Latest Issue: Vol 12, No 1 (2019): Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK RSS2 logo

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Journal Issue Title
 
Perfect Beat Vol 1 No. 4 (1994) LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video View
Bruce Sheridan, Philip Hayward
 
Perfect Beat Vol 2 No. 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music View
Andrew MURPHIE
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
Paul Long, Sarah Raine
 
Popular Music History Vol 5 No. 2 (2010) Resource Notes: Rock and pop collecting at the V&A View
Kristian Volsing
 
Journal of World Popular Music Vol 3 No. 2 (2016) David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) View
Russell P. Skelchy
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Pompey Pop: A case study of a local music archive View
Dave Allen
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) ‘[I] hate girls and emo[tion]s: Negotiating masculinity in grindcore music View
Rosemary Overell
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 View
Kari Kallioniemi
 
Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
John O'Flynn, Áine Mangaoang
 
Perfect Beat Vol 18 No. 2 (2017) Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table View
Declan Martin
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Perfect Beat Vol 3 No. 2 (1997) CITING THE SOUND - New Zealand lndie Rock in North America View
GEOFF STAHL
 
Journal of World Popular Music Vol 1 No. 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” View
Chris Tonelli
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Wonderbrass: A South Wales jazz collective View
Rob Smith
 
Popular Music History Vol 1 No. 3 (2004) Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate View
Giles Hooper
 
Popular Music History Vol 9 No. 2 (2014) Another Green World?: Eno, Ireland and U2 View
Noel McLaughlin
 
Jazz Research Journal Vol 7 No. 1 (2013) Post-World War II Jazz in Britain: Venues and Values 1945–1970 View
Katherine Ann Williams
 
Popular Music History Vol 5 No. 3 (2010) ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years View
Nedim Hassan
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Perfect Beat Vol 12 No. 2 (2011) God Bless come back: new experiments with nostalgia in Indonesian rock View
Emma Baulch
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Voice of our blood: National Socialist discourses in black metal View
Benjamin Hedge Olson
 
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