Journal of Film Music, Vol 6, No 2 (2013)

Digitizing, Organizing and Managing an Audio-Visual Archive: The Trevor Jones Archive at the University of Leeds

David Cooper, Ian Sapiro, Laura Anderson, Sarah Hall
Issued Date: 30 Aug 2016

Abstract


Between 2005 and 2013, film-music composer Trevor Jones donated around 1000 items relating to his film and television scores to the University of Leeds. The collection includes audio and video materials alongside associated paperwork, and some musical sketches and scores. In order to undertake research into the Trevor Jones Archive, the entire collection required digitization and cataloguing, both to facilitate navigation of the materials, and enable understanding of the relationships between them and the processes that they document. This paper considers the practicalities of working with the archive including matters relating to the digitization of a range of analogue and paper-based items, the creation of appropriate metadata and repository structures, and the prioritization of some parts of the collection over others. It is hoped that the lessons learned through this activity highlight some of the issues and considerations of working with archival audio-visual materials, and provide a roadmap for those working with similar collections.

Download Media

PDF (Price: £17.50 )

DOI: 10.1558/jfm.29827

References


Coalson, Josh. 2014. About the FLAC format. FLAC: Free Lossless Audio Codec. Accessed January 6, 2016. https://xiph.org/flac/documentation_format_overview.html

Cooper, David, Ian Sapiro, and Laura Anderson. Forthcoming 2017. The screen music of Trevor Jones: Technology, process, production. Farnham: Ashgate.

Gibson, Gerald G. 1996. Magnetic tape deterioration: Recognition, recovery, and prevention. UNESCO. Accessed November 6, 2015. http://www.unesco.org/webworld/ramp/html/r9704e/r9704e11.htm (Originally presented at the IASA Conference, Perugia, August 26, 1996.)

JISC. 2015. Digital file formats. JISC Digital Media. Accessed December 14, 2015. http://www.jiscdigitalmedia.ac.uk/infokit/file_formats/digital-file-formats

JISC Collections and Janet Limited. n.d. How it works. The UK Access Management Federation for Education and Research. Accessed January 6, 2016. http://www.ukfederation.org.uk/content/Documents/HowItWorks

Koseluk, William. 2004. Digital preservation of archival material. In A handbook to twentieth-century musical sketches, ed. Patricia Hall and Friedemann Sallis, 74-84. Cambridge: Cambridge University Press.

Plichta, Bartek and Mark Kornbluh. 2002. Digitizing speech recordings for archival purposes. Historical voices. Accessed December 14, 2015. http://www.historicalvoices.org/papers/audio_digitization.pdf

Schaller, Erika. 2004. The classification of musical sketches exemplified in the catalogue of the Archivio Luigi Nono. In A handbook to twentieth-century musical sketches, ed. Patricia Hall and Friedemann Sallis, 59-73. Cambridge: Cambridge University Press.

Shiboleth. n.d. How Shiboleth works: Basic concepts, Shiboleth. Accessed January 6, 2016. https://shibboleth.net/about/basic.html

University of Leeds. 2016. The Trevor Jones Archive. Screen Music. [no access date—various]. http://www.screenmusic.leeds.ac.uk

Winters, Ben and Miguel Mera. 2009. Film and television music sources in the UK and Ireland. Brio 46, no. 2, 37-65.


Refbacks

  • There are currently no refbacks.





Equinox Publishing Ltd - 415 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom
Telephone: +44 (0)114 221-0285 - Email: info@equinoxpub.com

Privacy Policy