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Popular Music History Vol 6 No. 3 (2011) The making of a Yugoslav popular music industry View
Dean Vuletic
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
James Brown View
John Scannell
 
Popular Music History Vol 10 No. 2 (2015) The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective View
Philippe Le Guern
 
Implicit Religion Vol 21 No. 1 (2018) Playing the Myth: Video Games as Contemporary Mythology View
Vivian Asimos
 
Popular Music History Vol 4 No. 3 (2009) The production of English rock and roll stardom in the 1950s View
Martin Cloonan
 
Popular Music History Vol 10 No. 2 (2015) No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses View
Kathleen Pirrie Adams
 
Heavy Metal View
Titus Hjelm, Keith Kahn-Harris, Mark LeVine, Andy R. Brown, Brad Klypchak, Hélène Laurin, Lee Barron, Marcus Moberg, Gérôme Guibert, Jeremy Wallach, Benjamin Hedge Olson, Michelle Phillipov, Nicola Allett, Kevin Fellezs, Rosemary Overell, Niall Scott
 
Perfect Beat Vol 3 No. 3 (1997) ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC View
ALINE SCOTT-MAXWELL
 
Journal for the Study of Religion, Nature and Culture Vol 1 No. 3 (2007) Vol 1, No 3 (2007):Forum on Religion, Nature and Culture (part II) Overkill: Why Excess and Conflict are both Sexy and Sacred View
Jane Caputi
 
Journal of Film Music (2016) Advance Access Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s View
Alessandro Bratus
 
Popular Music History Vol 5 No. 2 (2010) The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 View
Holly Tessler
 
Popular Music History Vol 7 No. 1 (2012) Mapping live provisions in Welsh-language rock, 1978–80 View
Craig Owen Jones
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Popular Music History Vol 4 No. 1 (2009) The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett View
Dale Carter
 
Popular Music History Vol 9 No. 2 (2014) Another Green World?: Eno, Ireland and U2 View
Noel McLaughlin
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music The Cool Culture of Neoliberal Capitalism View
Simone Krüger Bridge
 
Popular Music History Vol 10 No. 2 (2015) Resource notes: Amplifying intangible heritage as a resource for museum narratives View
Rob Horrocks
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 2 No. 1 (2006) April 2006 Aesthetics/Ascetics:Visual Piety and Pleasure in a Strictly Kosher Cookbook View
Jeremy Stolow
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
The Public Archaeology of Death View
Howard Williams, Benedict Wills-Eve, Jennifer Osborne, Chiara Bolchini, Karina Croucher, Suzanne Evans, Leszek Gardeła, Jodie Lewis, Sian Mui, Sam Munsch, Rachael Mary Nicholson, Madeline Walsh, Aaron Watson, Marion Shiner, Katie A. Hemer, Rhiannon Comeau
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Popular Music History Vol 9 No. 3 (2014) Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 View
Rebecca S. Miller
 
Equinox eBooks Publishing Sounds Northern Is It Really Grim Up North?: Popular Music in the North of England View
Ewa Mazierska
 
Bulletin for the Study of Religion Vol 42 No. 3 (2013) Cowards, Critics, and Catholics: The Catholic League for Religious and Civil Rights, South Park and the Politics of Religious Humor in the United States View
David Feltmate
 
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