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Journal Issue Title
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Cue Archetypes in the Film Scores of Elmer Bernstein View
Donald C Meyer
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Film Scoring: The UCLA Lectures† Edited and annotated by Mark Brill. View
Leith Stevens †
 
Popular Music History Vol 5 No. 1 (2010) Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann View
Jonathan Waxman
 
Journal of Film Music Vol 5 No. 1-2 (2012) Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann View
Tom Schneller
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo View
David Cooper
 
Journal of Film Music Vol 5 No. 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring View
Katherine K. Preston
 
Journal of Film Music Vol 2 No. 1 (2007) David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 View
Tom Schneller
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis View
Patrick Wood
 
Journal of Film Music Vol 1 No. 1 (2002) Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. View
Charles Leinberger
 
Journal of Film Music Vol 2 No. 2-4 (2009) Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. View
Lori Stevens
 
Journal of Film Music Vol 2 No. 1 (2007) James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] View
David Cooper
 
Journal of Film Music Vol 2 No. 2-4 (2009) Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. View
Paul A. Merkley
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Michael Schelle: The Score: Interviews with Film Composers Beverly Hills: Silman-James Press, 1999 [xviii, 427 p. ISBN: 1-879-50540-1] View
Nicholas Reyland
 
Journal of Film Music Vol 2 No. 2-4 (2009) David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. View
Michael Remson
 
Perfect Beat Vol 4 No. 3 (1999) SCREEN SCORES View
JON FITZGERALD
 
Journal of Film Music Vol 4 No. 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) View
Linda K. Schubert
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
Nathan Platte
 
Journal of Film Music Vol 6 No. 1 (2013) “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas View
Tim Summers
 
Journal of Film Music Vol 4 No. 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) View
Nathan Platte
 
Journal of Film Music Vol 5 No. 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History View
Peter Moormann
 
Terror Tracks View
James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward
 
Journal of Film Music Vol 4 No. 2 (2011) Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials View
Nicol William Snedden
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) View
William H. Rosar
 
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