Vol. 2 No. 2-4

Published: 2010-03-15

Editorial Essay

Mingus, Cassavetes, and the Birth of a Jazz Cinema

Ross Lipman

145-164
- Requires Subscription or Fee PDF (GBP 23)
Wavering Sonorities and the Nascent Film Noir Musical Style

Roger Hickman

165-174
- Requires Subscription or Fee PDF (GBP 23)
Film Studies in Musicology Disciplinarity vs.Interdisciplinarity

William H. Rosar

99-125
- Requires Subscription or Fee PDF (GBP 23)
Silvestre Revueltas’s Redes Composing for Film or Filming for Music?

Roberto Kolb-Neuhaus

127-144
- Requires Subscription or Fee PDF (GBP 23)

Review Essay

Against All Odds The Decline and Resurgence of the Symphonic Film Score in Hollywood

Helen Mitchell

175-200
- Requires Subscription or Fee PDF (GBP 23)

Westerns

The Idyllic Sublime A Dialog on the Pastoral Style in Westerns

Michael Beckerman, William H. Rosar

251-262
- Requires Subscription or Fee PDF (GBP 23)
High Noon Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources

Ildar Khannanov

225-248
- Requires Subscription or Fee PDF (GBP 23)
The Great Crossing Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony

Beth E. Levy

201-223
- Requires Subscription or Fee PDF (GBP 23)

Reviews