brendan Gough, Sarah Seymour-Smith, Susan Hansen
 
Journal of World Popular Music Vol 3 No. 2 (2016) Paul Sullivan. 2014. Remixology: Tracing the Dub Diaspora. London: Reaktion Books. 264pp. ISBN 978-1-780-23199-0 (pbk) View
Jeff Wragg
 
Journal of World Popular Music Vol 2 No. 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Popular Music History Vol 11 No. 3 (2018) Making modern music: Rush, Signals and the limits of creative transgression View
Andy Bennett
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Implicit Religion Vol 16 No. 3 (2013) America's Heirloom Comfort Song: "Amazing Grace" View
Kevin Lewis
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 1 (1994) Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) CULTURE, CUSTOM AND COLLABORATION: The production of Yothu Yindi's Treaty videos View
Lisa Nicol
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK View
Tim Wall, Simon Barber
 
Perfect Beat Vol 1 No. 4 (1994) LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video View
Bruce Sheridan, Philip Hayward
 
Perfect Beat Vol 2 No. 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music View
Andrew MURPHIE
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
Paul Long, Sarah Raine
 
Popular Music History Vol 5 No. 2 (2010) Resource Notes: Rock and pop collecting at the V&A View
Kristian Volsing
 
Journal of World Popular Music Vol 3 No. 2 (2016) David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) View
Russell P. Skelchy
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Pompey Pop: A case study of a local music archive View
Dave Allen
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) ‘[I] hate girls and emo[tion]s: Negotiating masculinity in grindcore music View
Rosemary Overell
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 View
Kari Kallioniemi
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s View
Andy Bennett
 
Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
John O'Flynn, Áine Mangaoang
 
Perfect Beat Vol 18 No. 2 (2017) Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table View
Declan Martin
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Perfect Beat Vol 3 No. 2 (1997) CITING THE SOUND - New Zealand lndie Rock in North America View
GEOFF STAHL
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Journal of World Popular Music Vol 1 No. 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” View
Chris Tonelli
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Wonderbrass: A South Wales jazz collective View
Rob Smith
 
Popular Music History Vol 1 No. 3 (2004) Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate View
Giles Hooper
 
Popular Music History Vol 9 No. 2 (2014) Another Green World?: Eno, Ireland and U2 View
Noel McLaughlin
 
Jazz Research Journal Vol 7 No. 1 (2013) Post-World War II Jazz in Britain: Venues and Values 1945–1970 View
Katherine Ann Williams
 
Popular Music History Vol 5 No. 3 (2010) ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years View
Nedim Hassan
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Perfect Beat Vol 12 No. 2 (2011) God Bless come back: new experiments with nostalgia in Indonesian rock View
Emma Baulch
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Voice of our blood: National Socialist discourses in black metal View
Benjamin Hedge Olson
 
Equinox eBooks Publishing The History of European Jazz 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) View
Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević
 
Popular Music History Vol 8 No. 3 (2013) Soccer sounds: Popular music and football in Britain View
Dave Laing, Andy Linehan
 
Perfect Beat Vol 16 No. 1-2 (2015) Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno View
Botond Vitos
 
Implicit Religion Vol 19 No. 1 (2016) Editorial: For Edward Bailey View
William J. F. Keenan
 
Bulletin for the Study of Religion Vol 41 No. 4 (2012) Hardcore Scholarship and High School Cliques View
Sean McCloud
 
Popular Music History Vol 2 No. 2 (2007) Allusion and Influence in Elvis Costello View
Dai Griffiths
 
Perfect Beat Vol 3 No. 3 (1997) GOA TRANCE View
FRED COLE, MICHAEL HANNAN
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'How you gonna see me now': Recontextualizing metal artists and moral panics View
Brad Klypchak
 
Perfect Beat Vol 1 No. 1 (1992) It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study View
Marcus Breen
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Popular Music History Vol 4 No. 3 (2009) The end of the revival: the folk aesthetic and its ‘mutation’ View
Allan Moore
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Heavy metal and the deafening threat of the apolitical View
Niall Scott
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact View
Alex de Lacey
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Popular Music History Vol 10 No. 2 (2015) Introduction: Special issue on Popular Music and Heritage View
Marion Leonard, Robert Knifton
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Popular Music History Vol 5 No. 2 (2010) The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 View
Holly Tessler
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Media-Archaeologies: An Invitation View
Angela A. Piccini
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Sites of Media Archaeology: Producing the Contemporary as a Shared Topic View
Jussi Parikka
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Media Archaeology-As-Such: Occasional Thoughts on (Més-)alliances with Archaeologies Proper View
Wolfgang Ernst
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Artifactual Interpretation View
Grant Wythoff
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Becoming Archaeological View
Ruth Tringham, Michael Ashley
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Symmetrical Media Archaeology: Boundary and Context View
Greg Bailey
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) The Sex Pistols' Guitar Tuner: Material Culture and Mythology View
Paul Graves-Brown
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Kinetic Architecture and Aerial Rides: Towards a Media Archeology of the Revolving Restaurant View View
Synne Tollerud Bull
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Fragile Storage, Digital Futures View
Grant Bollmer
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Surveying New Sites: Landscapes and Archaeologies of the Internet View
R. J. Wilson
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Archaeologies of Electronic Waste View
Sy Taffel
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Excavating Atari: Where the Media was the Archaeology View
Andrew Reinhard
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Materializing Media Archaeologies: The MAD-P Hard Drive Excavation View
Sara Perry, Colleen Morgan
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) A Giant on the Shoulders of Dwarfs: Archaeology and Recursion in Friedrich Kittler’s Works View
Tania Hron, Sandrina Khaled
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) AnArcheology for AnArchives: Why Do We Need—Especially for the Arts—A Complementary Concept to the Archive? View
Siegfried Zielinski, Geoffrey Winthrop-Young
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Collective Re-Excavation and Lost Media from the Last Century of British Prehistoric Studies View
Jennifer Wexler, Andrew Bevan, Chiara Bonacchi, Adi Keinan-Schoonbaert, Daniel Pett, Neil Wilkin
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Hemerochronia, or, Take a Walk on the Wild Side of Time: Sideline Snippets on Media Archaeology View
Geoffrey Winthrop-Young
 
Perfect Beat Vol 1 No. 4 (1994) STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate View
Michael Pickering, Roy Shuker
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Glitch View
Ursula K. Frederick
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Transfictional-archaeological-identity-crisis.blog View
Petra Wodtke
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Notes for an ecological archaeology of imaginary media hacking View
Alberto Micali
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Between Human and Machine: The Operating System View
John Ellis
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) The Future of Recording the Past: Web Archives as a Resource for Public Archaeology View
Lorna-Jane Richardson
 
Popular Music History Vol 4 No. 1 (2009) Scottish indie music and BBC radio’s Beat Patrol (1995–2000) View
J. Mark Percival
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Ghost Singers: The Singing Voice in Korean Pop Cinema View
Sarah Keith, Alex Mesker
 
Journal of World Popular Music Vol 3 No. 2 (2016) From South Korea to the Southern Hemisphere: K-Pop below the Equator View
Stephen Epstein
 
Perfect Beat Vol 19 No. 1 (2018) Still Rage-ing: Australia’s music video programme at 30 View
Liz Giuffre
 
Implicit Religion Vol 18 No. 1 (2015) An Implicit Religious Reflex to Mechanism and a Holistic Alternative: Social Theory as a Case in Point View
Barbara Hanson
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France View
Gérôme Guibert, Jedediah Sklower
 
Perfect Beat Vol 8 No. 3 (2007) ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs View
KIRSTEN ZEMKE-WHITE
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 View
Anne Cleaton
 
Pomegranate: The International Journal of Pagan Studies Vol 8 No. 1 (2006) Review of Modern Pagans: An Investigation of Contemporary Pagan Practices by V. Vale and John Sulak View
Murph Pizza
 
Pomegranate: The International Journal of Pagan Studies Vol 8 No. 1 (2006) Review of The Deities are Many: A Polytheistic Theology by Jordan Paper View
Graham Harvey
 
Pomegranate: The International Journal of Pagan Studies Vol 8 No. 1 (2006) Review of StarMatter: Towards a New Perspective Edited by Leslie Brown, Gordon MacLellan, Tom Mason and Chris Vis View
Susan Greenwood
 
Popular Music History Vol 9 No. 2 (2014) Resource Notes View
Brock Silversides
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Index View
Diane Hughes, Mark Evans
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Perfect Beat Vol 2 No. 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 View
BRUCE JOHNSON
 
Popular Music History Vol 10 No. 3 (2015) ‘How Belfast got the blues’: Towards an alternative history View
Noel McLaughlin, Joanna Braniff
 
Sociolinguistic Studies Vol 9 No. 4 (2015) The extension of estar across the Mexico-US border: Evidence against contact induced acceleration View
Ryan M. Bessett
 
Implicit Religion Vol 21 No. 4 (2018) Belief in God, Belief in Science: Exploring the Psychological Correlates of Scientific Fundamentalism as Implicit Religion View
Leslie J. Francis, Jeff Astley, Ursula McKenna
 
Implicit Religion Vol 19 No. 1 (2016) The Sacramental Thought-World of Implicit Religion View
William J. F. Keenan
 
Jazz Research Journal Vol 3 No. 2 (2009) Jazz Britannia: mediating the story of British jazz on television View
Tim Wall, Paul Long
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
Implicit Religion Vol 14 No. 2 (2011) There and Back Again: Transhumanist Evangelism in Science Fiction and Popular Science View
Robert M. Geraci
 
Popular Music History Vol 10 No. 2 (2015) The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective View
Philippe Le Guern
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format View
Jane Galbraith
 
Popular Music History Vol 10 No. 3 (2015) The multi-layered transnationalism of Fran Palermo View
Ewa Mazierska, Bence Kránicz
 
Popular Music History Vol 8 No. 1 (2013) A mysterious music in the air: cultural origins of the loudspeaker View
Kyle Devine
 
Perfect Beat Vol 20 No. 1 (2019) Experiences and perceptions of gender in the Australian music industry View
Hannah Mary Fairlamb, Bianca Fileborn
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Implicit Religion Vol 21 No. 2 (2018) Spaces of Secular Faith? Shared Assets and Intangible Values in Diverse, Changing Communities View
Katie McClymont
 
Implicit Religion Vol 18 No. 4 (2015) Into the Arms of Dr Who: Implicit Religion and a Cowboy’s Redemption View
William Keenan
 
Sociolinguistic Studies Vol 6 No. 2 (2012) Agency and power in multilingual discourse English ‘on top’: discourse functions of English resources in the German mediascape View
Jannis Androutsopoulos
 
Implicit Religion Vol 7 No. 1 (2004) Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution View
Michael Amoah
 
Perfect Beat Vol 1 No. 2 (1993) BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES View
Chris Lawe Davies
 
Equinox eBooks Publishing The History of European Jazz 18. Austria View
Andreas Felber
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Journal of World Popular Music Vol 2 No. 2 (2015) Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival View
Lonán Ó Briain
 
Equinox eBooks Publishing The History of European Jazz 24b. Portugal: 1974-2010 View
Rui Paes
 
Perfect Beat Vol 10 No. 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand View
Tony Mitchell
 
Sociolinguistic Studies Vol 9 No. 2-3 (2015) Post-Soviet identities: Ethnic, national, linguistic, and imperial Sakha language and education in a social, cultural and political context View
Aimar Ventsel, Natal’ia Struchkova
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Perfect Beat Vol 8 No. 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture View
Philip Hayward, SUEO KUWAHARA
 
Jazz Research Journal Vol 12 No. 2 (2018) Jazz’s little brother: The origins of the Spanish blues scene View
Josep Pedro
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique View
François Gauthier
 
Popular Music History Vol 1 No. 3 (2004) Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s View
Eamonn Forde
 
Popular Music History Vol 11 No. 3 (2018) Following better things: Grammar schools, religion and English rock music in the early 1970s View
Alistair Mutch
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Dworkin’s nightmare: Porngrind as the sound of feminist fears View
Lee Barron
 
Popular Music History Vol 7 No. 2 (2012) Explorative, authentic and cohesive: factors contributing to successful boy band reunions View
Anja Löbert
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City View
Scott Currie
 
Writing & Pedagogy Vol 3 No. 1 (2011) Ethnography as a Way In: Writing Meets Research in First-Year Composition View
Jennifer Susan Cook, Meg Carroll, Karen Pfeil
 
Perfect Beat Vol 2 No. 2 (1995) A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea View
PHILIP HAYWARD
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Trailer Trash or Inspired Vocality? Song as Promotion and Aesthetic Object in Cinematic Previews View
James Deaville, Agnes Malkinson
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies View
Gabriel Solis
 
Popular Music History Vol 4 No. 1 (2009) Historical approaches to Merseybeat: delivery, affinity and diversity View
Ian Inglis
 
Popular Music History Vol 8 No. 3 (2013) How English became the language of pop in Denmark View
Henrik Smith-Sivertsen
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Perfect Beat Vol 10 No. 1 (2009) Television special Maintaining Rage: Counting down without a host for over 20 years View
Liz Giuffre
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
CALICO Journal Vol 11 No. 3 (1993) Practical Considerations for Multimedia Courseware Development: An EFL IVD Experience View
Hsien-Chin Liou
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) ‘These stories have to be told’: Chicano rap as historical source View
Dianne Violeta Mausfeld
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
Jocelyne Guilbault
 
Gender and Language Vol 9 No. 2 (2015) Influential or influenced? The relationship between genre, gender and language in manga View
Giancarla Unser-Schutz
 
Perfect Beat Vol 19 No. 1 (2018) Putting a premium on music: Exploring the vinyl revival in the Philippines View
Monika E. Schoop
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Anarchy and Archaeology View
James L. Flexner, Edward Gonzalez-Tennant
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Direct Actions and Archaeology: The Lil'wat Peoples Movement to Protect Archaeological Sites View
Bill Angelbeck, Johnny Jones
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Constructing the Future History: Prefiguration as Historical Epistemology and the Chronopolitics of Archaeology View
Lewis Borck
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Anarchism, Decolonization, and Collaborative Archaeology View
Edward Gonzalez-Tennant
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Single Context Archaeology as Anarchist Praxis View
Daniel Eddisford, Colleen Morgan
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Doing Archaeology in Non-State Space View
James L Flexner
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Collective Action, Mutual Aid, and Wetland Agriculture in the Highlands of Papua New Guinea View
Tim Denham
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology A Bullet for Señor Cobos: Anarchy in the Galapagos View
Ross W. Jamieson
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Marianne and Anarchy: The Artistic Legacy of the Paris Commune in New Caledonia View
Louis Lagarde
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Beyond the Property Paradigm: Fragments for an Anarchist Approach to Archaeological Heritage View
David Pacifico
 
Perfect Beat Vol 4 No. 1 (1998) AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood View
SHANE HOMAN
 
Implicit Religion Vol 20 No. 4 (2017) Perfectly Present: Mindfulness Curriculum as Implicit Religion View
Mary Hale
 
Journal for the Academic Study of Religion Vol 28 No. 2 (2015) Religion, Archaeology and Folklore Paganism, Archaeology and Folklore in Twenty-first Century Britain: A Case Study of ‘The Stonehenge Ancestors’ View
Robert J. Wallis
 
Journal of Applied Linguistics and Professional Practice Vol 12 No. 1 (2015) Communication research ethics and some paradoxes in qualitative inquiry View
Srikant Sarangi
 
Journal of World Popular Music Vol 4 No. 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright View
Caspar Melville
 
Journal for the Study of Religion, Nature and Culture Vol 11 No. 3 (2017) Two Days Before the Day Before an Irritating Truth: The Simpsons and South Park’s Environmentalism as a Challenge for Mass Mediating Dark Green Ecological Ethics View
David Feltmate
 
Pomegranate: The International Journal of Pagan Studies Vol 21 No. 2 (2019) Special Issue: Paganism, art, and fashion Wolves Amongst the Sheep: Looking Beyond the Aesthetics of Polish National Socialism View
Mariusz Filip
 
Pomegranate: The International Journal of Pagan Studies Vol 10 No. 1 (2008) The Figure of the Shaman as a Modern Myth. Some reflections on the attractiveness of shamanism in modern societies View
Gerhard A. Mayer
 
Journal of World Popular Music Vol 1 No. 1 (2014) Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu View
Aaron Corn
 
Equinox eBooks Publishing The History of European Jazz 27. Lithuania View
Ruta Skudiene
 
Journal for the Study of Religion, Nature and Culture Vol 10 No. 4 (2016) Mourning Nature: The Work of Grief in Radical Environmentalism View
Sarah M. Pike
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Walking Widdershins View
Wendy Griffin
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Playing Croquet with Hedgehogs: (Still) Becoming a Scholar of Paganism and Animism View
Graham Harvey
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) An Outsider Inside: Becoming a Scholar of Contemporary Paganism View
Helen A. Berger
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Owl, the Dragon and the Magician: Reflections on Being an Anthropologist Studying Magic View
Susan Greenwood
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Old Pomegranate and the New View
Fritz Muntean
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Academy, the Otherworld and Between View
Kathryn Rountree
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Making the Strange Familiar View
Sarah M. Pike
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Reflecting on Studying Wicca from within the Academy and the Craft: An Autobiographical Perspective View
Melissa Harrington
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Navigating Academia and Spirituality from a Pagan Perspective View
Michael York
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Pagan(ish) Senses and Sensibilities View
Adrian Ivakhiv
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Pagan Studies Archipelago: Pagan Studies in a Cosmopolitan World. View
Douglas Ezzy
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Beyond Art/Archaeology: Research and Practice after the ‘Creative Turn’. View
Antonia Thomas, Daniel Lee, Ursula Frederick, Carolyn White
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Entangled Concepts and Participatory Practices across Archaeology, Heritage and Art View
Leah Acheson Roberts, Colin Sterling
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology On Rotating Positions in Archaeology, Art, and Architecture: Grindbakken View
Maarten Liefooghe
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology To Talk of Turns… Three Cross-Disciplinary Provocations for Creative Turns View
Harriet Hawkins
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Afield View
Mike Pearson
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Archaeological Imprints: We Follow Lines And Trace Them View
Oscar Aldred, Gísli Pálsson
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology The Junk Drawer Project: Field Photography and the Construction of Assemblage View
Genevieve Godbout
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Setomonogatari – Ceramic Practice as an Archaeology of the Contemporary Past View
Chris McHugh
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Reverse Archaeology: Experiments in Carving and Casting Space View
Rupert Griffiths, Lia Wei
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Buildings Archaeology Without Recording View
James Dixon
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Šabac: A Cinematographic Archaeology? View
Thomas Kador, Vesna Lukic
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Thinking Place – A Creative Exploration of Coastal Erosion View
Elizabeth Anne Bevan, Jane Downes
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Towards a Post-Anthropocentric Speculative Archaeology (through Design) View
Ola Ståhl, Mathilda Tham, Cornelius Holtorf
 
Journal of Contemporary Archaeology Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology Art/Archaeology: What Value Artistic- Archaeological Collaboration? View
Doug Bailey
 
1 - 290 of 290 Items

Search tips:

  • Search terms are case-insensitive
  • Common words are ignored
  • By default only articles containing all terms in the query are returned (i.e., AND is implied)
  • Combine multiple words with OR to find articles containing either term; e.g., education OR research
  • Use parentheses to create more complex queries; e.g., archive ((journal OR conference) NOT theses)
  • Search for an exact phrase by putting it in quotes; e.g., "open access publishing"
  • Exclude a word by prefixing it with - or NOT; e.g. online -politics or online NOT politics
  • Use * in a term as a wildcard to match any sequence of characters; e.g., soci* morality would match documents containing "sociological" or "societal"




Equinox Publishing Ltd - 415 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom
Telephone: +44 (0)114 221-0285 - Email: info@equinoxpub.com

Privacy Policy