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Journal Issue Title
 
The Making of the Musical World View
Andrew Killick
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Globalization and World Music View
Simone Krüger Bridge
 
Trajectories and Themes in World Popular Music View
Simone Krüger Bridge
 
Movies, Moves and Music View
Mark Evans, Mary Fogarty, Greg S. Faller, Faye Woods, Brian Su-Jen Chung, Afia Ofori-Mensa, Diane Hughes, Gillian Turnbull, Philip Hayward, Jon Fitzgerald, Colleen Dunagan, Roxane Fenton, Usha Iyer, Megan Anne Todd, Sarah-Mace Dennis, Kelly Kessler
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Journal of World Popular Music Vol 2 No. 2 (2015) World Music, World Circuit: In Conversation with Nick Gold View
Simone Krüger
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Jazz as a music of migration, a 'world music' View
Duncan Heining
 
Journal of World Popular Music Vol 1 No. 2 (2014) Thirty Years of World Music View
Timothy D. Taylor
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz World Music as both a 'brand' and a music of commitment. View
Duncan Heining
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Equinox eBooks Publishing The Making of the Musical World American Popular Music and the World View
Andrew Killick
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Popular Music History Vol 3 No. 3 (2008) Traditional music and the World Music marketplace: A producer’s experience View
Joe Boyd,
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Equinox eBooks Publishing The Making of the Musical World Reflections: Unity and Diversity in the World’s Music View
Andrew Killick
 
Journal of World Popular Music Vol 2 No. 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World View
Andrew Alter, Denis Crowdy, Stephen Collins
 
Journal of World Popular Music Vol 2 No. 2 (2015) Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org View
Deborah Justice
 
Popular Music History Vol 3 No. 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places View
Jonathan Feig
 
Perfect Beat Vol 17 No. 1 (2016) An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia View
Brent Keogh
 
Journal of World Popular Music Vol 6 No. 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity View
Neil Deane, Elke Schuch
 
Perfect Beat Vol 16 No. 1-2 (2015) Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music View
Michael Richard Clement Jr.
 
Journal of World Popular Music Vol 2 No. 2 (2015) Le Mystère de Marcel Cellier: Transfer Processes in Early World Music View
Britta Sweers
 
Journal of World Popular Music Vol 7 No. 1 (2020) “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality View
Brent Keogh, Ian Collinson
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) View
William H. Rosar
 
Perfect Beat Vol 2 No. 3 (1995) A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River View
ADRIAN MCNEIL
 
Perfect Beat Vol 2 No. 1 (1994) THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music View
KARL NEUENFELDT
 
Journal of World Popular Music Vol 1 No. 2 (2014) Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) View
Katelyn Barney
 
Perfect Beat Vol 11 No. 1 (2010) Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan View
Mark Evans
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis View
Patrick Wood
 
Journal of Film Music Vol 4 No. 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. View
James Wierzbicki
 
Journal of World Popular Music Vol 3 No. 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) View
Jun Zubillaga-Pow
 
Popular Music History Vol 6 No. 3 (2011) Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. View
Dave Laing
 
Journal of World Popular Music Vol 1 No. 2 (2014) Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) View
Emma Baulch
 
Perfect Beat Vol 2 No. 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music View
Andrew MURPHIE
 
Journal of World Popular Music Vol 1 No. 1 (2014) Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). View
Murray Forman
 
From Jazz to the World, from the World to Jazz View
Duncan Heining
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz France, a musical melting pot View
Duncan Heining
 
Equinox eBooks Publishing Ludomusicology Game and Play in Music Video Games View
Anahid Kassabian, Freya Jarman
 
Rufus Wainwright View
Katherine Williams
 
Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Open Up the Doors View
Mark Evans
 
Drawn to Sound View
Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki
 
Sounds Icelandic View
Þorbjörg Daphne Hall , Nicola Dibben, Árni Heimir Ingólfsson , Tony Mitchell, Kimberly Cannady, Kristín Loftsdóttir, Ragnheiður Ólafsdóttir, John Richardson, Arnar Eggert Thoroddsen, Sarah Baker, Brad Osborn, Sarah Boak, Nick Prior, David Kenneth Blake
 
The Last Miles View
George Cole
 
Turkish Folk Music Between Ghent and Turkey View
Liselotte Sels
 
Religious Studies and Theology Vol 34 No. 1 (2015) Music in Islamic Spiritual Care: A Review of Classical Sources View
Nazila Isgandarova
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Beyond 2.0 View
Steve Collins, Sherman Young
 
Popular Music History Vol 3 No. 1 (2008) Introduction to the special issue: 20 years of the Institute of Popular Music View
Dave Laing
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
Buddy Holly View
Dave Laing†
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Italy View
Duncan Heining
 
Equinox eBooks Publishing The Making of the Musical World Preface View
Andrew Killick
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Don Cherry. An example of world jazz View
Duncan Heining
 
Encyclopedia of Film Music and Sound View
Mark Evans
 
Cultural Mapping and Musical Diversity View
Britta Sweers, Sarah M. Ross, Tom Beardslee, Shai Burstyn, Marc-Antoine Camp, Brigitte Bachmann-Geiser, David Vitali, Dieter Ringli, Patricia Jäggi, Vincenzo della Ratta, Ana Hofman, Zuzana Jurkova, Svend Kjeldsen, Marcello Sorce Keller, Gerda Lechleitner, Matthew Machin-Autenrieth, Lukas Park, Marzanna Poplawska, Thomas Solomon, Pekka Suutari
 
Perfect Beat Vol 2 No. 1 (1994) EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s View
SHUHEI HOSOKAWA
 
Popular Music History Vol 5 No. 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music View
Mike Jones
 
Journal of World Popular Music Vol 4 No. 2 (2017) Questionable Tastes: Women, Love Songs and Gender Subalternity View
Carolina Spataro
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Astor Piazzolla View
Duncan Heining
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Brazilian artists Eliane Elias, Antonion Carlos Jobim, Gato Barbieri and Egerberto Gismonti View
Duncan Heining
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Greece, Mikis Theodorakis and Savina Yannatou. View
Duncan Heining
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz South Africa View
Duncan Heining
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Britain View
Duncan Heining
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz USA View
Duncan Heining
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Conclusion, whither jazz or jazz withers..... View
Duncan Heining
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Recording List View
Duncan Heining
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Paths Between the Spiritual and the Real: On the Intersection of Musical Style, Symmetry, and Cycle in Kenji Mizoguchi’s Ugetsu (1953) View
David Pacun
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation View
Carl Clements
 
Perfect Beat Vol 17 No. 2 (2016) Melbourne popular music in the museum: Locating the academy in the sonic city View
Marcus Breen
 
Popular Music History Vol 3 No. 3 (2008) The Archive of Contemporary Music, New York View
Andy Linehan
 
Popular Music History Vol 1 No. 2 (2004) Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 View
Howard Rye
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
The Lost Women of Rock Music View
Helen Reddington, Derek Scott
 
Sounds Northern View
Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah
 
Popular Music History Vol 5 No. 1 (2010) Bernard Herrmann—‘pop’ composer? View
Edward Green
 
The Beatles View
Ian Inglis
 
Jazz Research Journal Vol 3 No. 1 (2009) Coltrane and Beyond View
Tony Whyton, Catherine Tackley, Vincent Cotro
 
Equinox eBooks Publishing The History of European Jazz 4. Germany View
Martin Pfleiderer
 
Journal of World Popular Music Vol 6 No. 2 (2019) Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship View
Kimberly Kattari
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music before Neoliberalism View
Simone Krüger Bridge
 
Perfect Beat Vol 9 No. 1 (2008) MELBOURNES BY THE DOZEN Four rock albums and the evocation of place View
JOHN ENCARNACAO
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Journal of World Popular Music Vol 4 No. 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright View
Caspar Melville
 
Perfect Beat Vol 13 No. 1 (2012) New age music and Japanese tradition: Kitaro Live in Yakushiji View
Kimi Coaldrake
 
Popular Music History Vol 1 No. 3 (2004) Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s View
Eamonn Forde
 
Equinox eBooks Publishing The Making of the Musical World The Middle East: Another Way of Thinking View
Andrew Killick
 
Journal of Film Music Vol 5 No. 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History View
Peter Moormann
 
The Long Shadow of the Little Giant View
Simon Spillett
 
Popular Music History Vol 1 No. 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 View
Matt Brennan
 
Being Prez View
Dave Gelly
 
Technomad View
Graham St John
 
Global Tribe View
Graham St John
 
Chicago Calling View
D. Todd Allen
 
The Long Shadow of the Little Giant View
Simon Spillett
 
Out of the Long Dark View
Alyn Shipton
 
Equinox eBooks Publishing The Beatles References View
Ian Inglis
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Companion Website View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Acknowledgements View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Bibliography View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Index View
Simone Krüger Bridge
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) The ‘double controversy’ of Christian metal View
Marcus Moberg
 
Equinox eBooks Publishing The Making of the Musical World Popular and Traditional Musics of Indigenous Peoples View
Andrew Killick
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Equinox eBooks Publishing The Making of the Musical World Around the Mediterranean: Islamic Interactions View
Andrew Killick
 
Journal of World Popular Music Vol 4 No. 2 (2017) The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century View
Michael B. Bakan
 
Equinox eBooks Publishing The Making of the Musical World The Music Tree View
Andrew Killick
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta View
Stephane Dorin
 
Perfect Beat Vol 4 No. 1 (1998) FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site View
MURRAY GARDE
 
Journal of World Popular Music Vol 2 No. 2 (2015) Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival View
Lonán Ó Briain
 
Equinox eBooks Publishing Ludomusicology Suture and Peritexts: Music Beyond Gameplay and Diegesis View
Michiel Kamp
 
Perfect Beat Vol 11 No. 1 (2010) Realms of re-enchantment: socio-cultural investigations of festival music space View
Mark Jennings
 
Journal of World Popular Music Vol 1 No. 1 (2014) Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club View
Lucy Durán
 
Popular Music History Vol 10 No. 3 (2015) The multi-layered transnationalism of Fran Palermo View
Ewa Mazierska, Bence Kránicz
 
Jazz Research Journal Vol 7 No. 1 (2013) The ‘grave disease’: interwar British writers look at ragtime and jazz View
Robert Lawson-Peebles
 
Equinox eBooks Publishing Hear My Train A Comin’ The Song and Jimi Hendrix View
Kevin Le Gendre
 
Equinox eBooks Publishing Sounds Icelandic Acknowledgments View
Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell
 
Equinox eBooks Publishing Sounds Icelandic Notes View
Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell
 
Equinox eBooks Publishing Sounds Icelandic Introduction View
Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell
 
Equinox eBooks Publishing Sounds Icelandic Index View
Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell
 
The Velvet Underground View
Richard Witts
 
Equinox eBooks Publishing She's at the Controls Conclusion View
Helen Reddington
 
In Search of Fela Anikulapo Kuti View
Max Reinhardt, Rita Ray
 
The Rosary and the Microphone View
Nicholas P. Greco
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s View
Alessandro Bratus
 
Perfect Beat Vol 12 No. 1 (2011) Malaysian composers, geopolitical spaces and cultural difference View
Jonas Ureta Baes
 
Jazz Research Journal Vol 9 No. 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization View
Richard Ekins
 
Journal of World Popular Music Vol 6 No. 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics View
Samuel Horlor
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Prologue View
Liselotte Sels
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Remarks on the Turkish Language View
Liselotte Sels
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Visited Institutions and Consulted Informants in Turkey View
Liselotte Sels
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Preface and Acknowledgements View
Liselotte Sels
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Attended Events View
Liselotte Sels
 
Popular Music History Vol 7 No. 3 (2012) Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. View
Richard Witts
 
Equinox eBooks Publishing Sounds Icelandic Spatiality, Sociality and Circulation: Popular Music Scenes in Reykjavík View
Nick Prior
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Heavy metal as controversy and counterculture View
Titus Hjelm, Keith Kahn-Harris, Mark Levine
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals View
Brent Keogh
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format View
Jane Galbraith
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music in Postdemocracy View
Simone Krüger Bridge
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington View
George Burrows
 
Equinox eBooks Publishing The Making of the Musical World East Asia: Ancient Traditions and Modern Inventions View
Andrew Killick
 
Equinox eBooks Publishing The Making of the Musical World The Caribbean: Powerhouse of Popular Styles View
Andrew Killick
 
Popular Music History Vol 11 No. 2 (2016) Review article View
Dave Laing
 
Equinox eBooks Publishing Elements of Music Management Music Development: The Role of A and R - Music will Never Stop View
Sally Gross
 
Do You Want to Know a Secret? View
Billy J. Kramer, Alyn Shipton
 
An Unholy Row View
Dave Gelly
 
Equinox eBooks Publishing From Griffith to Grindhouse From Vaudeville to the Arthouse to the Grindhouse: The Ancient Epic Subverted View
Kevin McGeough
 
Equinox eBooks Publishing The Beatles Index View
Ian Inglis
 
Implicit Religion Vol 19 No. 1 (2016) Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion View
Christine King, Francis Stewart
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 3. Dying Language, Multi-Identity and Music for the Young View
Pekka Suutari
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity List of Figures View
Britta Sweers, Sarah M. Ross
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity Preface and Acknowledgements View
Britta Sweers, Sarah M. Ross
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity Index View
Britta Sweers, Sarah M. Ross
 
The Music of Fantasy Cinema View
Janet K. Halfyard, Mark Brill, Philip Hayward, J. Drew Stephen, Lee Barron, Liz Giuffre, Ben Winters, Alexander G. Binns, Scott Murphy, Victoria Hancock, Jamie L. Webster
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Equinox eBooks Publishing The Making of the Musical World Back to Africa: Global Language, Local Accent View
Andrew Killick
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz View
Elijah Wald
 
Equinox eBooks Publishing Religions of a Single God Chapter 9: Christian Practice and Holy Days View
Zeba Crook
 
Equinox eBooks Publishing The Rosary and the Microphone Beautiful Day: Technological Optimism, Gesture and Intimacy View
Nicholas Greco
 
Nick Cave View
Roland Boer
 
Falco and Beyond View
Ewa Mazierska
 
Equinox eBooks Publishing Sounds Icelandic Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition View
Arnar Eggert Thoroddsen
 
Jazz Research Journal Vol 9 No. 2 (2015) Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies View
Richard Ekins
 
Journal of World Popular Music Vol 6 No. 2 (2019) Lyrical Referencing in Australian Hip Hop View
James Lewandowski-Cox
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 8. The Space of the Gong Culture in the Central Highlands of Vietnam: Old and New Directions in Ede Traditional Music View
Vincenzo della Ratta
 
Equinox eBooks Publishing Ludomusicology Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games View
William Gibbons
 
Popular Music History Vol 5 No. 3 (2010) ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s View
Jon Stratton
 
Equinox eBooks Publishing The Making of the Musical World Latin America: A Tale of Five Continents View
Andrew Killick
 
Journal for the Study of Religion, Nature and Culture Vol 3 No. 1 (2009) The Religious Lives of Amazonian Plants The Celestial Umbilical Cord: Wild Palm Trees, Adult Male Bodies, and Sacred Wind Instruments among the Wakuénai of Venezuela View
Jonathan D. Hill
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Making the Strange Familiar View
Sarah M. Pike
 
Jazz Research Journal Vol 6 No. 2 (2012) Way out East: cowboys and pioneer women on Berlin's jazz frontier View
William Kirk Bares
 
Equinox eBooks Publishing The Rosary and the Microphone Preface View
Nicholas Greco
 
Equinox eBooks Publishing The Rosary and the Microphone Acknowledgements View
Nicholas Greco
 
Equinox eBooks Publishing The Rosary and the Microphone Bibliography View
Nicholas Greco
 
Equinox eBooks Publishing The Rosary and the Microphone Index View
Nicholas Greco
 
Equinox eBooks Publishing The Beatles Introduction View
Ian Inglis
 
Equinox eBooks Publishing Sounds Northern Index View
Ewa Mazierska
 
Equinox eBooks Publishing Sounds Northern Is It Really Grim Up North?: Popular Music in the North of England View
Ewa Mazierska
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Neoliberalism and the Global Music Industry View
Simone Krüger Bridge
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 9. Historical Voices Reloaded – Rethinking Archival Responsibilities Compared to Intangible Cultural Heritage View
Gerda Lechleitner
 
Equinox eBooks Publishing Sounds Icelandic ‘Imagine what my body would sound like’: Embodiment, nature and sound in the work of Björk Guðmundsdóttir View
Sarah Boak
 
This is Hip View
Peter Jones
 
Equinox eBooks Publishing The Long Shadow of the Little Giant Introduction View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant A Face not Built for Gloom (1935-1951) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant ’56 not ’45 (1955-1958) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant The End of the Old Order (1958-1959) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant Now its Who have They Got? (1959-1961) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant Down in the Village (1961-1962) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant Tubby Hayes Loves you Madly (1963-1964) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant The Best of Both Worlds (1964-1965) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant Addictive Tendencies (1966-1967) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant The Other Scene (1967-1968) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant The Beginning of the End (1969-1972) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant It’ll be me Next (1972-1973) View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant The Lost Leader – The Legacy of Tubby Hayes View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant Selected Discography View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant Acknowledgements View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant Notes View
Simon Spillett
 
Equinox eBooks Publishing The Long Shadow of the Little Giant Index View
Simon Spillett
 
CALICO Journal Vol 34 No. 1 (2017) Gaming as an English Language Learning Resource among Young Children in Denmark View
Signe Hannibal Jensen
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music The Cool Culture of Neoliberal Capitalism View
Simone Krüger Bridge
 
Gender and Language Vol 10 No. 3 (2016) Gender and Multimodality Sound, music and gender in mobile games View
David Machin, Theo van Leeuwen
 
Implicit Religion Vol 13 No. 2 (2010) The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon View
Rupert Till
 
Journal of World Popular Music Vol 4 No. 2 (2017) Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time View
Pablo Alabarces, Felipe Trotta
 
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Perfect Beat Vol 14 No. 2 (2013) Introduction: policy and popular music View
Jennifer Cattermole, Martin Cloonan, Shane Homan
 
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Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) View
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Popular Music History Vol 10 No. 3 (2015) Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University View
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Journal of World Popular Music Vol 1 No. 1 (2014) Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. View
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Perfect Beat Vol 13 No. 1 (2012) 'Like him or loathe him': 
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Popular Music History Vol 10 No. 2 (2015) A critical survey of museum collections of popular music in the United Kingdom View
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Perfect Beat Vol 2 No. 4 (1996) AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY View
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Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
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Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
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Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music View
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Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
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Journal of Film Music Vol 7 No. 2 (2014) Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 View
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Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK View
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Perfect Beat Vol 17 No. 2 (2016) Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. View
Rachel Tollett
 
Perfect Beat Vol 10 No. 1 (2009) Television special Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC View
Jon Fitzgerald
 
Perfect Beat Vol 16 No. 1-2 (2015) Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry View
Christina Ballico
 
Perfect Beat Vol 19 No. 1 (2018) Putting a premium on music: Exploring the vinyl revival in the Philippines View
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Journal of Film Music Vol 5 No. 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film View
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Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? View
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Tony Fonseca
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Perfect Beat Vol 1 No. 1 (1992) TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations View
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Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 4 (1996) TRAJECTION -AN INTRODUCTION View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 1 No. 2 (2014) Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) View
Jonathan P. J. Stock
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music View
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Charles Hamm
 
Journal of World Popular Music Vol 2 No. 2 (2015) Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD View
Paul Long
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
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Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Perfect Beat Vol 10 No. 2 (2009) Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp View
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Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘Well-worn grooves’: Music, materiality and biographical memory View
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Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” View
Michael V. Pisani
 
Journal of Film Music Vol 4 No. 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) View
Nathan Platte
 
Implicit Religion Vol 7 No. 1 (2004) Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution View
Michael Amoah
 
Jazz Research Journal Vol 9 No. 2 (2015) The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report View
Emma Webster, George McKay
 
Journal of World Popular Music Vol 1 No. 2 (2014) Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) View
Iris Yellum
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Michael Lasser, City Songs and American Life, 1900–1950 View
Arno van der Hoeven
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Steve Collins and Sherman Young. 2014. Beyond 2.0: The Future of Music. Sheffield: Equinox. 162pp. ISBN 978-1-84553-9-382 (pbk) View
Paul Fischer
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Perfect Beat Vol 3 No. 3 (1997) SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song View
PETER DUNBAR-HALL
 
Perfect Beat Vol 15 No. 2 (2014) Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp View
Anne Danielsen
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba View
Iván Darias Alfonso
 
Journal of Film Music Vol 6 No. 1 (2013) “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas View
Tim Summers
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
Timothy Koozin
 
Perfect Beat Vol 10 No. 1 (2009) Television special Maintaining Rage: Counting down without a host for over 20 years View
Liz Giuffre
 
Journal of World Popular Music Vol 6 No. 2 (2019) Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music View
Yair Hashachar
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Perfect Beat Vol 19 No. 1 (2018) Åse Ottosson. 2016. Making Aboriginal Men and Music in Central Australia View
Henry Johnson
 
Perfect Beat Vol 17 No. 2 (2016) Watching them walk out taller than they walked in: Sydney's venues in 2016 View
Martin Cloonan
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Journal of Film Music Vol 4 No. 2 (2011) Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema View
Tony Fonseca
 
Journal of World Popular Music Vol 1 No. 1 (2014) Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). View
Åse Ottosson
 
Perfect Beat Vol 18 No. 1 (2017) Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream View
Henry Johnson
 
Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Popular Music History Vol 4 No. 1 (2009) Resource notes: the Rockheim Project in Norway View
Andy Lineham
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Sound and Vision: 60 Years of Motion Picture Soundtracks View
Jon Burlingame
 
Perfect Beat Vol 13 No. 1 (2012) De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. View
Andreas Steen
 
Journal of Film Music Vol 2 No. 1 (2007) Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] View
Tom Schneller
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Popular Music History (0) ADVANCE ACCESS Space to play: The sound of British female punk music and its engagement with reggae in the 1970s View
Helen Reddington
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Journal of World Popular Music Vol 3 No. 2 (2016) Banning Eyre. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. 339pp. ISBN 978-0-8223-5908-1 (hbk) View
Marc Duby
 
Perfect Beat Vol 14 No. 2 (2013) Youth, radio and Australian popular music policy View
Chris K. Wilson
 
Journal of Film Music Vol 2 No. 2-4 (2009) Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. View
Kendra Preston Leonard
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Perfect Beat Vol 1 No. 2 (1993) TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea View
Michael Webb
 
Perfect Beat Vol 2 No. 3 (1995) Traffic -An Introduction View
PHILIP HAYWARD
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Perfect Beat Vol 3 No. 4 (1998) EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire View
JULIE RICKWOOD
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Theory Through the Lens of Film View
Frank Lehman
 
Journal of World Popular Music Vol 2 No. 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl View
Arno van der Hoeven
 
Perfect Beat Vol 2 No. 2 (1995) Emergences - An Introduction View
PHILIP HAYWARD
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Journal of World Popular Music Vol 6 No. 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 2 No. 1 (2015) Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) View
Thomas R. Hilder
 
Journal of World Popular Music Vol 7 No. 1 (2020) From Here, There and Everywhere: Recording Popular Music in the “Field” View
Brent Keogh
 
Journal of World Popular Music Vol 3 No. 1 (2016) Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) View
Alf Arvidsson
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Popular Music History Vol 1 No. 1 (2004) Popular Music Resources View
Andy Lineham
 
Perfect Beat Vol 19 No. 1 (2018) Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands View
Sebastian Diaz-Gasca
 
Perfect Beat Vol 19 No. 1 (2018) Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play View
Sebastian Diaz-Gasca
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Popular Music History Vol 2 No. 1 (2007) April 2007 BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 View
David Simonelli
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Perfect Beat Vol 1 No. 3 (1993) CO-LOCATIONS - AN INTRODUCTION View
Philip Hayward
 
Journal of World Popular Music Vol 2 No. 2 (2015) Alfredo Colman. 2015. The Paraguayan Harp: From Colonial Transplant to National Emblem. Lanham, MD: Lexington Books. 185pp. ISBN 978-0-7391-9819-3 (hbk) View
Felipe Arocena
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music in the K-12 Classroom and the Quest for Education Justice View
Kathryn Metz
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Perfect Beat Vol 3 No. 2 (1997) Editorial View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain View
Nabeel Zuberi
 
Journal of World Popular Music Vol 4 No. 1 (2017) Interview with Antti-Ville Kärjä from Music Archive Finland View
Raphaël Nowak
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes View
Samuel Charles Whiting
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) The poetics of recorded time: Listening again to popular music history View
Paul Long
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto View
MALCOLM PHILPOTT, GREG SEETO
 
Perfect Beat Vol 4 No. 3 (1999) SCREEN SCORES View
JON FITZGERALD
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies View
DENNIS CROWDY
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Journal of Film Music Vol 4 No. 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) View
Linda K. Schubert
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Journal of World Popular Music Vol 1 No. 2 (2014) Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) View
Matt Stahl
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press View
Robert G H Burns
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Religious Studies and Theology Vol 31 No. 1 (2012) Mashup Religion: Pop Music and Theological Invention, by John S. McClure. Baylor University Press, 2011. 240pp., pb. $24.95. ISBN-13: 9781602583573. View
Jacob D. Myers
 
Journal of Film Music Vol 1 No. 1 (2002) Linda Danly. Hugo Friedhofer: The Best Years of His Life: A Hollywood Master of Music for the Movies Lanham, MD: Scarecrow Press, 1999. [xi, 212 p. ISBN: 0810835827. $39.50] View
Linda Schubert
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative View
Melissa Ursula Dawn Goldsmith
 
Equinox eBooks Publishing Sensual Religion 8. North American Indigenous Song, the Sacred and the Senses View
Byron Dueck
 
Journal of World Popular Music Vol 7 No. 1 (2020) The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory View
Mariana Barreto
 
Journal of Film Music Vol 7 No. 2 (2014) Swiss Film Music: Anthology 1923–2012 View
Michael Baumgartner
 
Perfect Beat Vol 20 No. 1 (2019) Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. View
Anna Szemere
 
Popular Music History Vol 2 No. 2 (2007) Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage View
Michael Brocken
 
Perfect Beat Vol 12 No. 2 (2011) Book Review: Drewett, M., Sarah Hill and Kimi Kärki, eds. 2010. Peter Gabriel, From Genesis to Growing Up. Aldershot: Ashgate. ISBN 978-0-7546-6521-2 (hbk). 288 pp. View
Robert G. H. Burns
 
Perfect Beat Vol 12 No. 2 (2011) The success of hopelessness: the evolution of Korean indie music View
Hyunjoon Shin
 
Journal of Film Music Vol 6 No. 2 (2013) The Barry Gray Archive View
François Evans
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 View
Anne Cleaton
 
Perfect Beat Vol 15 No. 2 (2014) Dan, Henry ‘Seaman’ and Karl Neuenfeldt. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. ISBN 978-1-922059-208 (pbk). 170 pp. View
Bruce Johnson
 
Perfect Beat Vol 1 No. 2 (1993) Sound Alliances: An Introduction View
Philip Hayward
 
Journal of Film Music Vol 2 No. 1 (2007) Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] View
Eric Hung
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries View
Malvina Silba
 
Perfect Beat Vol 11 No. 1 (2010) State of play: Live original music venues in Western Australia View
Dawn Bennett
 
Perfect Beat Vol 3 No. 3 (1997) GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 View
RYUICHI TAI
 
Journal for the Academic Study of Religion Vol 20 No. 2 (2007) Brand of Choice: Why Hillsong Music is Winning Sales and Souls View
E.H. McIntyre
 
Perfect Beat Vol 13 No. 1 (2012) Keam, Glenda, and Tony Mitchell, eds. 2011. Home, Land and Sea: Situating Music in Aotearoa New Zealand. Auckland: Pearson. ISBN 978-1-44251-632-8 (pbk). 320 pp. View
Matthew Bannister
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Popular Music History Vol 1 No. 3 (2004) What story should a history of popular music tell? View
Allan Moore
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Implicit Religion Vol 17 No. 2 (2014) Music as an Aid to Philosophizing about Religion View
Peter Donovan
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Popular Music History Vol 3 No. 1 (2008) Collections at the IPM View
Robert Strachan
 
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