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Journal Issue Title
 
Writing & Pedagogy Vol 1 No. 2 (2009) Incorporating and Evaluating Voices in a Film Studies Thesis View
Caroline Jane Coffin
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
Timothy Koozin
 
Journal of Film Music (2016) Advance Access issue 7.2 Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 View
Carolin Beinroth, Claudia Bullerjahn
 
Equinox eBooks Publishing Religion and Sight 3. Visualizing Sovereignty, Death Protocols, and Indigenous Genders in Recent Films View
Gabriel Estrada
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Journal of Contemporary Archaeology Vol 4 No. 1 (2017) Submarines in the Silent World: Exploring Films as an Archaeological Record View
Mirja Arnshav, Anna McWilliams
 
Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
Jörg Jewanski
 
Journal of Film Music Vol 5 No. 1-2 (2012) Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) View
Irene Comisso
 
Journal for the Study of Religion, Nature and Culture Vol 1 No. 4 (2007) Vol 1, No 4 (2007) Zen and the Art of Environmental Education in the Japanese Animated Film Tonari no Totoro View
Arran Stibbe
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Editorial: Exploring Religion and Popular Film View
Anton Karl Kozlovic
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? View
William H. Rosar
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading View
David Neumeyer
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 1 No. 2-3 (2005) Muslim Martyrs and Pagan Vampires: Popular Video Films and the Propagation of Religion in Northern Nigeria View
Matthias Krings
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film View
Christopher Coady
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) Films, Frames and Videogames: Religious Insights into Media View
Anna Piskorowski-Adams
 
Journal of Film Music Vol 5 No. 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History View
Peter Moormann
 
Journal for the Study of Religion, Nature and Culture Vol 10 No. 2 (2016) Indigenous Knowledge, Indigenous Spirituality, and the Future of Humans in Nature Re-imagining Nature and American Indian Identity in Film View
Ulrike Wiethaus
 
Journal for the Academic Study of Religion Vol 22 No. 1 (2009) Little Buddha and Gandhi Go to School: An Examination of the Use of Popular Film in Four Religious Education Classes View
Barbara Kameniar
 
Journal of Film Music Vol 5 No. 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film View
Erin Michelle Brooks
 
Popular Music History Vol 5 No. 1 (2010) Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann View
Jonathan Waxman
 
Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
Terry Monaghan
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Orientalism in Outer-space: The Ascendancy of Sanskrit Mantras in Hollywood Science Fiction Films and Soundtracks View
Scott Daniel Dunbar
 
Gender and Language Vol 8 No. 3 (2014) Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film View
Qiuana Lopez
 
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