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Journal Issue Title
 
Popular Music History Vol 7 No. 1 (2012) A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 View
Philip Kiszely
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Equinox eBooks Publishing Sounds Northern 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 View
Ian Trowell
 
Equinox eBooks Publishing Local Acts, Global Success Platinum Pop, Global Crossroads: 2000 to 2018 View
Michael Murphy, Jim Rogers
 
Equinox eBooks Publishing Sounds Northern 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain View
Richard Witts
 
Popular Music History Vol 10 No. 1 (2015) ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield View
Owen Hatherley
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Globalization and World Music View
Simone Krüger Bridge
 
Equinox eBooks Publishing Sounds Northern 7. Scrap Value: Sleaford Mods, Invisible Britain and the Edge of the North View
Brian Baker
 
Popular Music History Vol 5 No. 3 (2010) Resource notes View
Brian Hickman
 
Popular Music History Vol 10 No. 3 (2015) Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University View
Timothy Young
 
Perfect Beat Vol 13 No. 1 (2012) Johnson, Bruce, ed. 2010. Earogenous Zones: Sound, Sexuality and Cinema. London: Equinox. ISBN 1-8455-3318-6 (pbk). 256 pp. View
Caryl Flinn
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 View
Ben Green
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Perfect Beat Vol 19 No. 2 (2018) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Comparative Islamic Studies Vol 4 No. 4.1 / 4.2 (2008) The Books of Michael Muhammad Knight View
Vernon James Schubel
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) View
Donna Weston
 
Popular Music History Vol 5 No. 3 (2010) Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. View
Noel McLaughlin
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. View
Dean Biron
 
Perfect Beat Vol 10 No. 2 (2009) Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp View
Martin Cloonan
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Perfect Beat Vol 3 No. 3 (1997) SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan View
SHANE HOMAN
 
Perfect Beat Vol 3 No. 3 (1997) INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet View
KARL NEUENFELDT
 
Perfect Beat Vol 13 No. 2 (2012) Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. View
Ross Hagen
 
Perfect Beat Vol 16 No. 1-2 (2015) Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. View
Sarah Elizabeth Raine
 
Perfect Beat Vol 1 No. 1 (1992) Editorial Introduction View
Philip Hayward
 
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