Bernard Herrmann as Musical Colorist
A Musicodramatic Analysis of His Score for The Day the Earth Stood Still
DOI:
https://doi.org/10.1558/jfm.v1i2/3.185Keywords:
Bernard Herrmann, The Day the Earth Stood StillAbstract
ss
References
Bradley, Scott. 1947. Personality on the sound track. Music Educators Journal 33, no. 3, 28-30.
Brown, Royal S. 1994. Overtones and undertones: Reading film music. Berkeley: University of California Press.
The Day the Earth Stood Still. 1995. Limited edition laserdisc. Beverly Hills, CA: Fox Video, Inc.
Fiegel, E. Todd. 1985. Selected examples of the unique orchestration techniques in the film scores of Bernard Herrmann. DMA paper. University of Colorado, Boulder.
Gorbman, Claudia. 1987. Unheard melodies: Narrative film music. Bloomington: Indiana University Press.
Hagen, Earle. 1971. Scoring for films: A complete text. New York: E.P.J. Music.
Herrmann, Bernard. 1951. The day the earth stood still. Holograph score. PA Mss 3, Series III, Box 54. Bernard Herrmann papers, Department of Special Collections, Donald C. Davidson Library at the University of California, Santa Barbara.
———. 1971-72. The colour of music: An interview with Bernard Herrmann. Sight and Sound, (winter),
———. 1974. Album liner notes to The fantasy world of Bernard Herrmann, London Phase 4 SP 44207, London Records.
———. 1974. Bernard Herrmann, A John Player lecture. Pro Musica Sana 3, no. 2 (summer), 18-27.
Kalinak, Kathryn. 1992. Settling the score: Music and classical Hollywood film. Madison: University of Wisconsin Press.
Karlin, Fred. 1994. Listening to movies. New York: Schirmer.
Larson, Randall. 1985. Musique fantastique: A survey of film music in the fantastic cinema. Metuchen, NJ: Scarecrow Press.
Leiter, Robert D. 1953. The musicians and Petrillo. New York: Bookman Associates.
Murray, Lyn. 1987. Musician: A Hollywood journal. Secaucus, NJ: Lyle Stuart, Inc.
Nelson, Robert U. 1946. Film music: Color or line? Hollywood Quarterly II, no. 1 (October), 57-65.
———. 1947. The craft of the film score. The Pacific Spectator I, no. 4 (autumn), 435-46.
O’Brien, Richard. 1939. A cradle of drama. New York Times (July 30, 1939). Quoted in Graham Bruce, Bernard Herrmann: Film music and narrative (Ann Arbor, MI: UMI Research Press), 22.
Smith, Steven C. 1991. A heart at fire’s center: The life and music of Bernard Herrmann. Berkeley: University of California Press.
Wierzbicki, James. 2002. Weird vibrations: How the theremin gave musical voice to Hollywood’s extraterrestrial ‘Others.’ Journal of Popular Film and Television 30, no. 3 (fall), 125-35.
Brown, Royal S. 1994. Overtones and undertones: Reading film music. Berkeley: University of California Press.
The Day the Earth Stood Still. 1995. Limited edition laserdisc. Beverly Hills, CA: Fox Video, Inc.
Fiegel, E. Todd. 1985. Selected examples of the unique orchestration techniques in the film scores of Bernard Herrmann. DMA paper. University of Colorado, Boulder.
Gorbman, Claudia. 1987. Unheard melodies: Narrative film music. Bloomington: Indiana University Press.
Hagen, Earle. 1971. Scoring for films: A complete text. New York: E.P.J. Music.
Herrmann, Bernard. 1951. The day the earth stood still. Holograph score. PA Mss 3, Series III, Box 54. Bernard Herrmann papers, Department of Special Collections, Donald C. Davidson Library at the University of California, Santa Barbara.
———. 1971-72. The colour of music: An interview with Bernard Herrmann. Sight and Sound, (winter),
———. 1974. Album liner notes to The fantasy world of Bernard Herrmann, London Phase 4 SP 44207, London Records.
———. 1974. Bernard Herrmann, A John Player lecture. Pro Musica Sana 3, no. 2 (summer), 18-27.
Kalinak, Kathryn. 1992. Settling the score: Music and classical Hollywood film. Madison: University of Wisconsin Press.
Karlin, Fred. 1994. Listening to movies. New York: Schirmer.
Larson, Randall. 1985. Musique fantastique: A survey of film music in the fantastic cinema. Metuchen, NJ: Scarecrow Press.
Leiter, Robert D. 1953. The musicians and Petrillo. New York: Bookman Associates.
Murray, Lyn. 1987. Musician: A Hollywood journal. Secaucus, NJ: Lyle Stuart, Inc.
Nelson, Robert U. 1946. Film music: Color or line? Hollywood Quarterly II, no. 1 (October), 57-65.
———. 1947. The craft of the film score. The Pacific Spectator I, no. 4 (autumn), 435-46.
O’Brien, Richard. 1939. A cradle of drama. New York Times (July 30, 1939). Quoted in Graham Bruce, Bernard Herrmann: Film music and narrative (Ann Arbor, MI: UMI Research Press), 22.
Smith, Steven C. 1991. A heart at fire’s center: The life and music of Bernard Herrmann. Berkeley: University of California Press.
Wierzbicki, James. 2002. Weird vibrations: How the theremin gave musical voice to Hollywood’s extraterrestrial ‘Others.’ Journal of Popular Film and Television 30, no. 3 (fall), 125-35.
Published
2010-12-02
Issue
Section
Articles
How to Cite
Flegel, E. T. (2010). Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still. Journal of Film Music, 1(2/3), 185-215. https://doi.org/10.1558/jfm.v1i2/3.185
