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Journal Issue Title
 
Journal of Film Music Vol 2 No. 2-4 (2009) High Noon: Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources View
Ildar Khannanov
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies The Mystery of Herrmann's Music for Selznick's Portrait of Jennie View
Thomas DeMary
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie View
Ronald Burbella
 
Journal of Film Music Vol 6 No. 1 (2013) Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier View
Mark Durrand
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns View
Michael Beckerman, William H. Rosar
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? View
William H. Rosar
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) View
William H. Rosar
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still View
E. Todd Flegel
 
Journal of Film Music Vol 4 No. 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) View
Nathan Platte
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Journal of Film Music Vol 2 No. 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity View
William H. Rosar
 
Journal of Film Music Vol 4 No. 2 (2011) Modular Structures in Film Music: The Answer to Synchronization Problems? View
Bartlomiej P Walus
 
1 - 17 of 17 Items

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