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Journal Issue Title
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Journal for the Academic Study of Religion Vol 20 No. 3 (2007) East-Asian New Religious Movements Adam Possamai, Religion and Popular Culture: A Hyper-real Testament. Peter Lang,Brussells, 2005, pp. 176, ISBN 109052012725 (pbk). View
Gary D. Bouma
 
Implicit Religion Vol 6 No. 2 (2003) Review of Spreading Misandry: The Teaching of Contempt for Men in Popular Culture by Paul Nathanson and Katherine K. Young View
Jenny Webb
 
Journal of World Popular Music Vol 2 No. 2 (2015) Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) View
Peter Manuel
 
Pomegranate: The International Journal of Pagan Studies Vol 16 No. 1 (2014) Kristine Juncker, Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo and Santeria (Gainsville: University Press of Florida, 2014), xx + 174 pp., $74.95 (cloth). View
Christopher W. Chase
 
Perfect Beat Vol 17 No. 2 (2016) Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. View
Melvin Backstrom
 
Journal for the Academic Study of Religion Vol 27 No. 1 (2014) George D. Chryssides (ed.), Heaven’s Gate: Postmodernity and Popular Culture in a Suicide Group. Ashgate, Farnham, UK, 2011, pp. 228, ISBN: 978-0-7546-6374-4 (Hbk). View
Celia Genn
 
Journal for the Academic Study of Religion Vol 27 No. 2 (2014) Introducing Interreligious Studies Danielle Kirby, Fantasy and Belief: Alternative Religions, Popular Narratives and Digital Cultures, Equinox, Sheffield, 2013, pp. ix + 194, ISBN 978-1-908049-23-0. View
Venetia Robertson
 
Fieldwork in Religion Vol 7 No. 1 (2012) Chryssides, George D. (ed.). 2011. Heaven’s Gate: Postmodernity and Popular Culture in a Suicide Group. Farnham: Ashgate New Religions. xi + 215pp. ISBN 978 0 7546 6374 4. Hbk. £47.50. View
Peter Åkerbäck
 
Elton John View
Dave Laing†
 
Trajectories and Themes in World Popular Music View
Simone Krüger Bridge
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Perfect Beat Vol 2 No. 1 (1994) MADONNA - JUSTIFY OUR LOVE? View
TIFFANY HUTTON
 
Popular Music History Vol 10 No. 2 (2015) A critical survey of museum collections of popular music in the United Kingdom View
Marion Leonard, Robert Knifton
 
Popular Music History Vol 10 No. 2 (2015) Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney View
Gaëlle Crenn
 
Elvis View
Mark Duffett
 
Technomad View
Graham St John
 
The Making of the Musical World View
Andrew Killick
 
Body Talk and Cultural Identity in the African World View
Augustine Agwuele, Ann Albuyeh, Michael Sharp, Dotun Ayobade, Bukola Adeyemi Oyeniyi, Maureen N. Eke, Karen W. Sanders, Moges Yigezu, Damaris Seleina Parsitau, Abimbola A. Adelakun
 
Perfect Beat Vol 2 No. 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 View
BRUCE JOHNSON
 
Perfect Beat Vol 17 No. 2 (2016) Melbourne popular music in the museum: Locating the academy in the sonic city View
Marcus Breen
 
Journal of World Popular Music Vol 1 No. 2 (2014) No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music View
Tom Wagner
 
Popular Music History Vol 7 No. 3 (2012) Minority language, majority canon View
Sarah Hill
 
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