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British Hip Hop View
Adam de Paor-Evans
 
Equinox eBooks Publishing British Hip Hop Introduction: Locating the Culture of Hip Hop View
Adam de Paor-Evans
 
Equinox eBooks Publishing British Hip Hop The Territories of Hip Hop: Appropriation, Occupation and Space View
Adam de Paor-Evans
 
Equinox eBooks Publishing British Hip Hop The Consumption of Hip Hop: Distinction, Commercialization and the Subaltern View
Adam de Paor-Evans
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics “It’s Bigger than Hip Hop” View
Adam Haupt, Quentin E. Williams, H. Samy Alim
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Introduction: What's This 'Religious' in Hip Hop Culture? View
Christopher M Driscoll
 
Perfect Beat Vol 2 No. 1 (1994) DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP View
IAN MAXWELL, NIKKI BAMBRICK
 
Implicit Religion Vol 17 No. 1 (2014) Bigger Than Religion: Hip Hop’s Post-Modern Prophetic Challenge View
Mark Deyoung
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Towards a Hip Hop Pedagogy of Discomfort View
Darren Chetty, Patrick Turner
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Multilingual Activism in South African Hip Hop View
Quentin E. Williams
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Youth and linguistic stylization in Naija Afro Hip Hop View
Idom T. Inyabri
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) In Search of Our Daughters’ Gardens: Hip Hop as Womanist Prose View
Tamura Lomax
 
Equinox eBooks Publishing British Hip Hop The Production of Hip Hop: Process, Empowerment and Cultural Repositioning View
Adam de Paor-Evans
 
Equinox eBooks Publishing British Hip Hop The Relocation of Hip Hop: Planet Rock, Buffalo Gals, and the Trans-Atlantic View
Adam de Paor-Evans
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Youth multilingualism in South Africa’s hip-hop culture: A metapragmatic analysis View
Quentin E. Williams
 
Equinox eBooks Publishing Sounds Northern 8. From Broken Glass to Ruf Diamonds: Manchester Hip Hop View
Adam de Paor-Evans
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History View
L. Benjamin Rolsky
 
Implicit Religion Vol 9 No. 1 (2006) Vol 9, No 1 (2006) The Fifth Corner: Hip Hop's New Geometry of Adolescent Religiousity View
Kimberly Rae Connor
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics DVD Review: Benj Binks, Discovering the Roots of Hip Hop in the Heart of Asia View
James Cox
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) “Hate Me Now”: An Instance of NAS as Hip-Hop’s Self-proclaimed Prophet and Messiah View
Siphiwe Ignatius Dube
 
Journal of World Popular Music Vol 2 No. 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Equinox eBooks Publishing British Hip Hop The Identity of Hip Hop: Image, Reality, and a State of Mind View
Adam de Paor-Evans
 
Gender and Language Vol 10 No. 1 (2016) Subjects and objects: linguistic performances of sexuality in the lyrics of black female hip-hop artists View
Maeve Eberhardt
 
Sociolinguistic Studies Vol 6 No. 2 (2012) Agency and power in multilingual discourse “I am not a qualified dialect rapper”: constructing hip-hop authenticity in China View
Xuan Wang
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Hip Hop Activism: Dynamic Tension between the Global and Local in Mozambique View
Manuel Armando Guissemo
 
Perfect Beat Vol 13 No. 1 (2012) Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music View
Anthony Kwame Harrison
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima View
Elonda Clay
 
Equinox eBooks Publishing Sounds Icelandic 10. Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics “Slavery’s Consequences Still Affect Us”: Sister Souljah’s No Disrespect, Black Women’s Literary Traditions and Contemporary Hip Hop Activism View
Sina A. Nitzsche
 
Journal of World Popular Music Vol 1 No. 1 (2014) Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). View
Murray Forman
 
Journal of World Popular Music Vol 2 No. 2 (2015) Felicia McCarren. 2013. French Moves: The Cultural Politics of le Hip Hop. Oxford and New York: Oxford University Press. 240pp. ISBN 978-0-19993-997-8 (pbk) View
Marc Kaiser
 
Perfect Beat Vol 8 No. 4 (2008) Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books View
APRIL K. HENDERSON
 
Perfect Beat Vol 8 No. 3 (2007) ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs View
KIRSTEN ZEMKE-WHITE
 
Gender and Language Vol 8 No. 3 (2014) Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film View
Qiuana Lopez
 
Perfect Beat Vol 3 No. 3 (1997) ON THE FLOW Dancefloor Grooves, Rapping 1Freestylee' and 1the Real Thing View
IAN MAXWELL
 
Equinox eBooks Publishing British Hip Hop Glossary of Terms View
Adam de Paor-Evans
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Don't Judge a Book by Its Cover! View
Monica Miller
 
Equinox eBooks Publishing British Hip Hop Conclusion: Critical Regionalism, De-regionalism and the Global View
Adam de Paor-Evans
 
Soul Unsung View
Kevin Le Gendre
 
Outside the Box, Inside the Studio View
Helen Reddington
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics South African Dialogue View
Warrick Moses
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music View
Kendra Salois
 
Comparative Islamic Studies Vol 4 No. 4.1 / 4.2 (2008) The Books of Michael Muhammad Knight View
Vernon James Schubel
 
Equinox eBooks Publishing This is Hip It's Hot, it's Red Lights, it's Exciting! View
Peter Jones
 
Equinox eBooks Publishing Local Acts, Global Success Identity Crisis: The Current Critical Situation View
Michael Murphy, Jim Rogers
 
Sounds Northern View
Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah
 
Popular Music History Vol 4 No. 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* View
Justin A. Williams
 
Journal of World Popular Music Vol 2 No. 2 (2015) Exposing the Politics of French Rap on Prime-Time Television: De L’encre by Hamé and Ekoué View
Olivier Bourderionnet
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa From slang to sleek: Changing language attitudes of urban youths in Tanzania View
Uta Reuster-Jahn
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Manele, symbolic geography and music cosmopolitanism in Romania View
Ruxandra Trandafoiu
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Popular Music History Vol 10 No. 3 (2015) Assembling Aarhus West: Glocal rap, genre and heterogeneity View
Mads Krogh
 
Dub in Babylon View
Christopher Partridge
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Editors' Introduction View
Simone Krüger Bridge, Nicholas Tochka, Raphaël Nowak
 
Equinox eBooks Publishing Sounds Northern Index View
Ewa Mazierska
 
Equinox eBooks Publishing Sounds Northern Is It Really Grim Up North?: Popular Music in the North of England View
Ewa Mazierska
 
Equinox eBooks Publishing Sounds Icelandic 7. Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition View
Arnar Eggert Thoroddsen
 
Perfect Beat Vol 15 No. 1 (2014) Metcalf, J., and W. Turner, eds. 2014. Rapper, Writer, Pop-Cultural Player: Ice-T and the Politics of Black Cultural Production. Burlington, VT: Ashgate. ISBN 9-781- 47241-835-7 (hbk). 339 pp. View
James Cox
 
Journal of World Popular Music Vol 1 No. 1 (2014) Jesse Weaver Shipley.2013. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music.Durham and London: Duke University Press. 344 pp. ISBN 978-0-8223-5366-9 (pbk) View
Greg Dimitriadis
 
Equinox eBooks Publishing Sounds Northern 7. Scrap Value: Sleaford Mods, Invisible Britain and the Edge of the North View
Brian Baker
 
Equinox eBooks Publishing Identifying Roots Identifying Kunta Kinte in American TV, Film, and Music View
Richard Newton
 
Implicit Religion Vol 10 No. 1 (2007) Review of Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music by Anthony B. Pinn View
François Gauthier
 
Perfect Beat Vol 8 No. 3 (2007) Editorial View
Henry Johnson
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Perfect Beat Vol 17 No. 1 (2016) Wang, Oliver. 2015. Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area. Durham, NC: Duke University Press. ISBN 978-0-8223-7548-7 (pbk). 218 pp View
Niel Scobie
 
Journal of World Popular Music Vol 2 No. 2 (2015) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 9 No. 2 (2014) Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). View
Simon Warner
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) Films, Frames and Videogames: Religious Insights into Media View
Anna Piskorowski-Adams
 
Journal of World Popular Music Vol 3 No. 1 (2016) “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene View
Rachael Gunn
 
Perfect Beat Vol 2 No. 3 (1995) NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene View
TONY MITCHELL
 
Perfect Beat Vol 13 No. 1 (2012) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 14 No. 1 (2013) Introduction View
Denis Crowdy, Mark Evans
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Derek Pardue, Cape Verde, Let’s Go: Creole Rappers and Citizenship in Portugal View
Colin Harte
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). View
Barbara Pemberton
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ View
Jared Mackley-Crump
 
Perfect Beat Vol 13 No. 2 (2012) Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. View
Ross Hagen
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) View
Rob Bowman
 
Perfect Beat Vol 18 No. 2 (2017) Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. View
Jared Mackley-Crump
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa The dynamics of youth language in Africa: An introduction View
Eyo Mensah
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
BRUCE JOHNSON
 
Popular Music History Vol 7 No. 3 (2012) Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). View
Chris Ealham
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music View
Marcus O'Dair
 
Sociolinguistic Studies Vol 9 No. 1 (2015) Underlining authenticity through the recreolization process in rap music: A case of an in-group answer to an identity threat View
Pedro Álvarez Mosquera
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Elijah Wald, 'Talking ‘bout your mama' View
Lee Watkins
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Perfect Beat Vol 3 No. 3 (1997) GOA TRANCE View
FRED COLE, MICHAEL HANNAN
 
Gender and Language Vol 8 No. 1 (2014) Recontextualising ‘Big Spender’: socialising the selling of female sexuality in a middle school drama programme View
Laurie Schick
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Jazz Research Journal Vol 9 No. 2 (2015) Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 View
Chris Ealham
 
Language and Sociocultural Theory Vol 1 No. 2 (2014) Jesus and the streets: A hermeneutical framework for understanding the intraracial gender academic achievement gap in black urban America and the United Kingdom View
Paul Camy Mocombe, Carol Tomlin, Victoria Showunmi
 
Sociolinguistic Studies Vol 8 No. 2 (2014) The mediation of ‘youth language’ in mainstream mass culture: evidence from a Greek family sitcom View
Theodora P. Saltidou, Anastasia G. Stamou
 
Perfect Beat Vol 3 No. 3 (1997) Editorial View
MARK EVANS
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
Implicit Religion Vol 17 No. 1 (2014) Editorial View
Edward Bailey
 
Implicit Religion Vol 17 No. 4 (2014) Science Fiction, Historical Fiction and Religion Fiction? View
Edward Bailey
 
Perfect Beat Vol 16 No. 1-2 (2015) Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. View
Sarah Elizabeth Raine
 
Perfect Beat Vol 1 No. 1 (1992) Editorial Introduction View
Philip Hayward
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Perfect Beat Vol 17 No. 2 (2016) Faulk, Barry J., and B. Harrison, eds. 2014. Punk Rock Warlord: The Life and Work of Joe Strummer. Farnham: Ashgate. ISBN 978-1-47241-055-9 (hbk), 978-1-47246-106-3 (pbk). 197 pp. View
André Rottgeri
 
Popular Music History Vol 10 No. 1 (2015) Hashtag 0161: Did Bugzy Malone put Manny on the map? View
Kamila Rymajdo
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 3 No. 2 (2016) Rosario Dello Iacovo. 2014. Curre Curre Guagliò: Storie dei 99 Posse. Milan: Baldini & Castoldi. 304pp. ISBN 978-88-6852-666-5 (pbk) View
Marcello Messina
 
Popular Music History Vol 8 No. 3 (2013) David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). View
Holly Holmes
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. View
Dean Biron
 
Perfect Beat Vol 11 No. 2 (2010) Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. View
Dan Bendrups
 
Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
ROY SHUKER
 
Perfect Beat Vol 2 No. 1 (1994) Pacific Dimensions - New Directions and Policies View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 1 No. 2 (2014) Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) View
Iris Yellum
 
Perfect Beat Vol 15 No. 2 (2014) An interview with Tiki Taane: Expressing cultural heritage and identity through music View
Oli Wilson
 
Bulletin for the Study of Religion Vol 44 No. 4 (2015) “Better get to know Practicum: Critical Theory, Religion, and Pedagogy” an interview with Craig Martin and Brad Stoddard of Practicum blog View
Ipsita Chatterjea
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) View
Lawrence Davies
 
Jazz Research Journal Vol 11 No. 1 (2017) The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture View
Tony Dudley-Evans
 
Perfect Beat Vol 3 No. 2 (1997) NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List View
TONY MITCHELL
 
Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
Terry Monaghan
 
Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Perfect Beat Vol 4 No. 1 (1998) MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones View
CORALIE JOYCE
 
Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Perfect Beat Vol 2 No. 4 (1996) AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand View
SARA VUI-TALITU
 
Sociolinguistic Studies Vol 6 No. 2 (2012) Agency and power in multilingual discourse English ‘on top’: discourse functions of English resources in the German mediascape View
Jannis Androutsopoulos
 
Writing & Pedagogy Vol 2 No. 1 (2010) Critical Literacy and Urban Youth: Pedagogies of Access, Dissent, and Liberation. Ernest Morrell (2008) New York & London: Routledge. pp. 256 ISBN 978–0-80585–664–4 (9780805856644) View
Elaine Richardson
 
Perfect Beat Vol 10 No. 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand View
Tony Mitchell
 
Comparative Islamic Studies Vol 7 No. 7.1-7.2 (2011) Vol 7, no 1-2 (2011) Emerging Islamic-Confucian Axis in the Virtual Ummah: Connectivity and Constraint in the Contemporary China View
Wai-Yip Ho
 
Sociolinguistic Studies Vol 3 No. 3 (2009) Language shift in West Africa The sociolinguistics of colonisation: a perspective of language shift View
Tope Omoniyi
 
Perfect Beat Vol 3 No. 4 (1998) MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance View
SEBASTIAN CHAN
 
Journal of World Popular Music Vol 1 No. 1 (2014) Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) View
Nabeel Zuberi
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) View
Nick Prior
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Popular Music History Vol 1 No. 1 (2004) Popular Music and Historiography View
Charles Hamm
 
Journal of Applied Linguistics Vol 2 No. 2 (2005) Discourses of difference: Applied methodologies for evaluating race and speech style View
Kate Anderson
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa The new urban youth language Yabacrâne in Goma (DR Congo) View
Nico Nassenstein
 
Journal of Applied Linguistics and Professional Practice Vol 2 No. 2 (2005) JAL Vol 2, No 2 (2005) Discourses of difference: Applied methodologies for evaluating race and speech style View
Kate Anderson
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Sociolinguistic Studies Vol 6 No. 1 (2005) Estudios de Sociolingüística 6.1 2005 Review of The Language, Ethnicity and Race ReaderEdited by Roxy Harris & Ben Rampton View
PETEK KURTBÖKE
 
Jazz Research Journal Vol 7 No. 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW View
Colter Harper
 
Perfect Beat Vol 16 No. 1-2 (2015) Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno View
Botond Vitos
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 1 (1994) Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Journal of World Popular Music Vol 1 No. 1 (2014) Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) View
Tony Mitchell
 
Journal of World Popular Music Vol 2 No. 1 (2015) Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) View
Imani Sanga
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) View
Donna Weston
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music View
Ewa Mazierska, Zsolt Győri
 
Implicit Religion Vol 17 No. 2 (2014) Music as an Aid to Philosophizing about Religion View
Peter Donovan
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation View
Jeremy Wallach, Alexandra Levine
 
Popular Music History Vol 7 No. 2 (2012) When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? View
Michaela Hilbert
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation View
Carl Clements
 
Perfect Beat Vol 15 No. 2 (2014) No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 View
Andrew Wright Hurley
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Popular Music History Vol 7 No. 2 (2012) Explorative, authentic and cohesive: factors contributing to successful boy band reunions View
Anja Löbert
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Perfect Beat Vol 3 No. 4 (1998) MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand View
TONY MITCHELL, ROY SHUKER
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Gender and Language Vol 10 No. 3 (2016) Gender and Multimodality Discourse in clothing: the social semiotics of modesty and chic in hijab fashion View
Gwen Bouvier
 
Popular Music History Vol 6 No. 3 (2011) Making a scene: The Bergen wave in popular music, 1990–2008 View
Stig Tenold
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Popular Music History Vol 9 No. 3 (2014) Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music View
Eve M Brank, Kathleen A Fox, Victoria Kaspar
 
Popular Music History Vol 3 No. 3 (2008) Traditional music and the World Music marketplace: A producer’s experience View
Joe Boyd,
 
Journal of World Popular Music Vol 2 No. 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl View
Arno van der Hoeven
 
Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Essays in the Philosophy of Humanism Vol 20 No. 1 (2012) VOL 20 (1) 2012 The Forked Road Ahead: The “Look” of Black Humanist Community in Action View
Sikivu Hutchinson
 
Essays in the Philosophy of Humanism Vol 20 No. 1 (2012) VOL 20 (1) 2012 Living: African Americans and Humanism View
Anthony B. Pinn
 
Journal of World Popular Music Vol 3 No. 2 (2016) Paul Sullivan. 2014. Remixology: Tracing the Dub Diaspora. London: Reaktion Books. 264pp. ISBN 978-1-780-23199-0 (pbk) View
Jeff Wragg
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Dworkin’s nightmare: Porngrind as the sound of feminist fears View
Lee Barron
 
Sociolinguistic Studies Vol 6 No. 3 (2012) Youth language in Nigeria: A case study of the Ágábá Boys View
Eyo Offiong Mensah
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Perfect Beat Vol 4 No. 4 (2000) TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown View
SIMON HUNT, JON STRATTON
 
Sociolinguistic Studies Vol 4 No. 1 (2010) ‘I am under cool’: Humorous mock-translation as a claim to expertise in an Irish language class View
Jennifer Garland
 
Implicit Religion Vol 19 No. 1 (2016) Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion View
Christine King, Francis Stewart
 
Popular Music History Vol 1 No. 3 (2004) Critical negotiations: rock criticism in the Nordic countries View
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
Sociolinguistic Studies Vol 6 No. 1 (2012) Super-diversity at the margins? Youth language in North Brabant, The Netherlands View
Paul Mutsaers, Jos Swanenberg
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Reconstructing the Jazz Tradition View
Charles Hersch
 
Perfect Beat Vol 13 No. 1 (2012) ‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations View
Katelyn Barney
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 1 No. 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts View
Duncan Wheeler, Lucy O'Brien
 
Gender and Language Vol 12 No. 2 (2018) Girls’ sexual subjectivity in a secondary language classroom View
Angelica Simonsson, Petra Angervall
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Dressing the Part: Ethics of Insider/Outsider Attire for the Ethnography of American-Jewish Niddah View
Isobel-Marie Johnston
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Constructing 'The Day After': Goodie Mob, Exaggerated Radical Contingency and the Metaphysics of White Supremacy View
Christopher Driscoll
 
Sociolinguistic Studies Vol 4 No. 1 (2010) Las prácticas y estilos de literacidad de los adolescentes fuera de la escuela: una exploración cuantitativa de las relaciones entre literacidad, escolarización y origen familiar View
David Poveda
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 16 No. 2 (2017) Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church View
Peter Marina, Michael Wilkinson
 
Journal of World Popular Music Vol 2 No. 1 (2015) Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire View
Tony Lewis
 
Jazz Research Journal Vol 6 No. 2 (2012) Way out East: cowboys and pioneer women on Berlin's jazz frontier View
William Kirk Bares
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Journal of Mediterranean Archaeology Vol 31 No. 1 (2018) At the Crossroads of Textile Cultures: Textile Production and Use at the South Italian Archaic Site of Ripacandida View
Margarita Gleba, Christian Heitz, Hedvig Landenius Enegren, Francesco Meo
 
Popular Music History Vol 4 No. 3 (2009) Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness View
Noel McLaughlin
 
Equinox eBooks Publishing The History of European Jazz 13. Poland View
Krystian Brodacki
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique View
François Gauthier
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Heavy metal as controversy and counterculture View
Titus Hjelm, Keith Kahn-Harris, Mark Levine
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Reflections on Ethiopian youths and Yarada K’wank’wa: Language practices and ideologies View
Andrea Hollington
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun View
Jan Harm Schutte
 
Perfect Beat Vol 14 No. 2 (2013) Popular music, cultural policy, and the Festival of Pacific Arts View
Dan Bendrups
 
Perfect Beat Vol 1 No. 4 (1994) TE WA WHAKAPAOHO ITE REO IRIRANGI: Some Directions in Maori Radio View
Helen Wilson
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Equinox eBooks Publishing The History of European Jazz 19. Switzerland View
Bruno Spoerri
 
Communication & Medicine Vol 5 No. 2 (2008) ‘Is it alright if I-um-we unbutton your pyjama top now?’ Pronominal use in bedside teaching encounters View
Charlotte Rees, Lynn Monrouxe
 
Perfect Beat Vol 15 No. 1 (2014) Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs View
Julie Rickwood
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
Journal of World Popular Music Vol 1 No. 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” View
Chris Tonelli
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 9 No. 1 (2013) Reading Alex Haley’s Roots: Toward An Anthropology Of Scriptures View
Richard Newton
 
Journal for the Academic Study of Religion Vol 23 No. 3 (2010) New Virtual Frontiers: Religion and Spirituality in Cyberspace A New Domain for Co-Workers of God: Accessing Khutbahs on the Internet View
Steven Fink
 
Popular Music History Vol 3 No. 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground View
Peter Webb
 
Popular Music History Vol 4 No. 2 (2009) Gigographies: where popular musicians play View
Dave Laing
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues View
Kevin Fellezs
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Popular Music History Vol 8 No. 3 (2013) How English became the language of pop in Denmark View
Henrik Smith-Sivertsen
 
Journal for the Study of Religion, Nature and Culture Vol 6 No. 2 (2012) When Nature is Rats and Roaches: Religious Eco-Justice Activism in Newark, NJ View
Matthew B. Immergut, Laurel D. Kearns
 
Sociolinguistic Studies Vol 1 No. 2 (2007) Risques et limites des politiques de reconnaissance des langues minorisées. Le cas de la valorisation des langues de l’immigration en Belgique francophone View
Philippe Hambye, Jean-Louis Siroux
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Identity construction through phonetic crossing among young Capetonian gang members View
Nadine Chariatte
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa All I want is your waist: Sexual metaphors as youth slanguage in Nigeria View
Eyo Mensah, Linda Nkamigbo
 
Jazz Research Journal Vol 6 No. 1 (2012) All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road View
Julian Levinson
 
Jazz Research Journal Vol 6 No. 2 (2012) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke View
Nicholas Gebhardt
 
Perfect Beat Vol 12 No. 2 (2011) Soundscapes in Vedic metal: a perspective from Singapore View
Eugene Dairianathan
 
Perfect Beat Vol 15 No. 1 (2014) Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air View
Jennifer Cattermole
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Perfect Beat Vol 3 No. 3 (1997) SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan View
SHANE HOMAN
 
Perfect Beat Vol 3 No. 3 (1997) INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet View
KARL NEUENFELDT
 
Journal of World Popular Music Vol 2 No. 1 (2015) When Digital is Physical and Ethnomusicologists are File Sharers View
Denis Crowdy
 
Journal of World Popular Music Vol 2 No. 2 (2015) Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival View
Lonán Ó Briain
 
International Journal for the Study of New Religions Vol 7 No. 2 (2016) The Weird Naturalism of the Brothers McKenna: Esoteric Media and the Experiment at La Chorrera View
Erik Davis
 
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