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Journal Issue Title
 
Dub in Babylon View
Christopher Partridge
 
Journal of World Popular Music Vol 6 No. 1 (2019) Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk View
Lewis Tennant
 
Perfect Beat Vol 1 No. 3 (1993) Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books View
Tim Sowden
 
Popular Music History Vol 10 No. 1 (2015) Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 View
Ian Trowell
 
Popular Music History Vol 3 No. 2 (2008) It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music View
Pete Dale
 
Popular Music History Vol 3 No. 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground View
Peter Webb
 
The Velvet Underground View
Richard Witts
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Popular Music History Vol 7 No. 1 (2012) A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 View
Philip Kiszely
 
Implicit Religion Vol 15 No. 3 (2012) Beyond Krishnacore: Straight Edge Punk and Implicit Religion View
Francis Stewart
 
Equinox eBooks Publishing Sounds Northern 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 View
Ian Trowell
 
Popular Music History Vol 10 No. 1 (2015) ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield View
Owen Hatherley
 
Equinox eBooks Publishing Sounds Northern 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain View
Richard Witts
 
Popular Music History Vol 7 No. 1 (2012) Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). View
Paula Hearsum
 
International Journal for the Study of New Religions Vol 5 No. 1 (2014) Desacralizing Salvation in Straight Edge Christianity and Holistic Spirituality View
Ibrahim Bahige Abraham, Francis Stewart
 
Perfect Beat Vol 19 No. 1 (2018) Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies View
Nabeel Zuberi
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s View
Zlatko Jovanovic
 
Implicit Religion Vol 19 No. 1 (2016) Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion View
Christine King, Francis Stewart
 
Popular Music History Vol 5 No. 2 (2010) Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 View
Jon Stratton
 
Popular Music History Vol 10 No. 3 (2015) Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University View
Timothy Young
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 View
Ben Green
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Popular Music History Vol 5 No. 3 (2010) Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. View
Noel McLaughlin
 
Perfect Beat Vol 3 No. 3 (1997) SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan View
SHANE HOMAN
 
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