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Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Drawn to Sound View
Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki
 
From Griffith to Grindhouse View
Kevin M. McGeough
 
Public Information Films View
Anthony Baldry, Deirdre Kantz, Fabrizio Maggi
 
Movies, Moves and Music View
Mark Evans, Mary Fogarty, Greg S. Faller, Faye Woods, Brian Su-Jen Chung, Afia Ofori-Mensa, Diane Hughes, Gillian Turnbull, Philip Hayward, Jon Fitzgerald, Colleen Dunagan, Roxane Fenton, Usha Iyer, Megan Anne Todd, Sarah-Mace Dennis, Kelly Kessler
 
Journal for the Study of Religion, Nature and Culture Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality Opening Pandora's Film View
Bron Taylor, Adrian Ivakhiv
 
Encyclopedia of Film Music and Sound View
Mark Evans
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music in the Films: The Promotion of Film Music in the Concert Hall View
Leith Stevens †
 
Equinox eBooks Publishing From Griffith to Grindhouse Film as History and History as Myperreality View
Kevin McGeough
 
Journal of Film Music Vol 4 No. 1 (2011) The Problem of Music in a Historical Film View
Herbert Stothart
 
Journal of Film Music Vol 2 No. 2-4 (2009) Wavering Sonorities and the Nascent Film Noir Musical Style View
Roger Hickman
 
Journal of Film Music Vol 2 No. 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity View
William H. Rosar
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Playing with Paradigms: The Christ-figure Genre in Contemporary Film View
Adele Reinhartz
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Journal of Film Music Vol 7 No. 2 (2014) Swiss Film Music: Anthology 1923–2012 View
Michael Baumgartner
 
Journal of Film Music Vol 2 No. 2-4 (2009) Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? View
Roberto Kolb-Neuhaus
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Theory Through the Lens of Film View
Frank Lehman
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Cue Archetypes in the Film Scores of Elmer Bernstein View
Donald C Meyer
 
Journal of Film Music Vol 2 No. 1 (2007) Whose Classical Music? Reflections on Film Adaptation View
Lawrence Kramer
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 1 No. 2-3 (2005) Religious Cinematics: The Immediate Body in the Media of Film View
S. Brent Plate
 
Journal of Film Music Vol 5 No. 1-2 (2012) Towards a Theory of Musicodramatic Practice in Film: Questions of Method View
David Revill
 
Journal of Film Music Vol 5 No. 1-2 (2012) "'Leitmotif': On the Application of a Word to Film Music" View
Stephen C. Meyer
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) Tolerating Babel: The Bible, Film, and the Family in U.S. Biopolitics View
Erin Runions
 
Equinox eBooks Publishing Identifying Roots Kunta Kinte in American TV, Film, and Music View
Richard Newton
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Journal of Film Music Vol 4 No. 2 (2011) Modular Structures in Film Music: The Answer to Synchronization Problems? View
Bartlomiej P Walus
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film God in the Saddle: Silent Western Films as Protestant Sermons View
Terry Lindvall
 
Writing & Pedagogy Vol 1 No. 2 (2009) Incorporating and Evaluating Voices in a Film Studies Thesis View
Caroline Jane Coffin
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Film Scoring: The UCLA Lectures† Edited and annotated by Mark Brill. View
Leith Stevens †
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s View
Alessandro Cecchi
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
Timothy Koozin
 
Journal of Film Music Vol 7 No. 2 (2014) Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 View
Carolin Beinroth, Claudia Bullerjahn
 
Equinox eBooks Publishing Religion and Sight 3. Obscuring Two-spirit Deaths in the Films Conversion and Fire Song View
Gabriel Estrada
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Journal for the Academic Study of Religion Vol 31 No. 3 (2018) Special Issue: Religion at the Australian Royal Commission into Institutional Responses to Child Sexual Abuse Richard Walsh (ed.), T&T Clark Companion to the Bible and Film View
Anton Karl Kozlovic
 
Journal of Contemporary Archaeology Vol 4 No. 1 (2017) Submarines in the Silent World: Exploring Films as an Archaeological Record View
Mirja Arnshav, Anna McWilliams
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Editorial: Exploring Religion and Popular Film View
Anton Karl Kozlovic
 
Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
Jörg Jewanski
 
Journal of Film Music Vol 5 No. 1-2 (2012) Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) View
Irene Comisso
 
Journal for the Study of Religion, Nature and Culture Vol 1 No. 4 (2007) Vol 1, No 4 (2007) Zen and the Art of Environmental Education in the Japanese Animated Film Tonari no Totoro View
Arran Stibbe
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? View
William H. Rosar
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) Films, Frames and Videogames: Religious Insights into Media View
Anna Piskorowski-Adams
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 1 No. 2-3 (2005) Muslim Martyrs and Pagan Vampires: Popular Video Films and the Propagation of Religion in Northern Nigeria View
Matthias Krings
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading View
David Neumeyer
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film View
Christopher Coady
 
Journal for the Study of Religion, Nature and Culture Vol 10 No. 2 (2016) Indigenous Knowledge, Indigenous Spirituality, and the Future of Humans in Nature Re-imagining Nature and American Indian Identity in Film View
Ulrike Wiethaus
 
Journal of Film Music Vol 5 No. 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History View
Peter Moormann
 
Journal for the Academic Study of Religion Vol 22 No. 1 (2009) Little Buddha and Gandhi Go to School: An Examination of the Use of Popular Film in Four Religious Education Classes View
Barbara Kameniar
 
Journal of Film Music Vol 5 No. 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film View
Erin Michelle Brooks
 
Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
Terry Monaghan
 
Equinox eBooks Publishing The Beatles in Context Magical Mystery Tour: Suburbia and Utopia in Music and Film View
Jonathan Goss
 
Popular Music History Vol 5 No. 1 (2010) Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann View
Jonathan Waxman
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Orientalism in Outer-space: The Ascendancy of Sanskrit Mantras in Hollywood Science Fiction Films and Soundtracks View
Scott Daniel Dunbar
 
Gender and Language Vol 8 No. 3 (2014) Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film View
Qiuana Lopez
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Equinox eBooks Publishing Embodiment and Black Religion 5. It was Written on her Face: Religion and Black Women's Embodied Emotion in Film View
CERCL Writing Collective
 
Journal of Film Music Vol 2 No. 1 (2007) Roger Hickman. Reel Music: Exploring 100 Years of Film Music View
Lora Matthews
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] View
James Wierzbicki
 
Equinox eBooks Publishing From Griffith to Grindhouse Nero the Nazi and Akhenaten the Lutheran: The Presentism of the Ancient World on Film View
Kevin McGeough
 
Journal of Film Music Vol 5 No. 1-2 (2012) Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann View
Tom Schneller
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Journal for the Study of Religion, Nature and Culture Vol 5 No. 2 (2011) Imagining Ecotopia Cinema of the Not-Yet: The Utopian Promise of Film as Heterotopia View
Adrian Ivakhiv
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Little Buddha and Gandhi Go to School: An Examination of the Use of Popular Film in Four Religious Education Classes View
Barbara Maria Kameniar
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Sociolinguistic Studies Vol 5 No. 1 (2011) Fictionalising orality Exploring the representation of orality: the use of vocatives in two Spanish-speaking films, Machuca and Volver View
María Palma-Fahey
 
Journal of Film Music Vol 7 No. 2 (2014) Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 View
Hannah Lewis
 
Journal for the Academic Study of Religion Vol 27 No. 3 (2014) G.I. Gurdjieff Mountains Analogous? The Academic Urban Legend of Alejandro Jodorowsky’s Cult Film Adaptation of René Daumal’s Esoteric Novel View
David Pecotic
 
Gender and Language Vol 11 No. 4 (2017) Special issue: Globalisation, modernity and enregisterment in contemporary East Asia Powerfully queered: representations of castrated male characters in Chinese martial arts films View
Mie Hiramoto
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis View
Patrick Wood
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Perfect Beat Vol 1 No. 1 (1992) MUSIC POWER - KYLIE, BOWIE AND THE DELINQUENTS A study of the significance of the soundtrack to the financing, production and marketing of the Australian feature film The Delinquents. View
DIANA JAROSIEWICZ
 
Gender and Language Vol 8 No. 2 (2014) Gender, language and the media Communicating Marginalized Masculinities: Identity Politics in TV, Film and New Media View
Steffi Krause
 
Perfect Beat Vol 9 No. 1 (2008) Brophy, P (2004) 100 Modern Soundtracks, London: British Film Institute Publishing View
TONY MITCHELL
 
Equinox eBooks Publishing Public Information Films Chapter 1: Cultural issues relating to Public Information Films in the English speaking world and other countries and communities. View
Anthony Baldry
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) View
Tomoko Deguchi
 
Implicit Religion Vol 19 No. 3 (2016) Survivor, Warrior, Mother, Savior: The Evolution of the Female Hero In Apocalyptic Science Fiction Film of the Late Cold War View
George Faithful
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative View
Melissa Ursula Dawn Goldsmith
 
Perfect Beat Vol 11 No. 1 (2010) Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan View
Mark Evans
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. View
Bradford Lee Eden
 
Journal of Film Music Vol 1 No. 1 (2002) Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD View
Linda Schubert
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo View
David Cooper
 
Journal of Film Music Vol 5 No. 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring View
Katherine K. Preston
 
Sociolinguistic Studies Vol 2 No. 3 (2008) Monolingualism Portraying language diversity through a monolingual lens: On the unbalanced representation of Spanish and English in a corpus of American films View
Peter R. Petrucci
 
Religions of South Asia Vol 1 No. 1 (2007) June 2007 Review of Filming the Gods: Religion and Indian Cinema, by Rachel Dwyer View
Lynn Foulston
 
Equinox eBooks Publishing Public Information Films Chapter 2: Multimodal text analysis of cultural diversity: bias, prejudice and opinion shaping in Public Information Films View
Anthony Baldry
 
Journal of Research Design and Statistics in Linguistics and Communication Science Vol 1 No. 2 (2014) Exploring the translation of animated films: quantifying audiences’ perception of characters that speak in different varieties of English, Spanish and Catalan View
Laia Darder
 
Journal of Film Music Vol 2 No. 1 (2007) David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 View
Tom Schneller
 
Journal for the Academic Study of Religion Vol 30 No. 2 (2017) Terry Lindvall, J. Dennis Bounds and Chris Lindvall, Divine Film Comedies: Biblical Narratives, Film Sub-Genres, and the Comic Spirit. New York: Routledge, 2016, pp. viii + 212, ISBN: 978-1-138-95613-1 (pbk) View
Anton Karl Kozlovic
 
Journal for the Study of Religion, Nature and Culture Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality Spirituality and Resistance: Ursula Le Guin’s The Word for World is Forest and the Film Avatar View
David Barnhill
 
Journal of Film Music Vol 1 No. 1 (2002) Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. View
Charles Leinberger
 
Journal of Film Music Vol 2 No. 2-4 (2009) Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. View
Lori Stevens
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 1 No. 2-3 (2005) Being a Christian in the Catholic Way: Protestant and Catholic Versions of the Jesus Films and the Evangelization of Poland View
Esther Peperkamp
 
Journal for the Study of Religion, Nature and Culture Vol 7 No. 1 (2013) Ken Burns (dir.), The National Parks: America’s Best Idea (Florentine Films and WETA Television, 2009), DVD, $99.99. View
Lynn Ross-Bryant
 
Journal of Film Music Vol 4 No. 1 (2011) Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. View
Tony Fonseca
 
Journal for the Academic Study of Religion Vol 20 No. 2 (2007) Christopher Deacy, Faith in Film: Religious Themes in Contemporary Cinema. Ashgate, Aldershot, 2005, pp. 170, ISBN 0754651584 (hbk). View
Anton Karl Kozlovic
 
International Journal for the Study of New Religions Vol 4 No. 2 (2013) Cinema of the Occult: New Age, Satanism, Wicca, and Spiritualism in Film, by Carrol L. Fry. Bethlehem. Lehigh University Press, 2008. 301pp., hb., $62.50/ £39.95. ISBN-13: 9780934223959. View
Carole M. Cusack
 
Journal for the Academic Study of Religion Vol 22 No. 1 (2009) Christopher Deacy and Gaye Williams Ortiz, Theology and Film: Challenging the Sacred/Secular Divide. Blackwell, Malden, MA, 2008, pp. xiv+245, ISBN 978-1-4051- 4438-4 (pbk) View
Anton Karl Kozlovic
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] View
Roger Hickman
 
Journal of Film Music Vol 4 No. 1 (2011) Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera. View
James L. Zychowicz
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi View
Linda Maria Koldau
 
Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] View
Rebecca FÜlÖP
 
Journal of Film Music Vol 2 No. 2-4 (2009) Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. View
Christine Lee Gengaro
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. View
Judith Bernanke
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. View
Kheng K. Koay
 
Journal for the Academic Study of Religion Vol 30 No. 3 (2017) Laura Copier and Caroline Vander Stichele (eds). Close Encounters between Bible and Film: An Interdisciplinary Engagement. Atlanta, GA: SBL Press, 2016, pp. viii + 333, ISBN: 9781628371581 (pbk). View
Anton Karl Kozlovic
 
Journal of Film Music Vol 2 No. 2-4 (2009) Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. View
Paul A. Merkley
 
Journal of Film Music Vol 2 No. 2-4 (2009) Christian DesJardins. Inside Film Music: Composers Speak Los Angeles: Silman–James Press, 2003. [xxv, 358 p. ISBN: 1879505886. $ 20.95 (trade paper)] Index. View
Tony Fonseca
 
Journal of Film Music Vol 4 No. 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. View
James Wierzbicki
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Michael Schelle: The Score: Interviews with Film Composers Beverly Hills: Silman-James Press, 1999 [xviii, 427 p. ISBN: 1-879-50540-1] View
Nicholas Reyland
 
Journal of Film Music Vol 2 No. 1 (2007) James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] View
David Cooper
 
Journal for the Academic Study of Religion Vol 30 No. 1 (2017) Stephen C. Meyer, Epic Sound: Music in Postwar Hollywood Biblical Films. Bloomington, IN: Indiana University Press, 2015, pp. xiv + 273, ISBN: 978-0-253-01451-1 (pbk). View
Anton Karl Kozlovic
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Theodor W. Adorno, and Hanns Eisler. Komposition für den Film, mit einem Nachwort von Johannes C. Gall und einer DVD “Hanns Eislers Rockefeller–Filmmusik– Projekt 1940–1942” Ed. Johannes C. Gall. Frankfurt am Main: Suhrkamp, 2006. View
James Parsons
 
Perfect Beat Vol 4 No. 3 (1999) SCREEN SCORES View
JON FITZGERALD
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” View
Lora Matthews
 
Journal of Film Music Vol 2 No. 2-4 (2009) David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. View
Michael Remson
 
Equinox eBooks Publishing From Griffith to Grindhouse Gods, Monsters, and Musclemen View
Kevin McGeough
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 1 No. 2-3 (2005) Guest Editors' Preface View
Birgit Meyer, Stephen Hughes
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
Nathan Platte
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns View
Michael Beckerman, William H. Rosar
 
Journal of Film Music Vol 4 No. 2 (2011) Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials View
Nicol William Snedden
 
Journal of Film Music Vol 3 No. 2 (2010) A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" View
David Cooper, Ian Sapiro
 
Earogenous Zones View
Bruce Johnson, Mark Evans, Matt Burgess, Lesley Chow, Clarice Butkus, James Wierzbicki, Philip Hayward, Emil Stoichkov, Laura Wiebe Taylor, Liz Giuffre, Kevin Clifton, Paul Warren, Marianne Tatom Letts, Ralph Marsh
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Re-visiting Denys Arcand’s Jesus of Montreal (1989): Metatextuality, Metaphor, Hermeneutics and Resurrection View
Lloyd Baugh
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 1 No. 2-3 (2005) Religious Remediations: Pentacostal Views in Ghanaian Video-Movies View
Birgit Meyer
 
Perfect Beat Vol 1 No. 3 (1993) SUCCESS IS IN THE AIR The Soundtrack, Music and Marketing of Strictly Ba!lroom View
Meret Valtwies
 
Journal of Film Music Vol 4 No. 2 (2011) Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical View
Melissa Ursula Dawn Goldsmith
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 1 No. 2-3 (2005) Mythologicals and Modernity: Contesting Silent Cinema in South India View
Stephen Hughes
 
Journal of Film Music Vol 4 No. 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) View
Nathan Platte
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Moby-Dick:Encountering the Leviathan of God -- the Remake View
Larry J. Kreitzer
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics DVD Review: Benj Binks, Discovering the Roots of Hip Hop in the Heart of Asia View
James Cox
 
The Singing Voice in Contemporary Cinema View
Diane Hughes, Nessa Johnston, Katherine Meizel, Anne Power, Gianpaolo Chiriacò, Sarah Keith, Alex Mesker, Nina Menezes, James Deaville, Natalie Lewandowski, Penny Spirou, Philip Hayward, Mark Thorley, Liz Giuffre, Veronica Monro, Mark Evans, Agnes Malkinson
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle View
Maurizio Corbella
 
Journal of Film Music Vol 2 No. 2-4 (2009) High Noon: Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources View
Ildar Khannanov
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Radio versus Movie Underscoring View
Leith Stevens †
 
Implicit Religion Vol 11 No. 3 (2008) Implicit Sacraments in Atonement: The Movie View
Vaughn S. Roberts
 
Terror Tracks View
James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward
 
Journal of Film Music Vol 6 No. 1 (2013) “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas View
Tim Summers
 
Religions of South Asia Vol 7 No. 1-3 (2013) Vol. 7, No. 1/No. 2 (Double) 2013 The Biggest Star of All: The Elephant in Hindi Cinema View
Rachel Dwyer
 
Equinox eBooks Publishing The Northern Soul Scene Interviews with Tony Palmer, Elaine Constantine, and Liam Quinn View
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Popular Music History Vol 2 No. 1 (2007) April 2007 Popular music history on screen: the pop/rock biopic View
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Popular Music History Vol 5 No. 1 (2010) The deleted music and scenes from Journey to the Center of the Earth View
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Janet K. Halfyard, Mark Brill, Philip Hayward, J. Drew Stephen, Lee Barron, Liz Giuffre, Ben Winters, Alexander G. Binns, Scott Murphy, Victoria Hancock, Jamie L. Webster
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 1 No. 2-3 (2005) Devotional Transformation: Miracles, Mechanical Artifice, and Spectatorship in Indian Cinema View
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