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Vol 3, No 2 (2010)

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Table of Contents

Articles

The Vision Scenes in Bernadette: Newman's and Powell's Contributions PDF
Roland Jackson 111-125
“I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey PDF
Julia Heimerdinger 127-143
“‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” PDF
Kate McQuiston 145-154
A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" PDF
David Cooper , Ian Sapiro 155-170

Review Essay

Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content PDF
Michael Remson 171-182

Reviews

Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] PDF
Roger Hickman 183-185
Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. PDF
Jennifer Matthews 186-188
Book Review: Michal Grover–Friedlander. Vocal Apparitions: The Attraction of Cinema to Opera. Princeton and Oxford: Princeton University Press, 2005. [xii, 186 p. ISBN 0691120080. $39.95 (hard cover)] Princeton Studies in Opera. PDF
Stephanie Poxon 189-191



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