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Journal Issue Title
 
Buddhist Studies Review Vol 24 No. 1 (2007) Shangri-La and History in 1930s England View
Lawrence Normand
 
Perfect Beat Vol 3 No. 2 (1997) UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s View
ROBIN RYAN
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 1 (2014) Freemasonry and Empire Regimes of Territoriality: Overseas Conflicts and Inner-European Relations, c. 1870–1930 View
Joachim Berger
 
Journal of Film Music Vol 5 No. 1-2 (2012) Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera View
Jacqueline Avila
 
Journal for Research into Freemasonry and Fraternalism Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry Authority or Auxiliary? Miss Rose Lipp's Masonic Business, 1900-1930 View
Aimee E. Newell
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s View
Aleisha Ward
 
Equinox eBooks Publishing Song for Someone: The Musical Life of Kenny Wheeler A Long Time Ago: (1930-1952) View
Brian Shaw, Nick Smart
 
Popular Music History Vol 4 No. 3 (2009) Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City View
James McGrath
 
Journal for Research into Freemasonry and Fraternalism Vol 1 No. 2 (2010) Between universal values and national ties: Western European Freemasonries face the challenge of “Europe”, c. 1850–1930 View
Joachim Berger
 
Journal of World Popular Music Vol 3 No. 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) View
Jun Zubillaga-Pow
 
Perfect Beat Vol 4 No. 3 (1999) STRICTLY BALLROOM The Rumba in Pre-World War Two Japan View
SHUHEI HOSOKAWA
 
Journal of Film Music Vol 4 No. 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) View
Linda K. Schubert
 
Equinox eBooks Publishing Sounds Icelandic 2. ‘A Nation without Music?’: Symphonic Music and Nation-Building View
Kimberly Cannady, Kristín Loftsdóttir
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) The Power of the Past: Inventing Traditions in Early Amsterdam Freemasonry View
Joost Jonker
 
Song for Someone: The Musical Life of Kenny Wheeler View
Brian Shaw, Nick Smart
 
Health and Social Care Chaplaincy Vol 4 No. 2 (2001) Scottish Journal of Healthcare Chaplaincy Vol 4 (2) 2001 22 ASYLUM SEEKERS: PRACTICAL AND THEOLOGICAL CONSIDERATIONS View
Ken Coulter
 
Perfect Beat Vol 18 No. 2 (2017) Playing bluegrass in Australia across country and folk scenes View
Miriam Amy Jones
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 3 No. 2-3 (2007) Of Theory, Aesthetics, and Politics: Configuring the Messianic in Early Twentieth-Century Europe View
Lisa Marie Anderson
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Music, poetry, and the politics of identity in Réunion Island: an historical overview View
Guillaume Samson, Shawn Pitre
 
Journal of Mediterranean Archaeology Vol 11 No. 1 (1998) June 1998 Inventing the Eteocypriots: Imperialist Archaeology and the Manipulation of Ethnic Identity View
Micheal Given
 
An Iconography of Japanese Identity View
Ken Tann
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 4 No. 3 (2008) From Technologies of Power to Technologies of the Self: Spirituality as Resistance in Christopher Isherwood’s Life and Writing View
Jamie Carr
 
Journal of Film Music Vol 6 No. 2 (2013) The British Library’s Francis Chagrin Collection: Joining the Dots View
Alexis Bennett
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
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