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Vol 4, No 1 (2011)

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Table of Contents

Articles

The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie PDF
Ronald Rodman 5-19
The Problem of Music in a Historical Film PDF
Herbert Stothart 21-26
"A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) PDF
Linda K. Schubert 27-43
Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) PDF
Nathan Platte 45-64

Reviews

Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. PDF
Tony Fonseca 65-68
Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera. PDF
James L. Zychowicz 69-72
Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. PDF
James Wierzbicki 73-75



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