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Vol 1, No. 2/3: Herrmann Studies

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Table of Contents

Editorial

Bernard Herrmann: The Beethoven of Film Music? PDF
William H. Rosar 121-150

Articles

The Mystery of Herrmann's Music for Selznick's Portrait of Jennie PDF
Thomas DeMary 153-182
A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie PDF
Ronald Burbella 183-184
Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still PDF
E. Todd Flegel 185-215
Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much PDF
James Wierzbicki 217-238
Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo PDF
David Cooper 239-248
Self Borrowing in the Music of Bernard Herrmann PDF
William Wrobel 249-271

Reviews

Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann PDF
Richard Littlefield 273-281
Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative PDF
Melissa Ursula Dawn Goldsmith 283-287
Sound and Vision: 60 Years of Motion Picture Soundtracks PDF
Jon Burlingame 289-292
Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book PDF
Eric Hung 293-295
Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music PDF
K. J. Donnelly 297-300



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