Latest Issue: Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s RSS2 logo

Journal of Film Music

 


The Journal of Film Music is a forum for the musicological study of film from the standpoint of dramatic musical art. The analytical tools and methodologies of historical, systematic, cognitive, and ethnomusicology all are relevant and essential to this study, which seeks to both document and illuminate film practice through source studies, analysis, theory, and criticism.

Film, though a product of late 19th century technological innovation, viewed historically as a dramatic art form, only emerged as such after the turn of the 20th century, with a musical practice that underwent almost continual development and changes throughout that time to the present day: The advent of sound in theatrical motion pictures precipitated an adaptation in silent film accompaniment, such that techniques were developed to combine it with onscreen music performance, dialog, and sound effects, while also placing increased value on original composition over the use or adaptation of existing music. The tradition and techniques of this practice carried over into radio, television, computer, and other communications media. In a historical framework, This journal examines film and its allied media not only in terms of its own shared tradition, but in terms of its roots, precursors, and parallels throughout music of the theatre and other fields of music, both “classical” and popular, from which it has borrowed: incidental music for plays, 19th century stage melodrama, Vaudeville, opera and operetta, musical comedy, melodeclamation, ballet, dance and music hall, as well as forms of dramatic concert music such as oratorios, cantatas, and tone poems. The juxtaposition and clash of musical idioms from the traditions of Western theatre and art music with those of popular music partly accounts for the eclecticism that has always characterized film since the silent days. Hybrid styles were born, for example, that which came to be widely known as the “Hollywood style,” in which jazz was combined with European art music (“classical” music). The wide ranging and multifarious background that has contributed to the development of music for Western cinema also influenced non-Western cinema as well, particularly because of the prevalent use of European- and American-published “photoplay music” throughout the world during the silent era which, in effect, produced a veritable international film practice, if one with regional variations, that persisted into the sound era. Systematic, cognitive, and ethnomusicological research endeavors to document and analyze these cultural differences as well as commonalities across cultures and time periods are all welcome topics for this journal.

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Published twice a year: April and September
ISSN: 1087-7142 (print)
ISSN: 1758-860X (online)

Editorial Address: Send all queries to William H. Rosar
Department of Psychology
University of California, San Diego
Mandler Hall - Room 2541
University of California, San Diego
La Jolla, CA 92093-0109

Send reviews to:
Michael W. Harris
Reviews Editor
University Libraries
126 Ned McWherter Library
Memphis, TN 38152
USA

 

 


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Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s

Open Access Open Access  Restricted Access Subscription Access
Guest Editors: Alessandro Cecchi and Maurizio Corbella

Table of Contents

Editorial

Guest Editorial PDF
Alessandro Cecchi , Maurizio Corbella 5-12

Articles

Source and Myth: Opera in Italian Cinema of the 1960s PDF
Matteo Giuggioli 13-31
Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle PDF
Maurizio Corbella 32-50
Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s PDF
Alessandro Bratus 51-65
Italian Cinema’s Sound Archives: Foley Practices and Post-production Techniques, 1960–70 PDF
Ilario Meandri 66-88
The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s PDF
Alessandro Cecchi 89-108
Listening to Another Italy: Egisto Macchi’s New Music for Italian Documentaries of the 1960s PDF
Marco Cosci 109-125



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