Grand Illusion
The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much
DOI:
https://doi.org/10.1558/jfm.v1i2/3.217Keywords:
The Man Who Knew Too Much, Music in Hitchcock films, Bernard HerrmannAbstract
cc
References
Barnett, Rob. n.d. Arthur Benjamin: Australian symphonist. On MusicWeb, available from http://www.musicweb.force9.co.uk/music/classrev/2000/dec00/ArthurBenjamin.htm.
Brown, Royal S. 1982. Herrmann, Hitchcock, and the music of the irrational. Cinema Journal 21, no. 2: 14-49.
______. 1994. Overtones and undertones: Reading film music. Berkeley: University of California Press.
Bruce, Graham. 1985. Bernard Herrmann: Film music and narrative. Ann Arbor, Michigan: UMI Research Press.
Conrad, Peter. 2000. The Hitchcock murders. London: Faber and Faber.
DeRosa, Steven. 2001. Writing with Hitchcock: The collaboration of Alfred Hitchcock and John Michael Hayes. New York: Faber and Faber.
Gilling, Ted. 1971-72. The colour of music: An interview with Bernard Herrmann. Sight and Sound no. 41 (winter): 36-39.
Harris, Robert A., and Michael S. Lasky. 1976. The films of Alfred Hitchcock. Secaucus, NJ: Citadel Press.
Humphries, Patrick. 1986. The films of Alfred Hitchcock. Greenwich, CT: Portland House.
Neumeyer, David, and James Buhler. 2001. Analytical and interpretive approaches to film music (I): Analyzing the music. In Film music: Critical approaches. ed. K.J. Donnelly. Edinburgh: Edinburgh University Press.
Pomerance, Murray. 2000. Finding release: “Storm Clouds” and The Man Who Knew Too Much. In Music and cinema, ed. James Buhler, Caryl Flinn, and David Neumeyer. Hanover, NH: Wesleyan University Press.
Robbins, Jhan. 1985. Everybody’s man: The biography of Jimmy Stewart. New York: G.P. Putnam’s Sons.
Rothstein, Edward. 1995. Emblems of mind: The inner life of music and mathematics. New York: Avon Books.
Schoenberg, Arnold. 1969. Structural functions of harmony, rev. ed. New York: W.W. Norton.
Sloan, Jane. E. 1993. Alfred Hitchcock: The definitive filmography. Berkeley and Los Angeles: University of California Press.
Smith, Susan. 2000. Hitchcock: Suspense, humour and tone. London: British Film Institute.
Smith, Steven C. 1991. A heart at fire’s center: The life and music of Bernard Herrmann. Berkeley: University of California Press.
Spoto, Donald. 1983. The dark side of genius: The life of Alfred Hitchcock. Boston: Little, Brown and Company.
______. 1992. The art of Alfred Hitchcock: Fifty years of his motion pictures, 2d ed. New York: Doubleday.
Steiner, Fred. 1974-75. Herrmann’s “Black and White” music for Hitchcock’s Psycho. In Filmmusic Notebook 1, no. 1 (Fall): 28-36; and no. 2 (Winter): 26-46.
Taylor, John Russel. 1978. Hitch: The life and times of Alfred Hitchcock. New York: Pantheon Books.
Tovey, Donald Francis. 1937. Essays in musical analysis: Vocal music. London: Oxford University Press.
_______. 1949. Musical form and matter (the Philip Maurice Deneke Lecture, Oxford University, 4 June 1934). In The main stream of music and other essays. London: Oxford University Press.
Truffaut, François. 1984. Hitchcock, trans. F. Truffaut. New York: Simon & Schuster.
Weis, Elisabeth. 1982. The silent scream: Alfred Hitchcock’s sound track. Rutherford, NJ: Associated University Presses.
Yacowar, Maurice. 1977. Hitchcock’s British films. Hamden, CT: Archon Books.
Youdell, A. 1996. Storm Clouds: A survey of the film music of Arthur Benjamin. British Music, no. 18: 19-27.
Brown, Royal S. 1982. Herrmann, Hitchcock, and the music of the irrational. Cinema Journal 21, no. 2: 14-49.
______. 1994. Overtones and undertones: Reading film music. Berkeley: University of California Press.
Bruce, Graham. 1985. Bernard Herrmann: Film music and narrative. Ann Arbor, Michigan: UMI Research Press.
Conrad, Peter. 2000. The Hitchcock murders. London: Faber and Faber.
DeRosa, Steven. 2001. Writing with Hitchcock: The collaboration of Alfred Hitchcock and John Michael Hayes. New York: Faber and Faber.
Gilling, Ted. 1971-72. The colour of music: An interview with Bernard Herrmann. Sight and Sound no. 41 (winter): 36-39.
Harris, Robert A., and Michael S. Lasky. 1976. The films of Alfred Hitchcock. Secaucus, NJ: Citadel Press.
Humphries, Patrick. 1986. The films of Alfred Hitchcock. Greenwich, CT: Portland House.
Neumeyer, David, and James Buhler. 2001. Analytical and interpretive approaches to film music (I): Analyzing the music. In Film music: Critical approaches. ed. K.J. Donnelly. Edinburgh: Edinburgh University Press.
Pomerance, Murray. 2000. Finding release: “Storm Clouds” and The Man Who Knew Too Much. In Music and cinema, ed. James Buhler, Caryl Flinn, and David Neumeyer. Hanover, NH: Wesleyan University Press.
Robbins, Jhan. 1985. Everybody’s man: The biography of Jimmy Stewart. New York: G.P. Putnam’s Sons.
Rothstein, Edward. 1995. Emblems of mind: The inner life of music and mathematics. New York: Avon Books.
Schoenberg, Arnold. 1969. Structural functions of harmony, rev. ed. New York: W.W. Norton.
Sloan, Jane. E. 1993. Alfred Hitchcock: The definitive filmography. Berkeley and Los Angeles: University of California Press.
Smith, Susan. 2000. Hitchcock: Suspense, humour and tone. London: British Film Institute.
Smith, Steven C. 1991. A heart at fire’s center: The life and music of Bernard Herrmann. Berkeley: University of California Press.
Spoto, Donald. 1983. The dark side of genius: The life of Alfred Hitchcock. Boston: Little, Brown and Company.
______. 1992. The art of Alfred Hitchcock: Fifty years of his motion pictures, 2d ed. New York: Doubleday.
Steiner, Fred. 1974-75. Herrmann’s “Black and White” music for Hitchcock’s Psycho. In Filmmusic Notebook 1, no. 1 (Fall): 28-36; and no. 2 (Winter): 26-46.
Taylor, John Russel. 1978. Hitch: The life and times of Alfred Hitchcock. New York: Pantheon Books.
Tovey, Donald Francis. 1937. Essays in musical analysis: Vocal music. London: Oxford University Press.
_______. 1949. Musical form and matter (the Philip Maurice Deneke Lecture, Oxford University, 4 June 1934). In The main stream of music and other essays. London: Oxford University Press.
Truffaut, François. 1984. Hitchcock, trans. F. Truffaut. New York: Simon & Schuster.
Weis, Elisabeth. 1982. The silent scream: Alfred Hitchcock’s sound track. Rutherford, NJ: Associated University Presses.
Yacowar, Maurice. 1977. Hitchcock’s British films. Hamden, CT: Archon Books.
Youdell, A. 1996. Storm Clouds: A survey of the film music of Arthur Benjamin. British Music, no. 18: 19-27.
Published
2010-12-02
Issue
Section
Articles
How to Cite
Wierzbicki, J. (2010). Grand Illusion: The "Storm Cloud" Music in Hitchcock’s The Man Who Knew Too Much. Journal of Film Music, 1(2/3), 217-238. https://doi.org/10.1558/jfm.v1i2/3.217
