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Equinox eBooks Publishing The History of European Jazz 38. Film View
SLS Harris
 
Drawn to Sound View
Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki
 
Public Information Films View
Anthony Baldry, Deirdre Kantz, Fabrizio Maggi
 
Movies, Moves and Music View
Mark Evans, Mary Fogarty, Greg S. Faller, Faye Woods, Brian Su-Jen Chung, Afia Ofori-Mensa, Diane Hughes, Gillian Turnbull, Philip Hayward, Jon Fitzgerald, Colleen Dunagan, Roxane Fenton, Usha Iyer, Megan Anne Todd, Sarah-Mace Dennis, Kelly Kessler
 
Journal for the Study of Religion, Nature and Culture Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality Opening Pandora's Film View
Bron Taylor, Adrian Ivakhiv
 
Encyclopedia of Film Music and Sound View
Mark Evans
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music in the Films: The Promotion of Film Music in the Concert Hall View
Leith Stevens †
 
Journal of Film Music Vol 4 No. 1 (2011) The Problem of Music in a Historical Film View
Herbert Stothart
 
Journal of Film Music Vol 2 No. 2-4 (2009) Wavering Sonorities and the Nascent Film Noir Musical Style View
Roger Hickman
 
Journal of Film Music Vol 2 No. 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity View
William H. Rosar
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Playing with Paradigms: The Christ-figure Genre in Contemporary Film View
Adele Reinhartz
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Journal of Film Music Vol 2 No. 2-4 (2009) Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? View
Roberto Kolb-Neuhaus
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Theory Through the Lens of Film View
Frank Lehman
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Cue Archetypes in the Film Scores of Elmer Bernstein View
Donald C Meyer
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 1 No. 2-3 (2005) Religious Cinematics: The Immediate Body in the Media of Film View
S. Brent Plate
 
Journal of Film Music Vol 5 No. 1-2 (2012) Towards a Theory of Musicodramatic Practice in Film: Questions of Method View
David Revill
 
Journal of Film Music Vol 2 No. 1 (2007) Whose Classical Music? Reflections on Film Adaptation View
Lawrence Kramer
 
Journal of Film Music Vol 5 No. 1-2 (2012) "'Leitmotif': On the Application of a Word to Film Music" View
Stephen C. Meyer
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) Tolerating Babel: The Bible, Film, and the Family in U.S. Biopolitics View
Erin Runions
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Journal of Film Music Vol 4 No. 2 (2011) Modular Structures in Film Music: The Answer to Synchronization Problems? View
Bartlomiej P Walus
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film God in the Saddle: Silent Western Films as Protestant Sermons View
Terry Lindvall
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Film Scoring: The UCLA Lectures† Edited and annotated by Mark Brill. View
Leith Stevens †
 
Writing & Pedagogy Vol 1 No. 2 (2009) Incorporating and Evaluating Voices in a Film Studies Thesis View
Caroline Jane Coffin
 
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