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Journal Issue Title
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Popular Music History Vol 9 No. 2 (2014) Another Green World?: Eno, Ireland and U2 View
Noel McLaughlin
 
Popular Music History Vol 2 No. 2 (2007) Allusion and Influence in Elvis Costello View
Dai Griffiths
 
Popular Music History Vol 4 No. 3 (2009) The end of the revival: the folk aesthetic and its ‘mutation’ View
Allan Moore
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Heavy metal and the deafening threat of the apolitical View
Niall Scott
 
Popular Music History Vol 8 No. 3 (2013) Soccer sounds: Popular music and football in Britain View
Dave Laing, Andy Linehan
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Essays in the Philosophy of Humanism Vol 23 No. 1 (2015) A Noxious Injustice as Punishment: Prisoner Sexual Violence, Toxic Masculinity, and the Ubuntu Ethic View
Mark Tschaepe
 
Equinox eBooks Publishing Queering Language, Gender and Sexuality 9. On-line Constructions of Metrosexuality and Masculinities: A Membership Categorization Analysis View
Matthew Hall, Brendan Gough, Sarah Seymour-Smith, Susan Hansen
 
Gender and Language Vol 6 No. 2 (2012) Gender and endangered languages On-line constructions of metrosexuality and masculinities: A membership categorization analysis View
Matthew Hall, Brendan Gough, Sarah Seymour-Smith, Susan Hansen
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'How you gonna see me now': Recontextualizing metal artists and moral panics View
Brad Klypchak
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Voice of our blood: National Socialist discourses in black metal View
Benjamin Hedge Olson
 
Perfect Beat Vol 1 No. 1 (1992) It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study View
Marcus Breen
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Implicit Religion Vol 19 No. 1 (2016) Editorial: For Edward Bailey View
William J. F. Keenan
 
Popular Music History Vol 1 No. 3 (2004) Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate View
Giles Hooper
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 View
Kari Kallioniemi
 
Perfect Beat Vol 1 No. 2 (1993) UNCERTAIN IDENTITIES . ' Marketing Tabaran View
Tiffany Hutton
 
Perfect Beat Vol 1 No. 4 (1994) STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate View
Michael Pickering, Roy Shuker
 
Bulletin for the Study of Religion Vol 41 No. 4 (2012) Hardcore Scholarship and High School Cliques View
Sean McCloud
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Glitch View
Ursula K. Frederick
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Transfictional-archaeological-identity-crisis.blog View
Petra Wodtke
 
Journal of Contemporary Archaeology Vol 2 No. 1 (2015) Notes for an ecological archaeology of imaginary media hacking View
Alberto Micali
 
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