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Journal | Issue | Title | |
British Hip Hop | View | ||
Adam de Paor-Evans | |||
Equinox eBooks Publishing | British Hip Hop | Introduction: Locating the Culture of Hip Hop | View |
Adam de Paor-Evans | |||
Equinox eBooks Publishing | British Hip Hop | The Territories of Hip Hop: Appropriation, Occupation and Space | View |
Adam de Paor-Evans | |||
Equinox eBooks Publishing | British Hip Hop | The Consumption of Hip Hop: Distinction, Commercialization and the Subaltern | View |
Adam de Paor-Evans | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Introduction: What's This 'Religious' in Hip Hop Culture? | View |
Christopher M Driscoll | |||
Implicit Religion | Vol 17 No. 1 (2014) | Bigger Than Religion: Hip Hop’s Post-Modern Prophetic Challenge | View |
Mark Deyoung | |||
Perfect Beat | Vol 2 No. 1 (1994) | DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP | View |
IAN MAXWELL, NIKKI BAMBRICK | |||
Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Youth and linguistic stylization in Naija Afro Hip Hop | View |
Idom T. Inyabri | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | In Search of Our Daughters’ Gardens: Hip Hop as Womanist Prose | View |
Tamura Lomax | |||
Equinox eBooks Publishing | British Hip Hop | The Production of Hip Hop: Process, Empowerment and Cultural Repositioning | View |
Adam de Paor-Evans | |||
Equinox eBooks Publishing | British Hip Hop | The Relocation of Hip Hop: Planet Rock, Buffalo Gals, and the Trans-Atlantic | View |
Adam de Paor-Evans | |||
Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Youth multilingualism in South Africa’s hip-hop culture: A metapragmatic analysis | View |
Quentin E. Williams | |||
Equinox eBooks Publishing | Sounds Northern | 8. From Broken Glass to Ruf Diamonds: Manchester Hip Hop | View |
Adam de Paor-Evans | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History | View |
L. Benjamin Rolsky | |||
Implicit Religion | Vol 9 No. 1 (2006) Vol 9, No 1 (2006) | The Fifth Corner: Hip Hop's New Geometry of Adolescent Religiousity | View |
Kimberly Rae Connor | |||
Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | “Hate Me Now”: An Instance of NAS as Hip-Hop’s Self-proclaimed Prophet and Messiah | View |
Siphiwe Ignatius Dube | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) | View |
Tony Mitchell | |||
Equinox eBooks Publishing | British Hip Hop | The Identity of Hip Hop: Image, Reality, and a State of Mind | View |
Adam de Paor-Evans | |||
Gender and Language | Vol 10 No. 1 (2016) | Subjects and objects: linguistic performances of sexuality in the lyrics of black female hip-hop artists | View |
Maeve Eberhardt | |||
Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | “I am not a qualified dialect rapper”: constructing hip-hop authenticity in China | View |
Xuan Wang | |||
Perfect Beat | Vol 13 No. 1 (2012) | Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music | View |
Anthony Kwame Harrison | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima | View |
Elonda Clay | |||
Equinox eBooks Publishing | Sounds Icelandic | 10. Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) | View |
Tony Mitchell | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). | View |
Murray Forman | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Felicia McCarren. 2013. French Moves: The Cultural Politics of le Hip Hop. Oxford and New York: Oxford University Press. 240pp. ISBN 978-0-19993-997-8 (pbk) | View |
Marc Kaiser | |||
Perfect Beat | Vol 8 No. 4 (2008) | Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books | View |
APRIL K. HENDERSON | |||
Perfect Beat | Vol 8 No. 3 (2007) | ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs | View |
KIRSTEN ZEMKE-WHITE | |||
Gender and Language | Vol 8 No. 3 (2014) | Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film | View |
Qiuana Lopez | |||
Perfect Beat | Vol 3 No. 3 (1997) | ON THE FLOW Dancefloor Grooves, Rapping 1Freestylee' and 1the Real Thing | View |
IAN MAXWELL | |||
Equinox eBooks Publishing | British Hip Hop | Glossary of Terms | View |
Adam de Paor-Evans | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Don't Judge a Book by Its Cover! | View |
Monica Miller | |||
Equinox eBooks Publishing | British Hip Hop | Conclusion: Critical Regionalism, De-regionalism and the Global | View |
Adam de Paor-Evans | |||
Soul Unsung | View | ||
Kevin Le Gendre | |||
Outside the Box, Inside the Studio | View | ||
Helen Reddington | |||
Comparative Islamic Studies | Vol 4 No. 4.1 / 4.2 (2008) | The Books of Michael Muhammad Knight | View |
Vernon James Schubel | |||
Equinox eBooks Publishing | This is Hip | It's Hot, it's Red Lights, it's Exciting! | View |
Peter Jones | |||
Equinox eBooks Publishing | Local Acts, Global Success | Identity Crisis: The Current Critical Situation | View |
Michael Murphy, Jim Rogers | |||
Sounds Northern | View | ||
Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah | |||
Popular Music History | Vol 4 No. 2 (2009) | ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* | View |
Justin A. Williams | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Exposing the Politics of French Rap on Prime-Time Television: De L’encre by Hamé and Ekoué | View |
Olivier Bourderionnet | |||
Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | From slang to sleek: Changing language attitudes of urban youths in Tanzania | View |
Uta Reuster-Jahn | |||
Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Manele, symbolic geography and music cosmopolitanism in Romania | View |
Ruxandra Trandafoiu | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
Simone Varriale | |||
Popular Music History | Vol 10 No. 3 (2015) | Assembling Aarhus West: Glocal rap, genre and heterogeneity | View |
Mads Krogh | |||
Dub in Babylon | View | ||
Christopher Partridge | |||
Equinox eBooks Publishing | Sounds Northern | Index | View |
Ewa Mazierska | |||
Equinox eBooks Publishing | Sounds Northern | Is It Really Grim Up North?: Popular Music in the North of England | View |
Ewa Mazierska | |||
Equinox eBooks Publishing | Sounds Icelandic | 7. Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition | View |
Arnar Eggert Thoroddsen | |||
Perfect Beat | Vol 15 No. 1 (2014) | Metcalf, J., and W. Turner, eds. 2014. Rapper, Writer, Pop-Cultural Player: Ice-T and the Politics of Black Cultural Production. Burlington, VT: Ashgate. ISBN 9-781- 47241-835-7 (hbk). 339 pp. | View |
James Cox | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Jesse Weaver Shipley.2013. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music.Durham and London: Duke University Press. 344 pp. ISBN 978-0-8223-5366-9 (pbk) | View |
Greg Dimitriadis | |||
Equinox eBooks Publishing | Sounds Northern | 7. Scrap Value: Sleaford Mods, Invisible Britain and the Edge of the North | View |
Brian Baker | |||
Equinox eBooks Publishing | Identifying Roots | Identifying Kunta Kinte in American TV, Film, and Music | View |
Richard Newton | |||
Implicit Religion | Vol 10 No. 1 (2007) | Review of Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music by Anthony B. Pinn | View |
François Gauthier | |||
Perfect Beat | Vol 8 No. 3 (2007) | Editorial | View |
Henry Johnson | |||
Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
TONY MITCHELL | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
Kristin McGee | |||
Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
NABEEL ZUBERI | |||
Perfect Beat | Vol 17 No. 1 (2016) | Wang, Oliver. 2015. Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area. Durham, NC: Duke University Press. ISBN 978-0-8223-7548-7 (pbk). 218 pp | View |
Niel Scobie | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Editor's Introduction | View |
Simone Krüger, Sarah Baker | |||
Popular Music History | Vol 9 No. 2 (2014) | Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). | View |
Simon Warner | |||
Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | Films, Frames and Videogames: Religious Insights into Media | View |
Anna Piskorowski-Adams | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene | View |
Rachael Gunn | |||
Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
TONY MITCHELL | |||
Perfect Beat | Vol 13 No. 1 (2012) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Perfect Beat | Vol 14 No. 1 (2013) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
Barbara Pemberton | |||
Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
Philip Hayward, Rachael Privett | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ | View |
Jared Mackley-Crump | |||
Perfect Beat | Vol 13 No. 2 (2012) | Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. | View |
Ross Hagen | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) | View |
Rob Bowman | |||
Perfect Beat | Vol 18 No. 2 (2017) | Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. | View |
Jared Mackley-Crump | |||
Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
PETER DUNBAR HALL | |||
Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
IAN MAXWELL | |||
Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
TOM BURVILL | |||
Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
MICHAEL FLINT | |||
Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | The dynamics of youth language in Africa: An introduction | View |
Eyo Mensah | |||
Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
Don Conway-Long | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp | View |
Åse Ottosson | |||
Perfect Beat | Vol 8 No. 4 (2008) | Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press | View |
BRUCE JOHNSON | |||
Popular Music History | Vol 7 No. 3 (2012) | Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). | View |
Chris Ealham | |||
Sociolinguistic Studies | Vol 9 No. 1 (2015) | Underlining authenticity through the recreolization process in rap music: A case of an in-group answer to an identity threat | View |
Pedro Álvarez Mosquera | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Pop-Rock as Musical Cosmopolitanism | View |
Motti Regev | |||
Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
Oli Wilson | |||
Perfect Beat | Vol 3 No. 3 (1997) | GOA TRANCE | View |
FRED COLE, MICHAEL HANNAN | |||
Gender and Language | Vol 8 No. 1 (2014) | Recontextualising ‘Big Spender’: socialising the selling of female sexuality in a middle school drama programme | View |
Laurie Schick | |||
Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
Brett Lashua, Sara Cohen, John Schofield | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 | View |
Chris Ealham | |||
Language and Sociocultural Theory | Vol 1 No. 2 (2014) | Jesus and the streets: A hermeneutical framework for understanding the intraracial gender academic achievement gap in black urban America and the United Kingdom | View |
Paul Camy Mocombe, Carol Tomlin, Victoria Showunmi | |||
Perfect Beat | Vol 3 No. 3 (1997) | Editorial | View |
MARK EVANS | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
Tom Sykes | |||
Sociolinguistic Studies | Vol 8 No. 2 (2014) | The mediation of ‘youth language’ in mainstream mass culture: evidence from a Greek family sitcom | View |
Theodora P. Saltidou, Anastasia G. Stamou | |||
Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
TERENCE LANCASHIRE | |||
Implicit Religion | Vol 17 No. 1 (2014) | Editorial | View |
Edward Bailey | |||
Implicit Religion | Vol 17 No. 4 (2014) | Science Fiction, Historical Fiction and Religion Fiction? | View |
Edward Bailey | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. | View |
Sarah Elizabeth Raine | |||
Perfect Beat | Vol 1 No. 1 (1992) | Editorial Introduction | View |
Philip Hayward | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
Yona Stamatis | |||
Perfect Beat | Vol 17 No. 2 (2016) | Faulk, Barry J., and B. Harrison, eds. 2014. Punk Rock Warlord: The Life and Work of Joe Strummer. Farnham: Ashgate. ISBN 978-1-47241-055-9 (hbk), 978-1-47246-106-3 (pbk). 197 pp. | View |
André Rottgeri | |||
Popular Music History | Vol 10 No. 1 (2015) | Hashtag 0161: Did Bugzy Malone put Manny on the map? | View |
Kamila Rymajdo | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Editors’ Introduction to Inaugural Issue | View |
Simone Krüger, Sarah Baker | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Rosario Dello Iacovo. 2014. Curre Curre Guagliò: Storie dei 99 Posse. Milan: Baldini & Castoldi. 304pp. ISBN 978-88-6852-666-5 (pbk) | View |
Marcello Messina | |||
Popular Music History | Vol 8 No. 3 (2013) | David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). | View |
Holly Holmes | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. | View |
Dean Biron | |||
Perfect Beat | Vol 11 No. 2 (2010) | Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. | View |
Dan Bendrups | |||
Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
ROY SHUKER | |||
Perfect Beat | Vol 2 No. 1 (1994) | Pacific Dimensions - New Directions and Policies | View |
PHILIP HAYWARD | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) | View |
Iris Yellum | |||
Perfect Beat | Vol 15 No. 2 (2014) | An interview with Tiki Taane: Expressing cultural heritage and identity through music | View |
Oli Wilson | |||
Bulletin for the Study of Religion | Vol 44 No. 4 (2015) | “Better get to know Practicum: Critical Theory, Religion, and Pedagogy” an interview with Craig Martin and Brad Stoddard of Practicum blog | View |
Ipsita Chatterjea | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) | View |
Lawrence Davies | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture | View |
Tony Dudley-Evans | |||
Perfect Beat | Vol 3 No. 2 (1997) | NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List | View |
TONY MITCHELL | |||
Popular Music History | Vol 3 No. 2 (2008) | Rock around the clock: The record, the film, and the last historic dance revolt | View |
Terry Monaghan | |||
Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
WILL STRAW | |||
Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
CORALIE JOYCE | |||
Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
FRED COLE, MICHAEL HANNAN | |||
Perfect Beat | Vol 2 No. 4 (1996) | AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand | View |
SARA VUI-TALITU | |||
Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | English ‘on top’: discourse functions of English resources in the German mediascape | View |
Jannis Androutsopoulos | |||
Writing & Pedagogy | Vol 2 No. 1 (2010) | Critical Literacy and Urban Youth: Pedagogies of Access, Dissent, and Liberation. Ernest Morrell (2008) New York & London: Routledge. pp. 256 ISBN 978–0-80585–664–4 (9780805856644) | View |
Elaine Richardson | |||
Perfect Beat | Vol 10 No. 2 (2009) | Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand | View |
Tony Mitchell | |||
Comparative Islamic Studies | Vol 7 No. 7.1-7.2 (2011) Vol 7, no 1-2 (2011) | Emerging Islamic-Confucian Axis in the Virtual Ummah: Connectivity and Constraint in the Contemporary China | View |
Wai-Yip Ho | |||
Sociolinguistic Studies | Vol 3 No. 3 (2009) Language shift in West Africa | The sociolinguistics of colonisation: a perspective of language shift | View |
Tope Omoniyi | |||
Perfect Beat | Vol 3 No. 4 (1998) | MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance | View |
SEBASTIAN CHAN | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) | View |
Nabeel Zuberi | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
Nick Prior | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
MASAHIRO YASUDA | |||
Popular Music History | Vol 3 No. 3 (2008) | Globalization and commercialization of Caribbean music | View |
Mike Alleyne | |||
Popular Music History | Vol 1 No. 1 (2004) | Popular Music and Historiography | View |
Charles Hamm | |||
Journal of Applied Linguistics | Vol 2 No. 2 (2005) | Discourses of difference: Applied methodologies for evaluating race and speech style | View |
Kate Anderson | |||
Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | The new urban youth language Yabacrâne in Goma (DR Congo) | View |
Nico Nassenstein | |||
Journal of Applied Linguistics and Professional Practice | Vol 2 No. 2 (2005) JAL Vol 2, No 2 (2005) | Discourses of difference: Applied methodologies for evaluating race and speech style | View |
Kate Anderson | |||
Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
John Gunders | |||
Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
Joel Isabirye | |||
Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
Chris McDonald | |||
Sociolinguistic Studies | Vol 6 No. 1 (2005) Estudios de Sociolingüística 6.1 2005 | Review of The Language, Ethnicity and Race ReaderEdited by Roxy Harris & Ben Rampton | View |
PETEK KURTBÖKE | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW | View |
Colter Harper | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno | View |
Botond Vitos | |||
Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
JULIA KNIGHT | |||
Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 1 (1994) | Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia | View |
TONY MITCHELL | |||
Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 2 No. 1 (1994) | Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. | View |
COLIN MCLEAY | |||
Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
KEITH NEGUS | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) | View |
Tony Mitchell | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) | View |
Imani Sanga | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) | View |
Donna Weston | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Editors’ Introduction | View |
Simone Krüger Bridge, Sarah Baker | |||
Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
Ewa Mazierska, Zsolt Győri | |||
Implicit Religion | Vol 17 No. 2 (2014) | Music as an Aid to Philosophizing about Religion | View |
Peter Donovan | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | No room for squares: A political economy of Blue Note records | View |
Christopher May | |||
Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
Greg Keeffe | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'I want you to support local metal': A theory of metal scene formation | View |
Jeremy Wallach, Alexandra Levine | |||
Popular Music History | Vol 7 No. 2 (2012) | When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? | View |
Michaela Hilbert | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
Carl Clements | |||
Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
Andrew Wright Hurley | |||
Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
Paul Carr | |||
Popular Music History | Vol 7 No. 2 (2012) | Explorative, authentic and cohesive: factors contributing to successful boy band reunions | View |
Anja Löbert | |||
Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
Barry Hill, Jon Fitzgerald | |||
Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
Anthony Y.H. Fung | |||
Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
TONY MITCHELL, ROY SHUKER | |||
Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
ANDREW MURPHIE | |||
Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Discourse in clothing: the social semiotics of modesty and chic in hijab fashion | View |
Gwen Bouvier | |||
Popular Music History | Vol 6 No. 3 (2011) | Making a scene: The Bergen wave in popular music, 1990–2008 | View |
Stig Tenold | |||
Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
Michael Flint | |||
Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
Tony Mitchell | |||
Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
Marcus Breen | |||
Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
Roderick Nielsen | |||
Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
Michael Flint | |||
Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
Carolyn Craig | |||
Popular Music History | Vol 9 No. 3 (2014) | Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music | View |
Eve M Brank, Kathleen A Fox, Victoria Kaspar | |||
Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
Joe Boyd, | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl | View |
Arno van der Hoeven | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
Catherine Strong | |||
Essays in the Philosophy of Humanism | Vol 20 No. 1 (2012) VOL 20 (1) 2012 | The Forked Road Ahead: The “Look” of Black Humanist Community in Action | View |
Sikivu Hutchinson | |||
Essays in the Philosophy of Humanism | Vol 20 No. 1 (2012) VOL 20 (1) 2012 | Living: African Americans and Humanism | View |
Anthony B. Pinn | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Paul Sullivan. 2014. Remixology: Tracing the Dub Diaspora. London: Reaktion Books. 264pp. ISBN 978-1-780-23199-0 (pbk) | View |
Jeff Wragg | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Dworkin’s nightmare: Porngrind as the sound of feminist fears | View |
Lee Barron | |||
Sociolinguistic Studies | Vol 6 No. 3 (2012) | Youth language in Nigeria: A case study of the Ágábá Boys | View |
Eyo Offiong Mensah | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
Timothy Koozin | |||
Perfect Beat | Vol 4 No. 4 (2000) | TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown | View |
SIMON HUNT, JON STRATTON | |||
Sociolinguistic Studies | Vol 4 No. 1 (2010) | ‘I am under cool’: Humorous mock-translation as a claim to expertise in an Irish language class | View |
Jennifer Garland | |||
Implicit Religion | Vol 19 No. 1 (2016) | Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion | View |
Christine King, Francis Stewart | |||
Popular Music History | Vol 1 No. 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | View |
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | |||
Sociolinguistic Studies | Vol 6 No. 1 (2012) | Super-diversity at the margins? Youth language in North Brabant, The Netherlands | View |
Paul Mutsaers, Jos Swanenberg | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Reconstructing the Jazz Tradition | View |
Charles Hersch | |||
Perfect Beat | Vol 13 No. 1 (2012) | ‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations | View |
Katelyn Barney | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
Oli Wilson | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts | View |
Duncan Wheeler, Lucy O'Brien | |||
Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Dressing the Part: Ethics of Insider/Outsider Attire for the Ethnography of American-Jewish Niddah | View |
Isobel-Marie Johnston | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Constructing 'The Day After': Goodie Mob, Exaggerated Radical Contingency and the Metaphysics of White Supremacy | View |
Christopher Driscoll | |||
Sociolinguistic Studies | Vol 4 No. 1 (2010) | Las prácticas y estilos de literacidad de los adolescentes fuera de la escuela: una exploración cuantitativa de las relaciones entre literacidad, escolarización y origen familiar | View |
David Poveda | |||
Perfect Beat | Vol 2 No. 3 (1995) | ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop | View |
ROSS HARLEY | |||
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements | Vol 16 No. 2 (2017) | Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church | View |
Peter Marina, Michael Wilkinson | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire | View |
Tony Lewis | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Way out East: cowboys and pioneer women on Berlin's jazz frontier | View |
William Kirk Bares | |||
Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
Tony Mitchell | |||
Popular Music History | Vol 4 No. 3 (2009) | Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness | View |
Noel McLaughlin | |||
Implicit Religion | Vol 8 No. 3 (2005) Vol 8, No 3 (2005) | Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique | View |
François Gauthier | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Reflections on Ethiopian youths and Yarada K’wank’wa: Language practices and ideologies | View |
Andrea Hollington | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun | View |
Jan Harm Schutte | |||
Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
Dan Bendrups | |||
Perfect Beat | Vol 1 No. 4 (1994) | TE WA WHAKAPAOHO ITE REO IRIRANGI: Some Directions in Maori Radio | View |
Helen Wilson | |||
Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
DAN BENDRUPS, HENRY JOHNSON | |||
Communication & Medicine | Vol 5 No. 2 (2008) | ‘Is it alright if I-um-we unbutton your pyjama top now?’ Pronominal use in bedside teaching encounters | View |
Charlotte Rees, Lynn Monrouxe | |||
Perfect Beat | Vol 15 No. 1 (2014) | Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs | View |
Julie Rickwood | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene | View |
Myrtille Picaud | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” | View |
Chris Tonelli | |||
Journal for the Academic Study of Religion | Vol 23 No. 3 (2010) New Virtual Frontiers: Religion and Spirituality in Cyberspace | A New Domain for Co-Workers of God: Accessing Khutbahs on the Internet | View |
Steven Fink | |||
Linguistics and the Human Sciences | Vol 11 No. 1 (2015) | Language Teacher Education and the Developing World: Exploring ‘Horizons of Possibility’ for Identity and Agency | View |
Brian Morgan | |||
Popular Music History | Vol 3 No. 2 (2008) | ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground | View |
Peter Webb | |||
Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
Dave Laing | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
Kevin Fellezs | |||
Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
Lee Yoong Hon | |||
Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
Henrik Smith-Sivertsen | |||
Journal for the Study of Religion, Nature and Culture | Vol 6 No. 2 (2012) | When Nature is Rats and Roaches: Religious Eco-Justice Activism in Newark, NJ | View |
Matthew B. Immergut, Laurel D. Kearns | |||
Sociolinguistic Studies | Vol 1 No. 2 (2007) | Risques et limites des politiques de reconnaissance des langues minorisées. Le cas de la valorisation des langues de l’immigration en Belgique francophone | View |
Philippe Hambye, Jean-Louis Siroux | |||
Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Identity construction through phonetic crossing among young Capetonian gang members | View |
Nadine Chariatte | |||
Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | All I want is your waist: Sexual metaphors as youth slanguage in Nigeria | View |
Eyo Mensah, Linda Nkamigbo | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road | View |
Julian Levinson | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke | View |
Nicholas Gebhardt | |||
Perfect Beat | Vol 12 No. 2 (2011) | Soundscapes in Vedic metal: a perspective from Singapore | View |
Eugene Dairianathan | |||
Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
Jennifer Cattermole | |||
Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
Catherine Strong | |||
Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
Tony Mitchell | |||
Perfect Beat | Vol 3 No. 3 (1997) | SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan | View |
SHANE HOMAN | |||
Perfect Beat | Vol 3 No. 3 (1997) | INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet | View |
KARL NEUENFELDT | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | When Digital is Physical and Ethnomusicologists are File Sharers | View |
Denis Crowdy | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival | View |
Lonán Ó Briain | |||
International Journal for the Study of New Religions | Vol 7 No. 2 (2016) | The Weird Naturalism of the Brothers McKenna: Esoteric Media and the Experiment at La Chorrera | View |
Erik Davis | |||
Perfect Beat | Vol 18 No. 1 (2017) | Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream | View |
Henry Johnson | |||
Gender and Language | Vol 11 No. 2 (2017) | ‘You are stupid, you are cupid’: playful polyphony as a resource for affectionate expression in the talk of a young London couple | View |
Pia Pichler | |||
CALICO Journal | Vol 22 No. 3 (2005) | Students' Dynamic Assessment Via Online Chat | View |
Ana Oskoz | |||
Gender and Language | Vol 11 No. 4 (2017) Special issue: Globalisation, modernity and enregisterment in contemporary East Asia | The Gendered Construction of ‘Inauthentic’ Female Bilinguals in South Korea: Authenticity, English and Gender | View |
Lee Jin Choi | |||
Communication & Medicine | Vol 14 No. 2 (2017) | ‘What should a woman do and imagine to have bulimia?’: Co-constructing patient expertise in psychotherapy with bulimia patients | View |
Joanna Pawelczyk, Małgorzata Talarczyk | |||
Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene | View |
Zsolt Győri | |||
Journal of Mediterranean Archaeology | Vol 27 No. 2 (2014) | Early Palaeolithic on the Greek Islands? | View |
Curtis Runnels | |||
Popular Music History | Vol 5 No. 2 (2010) | Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 | View |
Jon Stratton | |||
Gender and Language | Vol 5 No. 2 (2011) | Incomprehensible language? Language, ethnicity and heterosexual masculinity in a Swedish school | View |
Tommaso M. Milani, Rickard Jonsson | |||
Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
Hans Weisethaunet | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | The record and its label: Identifying, marketing, dividing, collecting | View |
Richard Osborne | |||
Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | Normativity and change: introduction to the Special issue on Agency and power in multilingual discourse | View |
Ad Backus, Massimiliano Spotti | |||
Journal for the Academic Study of Religion | Vol 21 No. 1 (2008) Religion as Identity Factor in Modernity | Muslim Discourses in Canada and Quebec | View |
Ali G Disboni, Pierre Rossi | |||
Gender and Language | Vol 2 No. 2 (2008) | La racaille: figuring gender, generation, and stigmatized space in a French cité | View |
Chantal Tetreault | |||
Gender and Language | Vol 7 No. 2 (2013) | ‘Women of the Diaspora’: A Feminist Critical Discourse Analysis of migration narratives of dual career Zimbabwean migrants | View |
Busi Makoni | |||
Implicit Religion | Vol 19 No. 1 (2016) | The Sacramental Thought-World of Implicit Religion | View |
William J. F. Keenan | |||
Journal of Mediterranean Archaeology | Vol 25 No. 2 (2012) JMA’s Silver Anniversary (1988–2012) | Globalizing Mediterranean Identities: The Overlapping Spheres of Egyptian, Greek and Roman Worlds at Trimithis | View |
Anna Lucille Boozer | |||
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