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Journal Issue Title
 
Perfect Beat Vol 11 No. 1 (2010) Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan View
Mark Evans
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. View
Bradford Lee Eden
 
Sociolinguistic Studies Vol 2 No. 3 (2008) Monolingualism Portraying language diversity through a monolingual lens: On the unbalanced representation of Spanish and English in a corpus of American films View
Peter R. Petrucci
 
Journal of Film Music Vol 1 No. 1 (2002) Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD View
Linda Schubert
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo View
David Cooper
 
Journal of Film Music Vol 5 No. 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring View
Katherine K. Preston
 
Equinox eBooks Publishing Public Information Films Chapter 2: Multimodal text analysis of cultural diversity: bias, prejudice and opinion shaping in Public Information Films View
Anthony Baldry
 
Journal of Research Design and Statistics in Linguistics and Communication Science Vol 1 No. 2 (2014) Exploring the translation of animated films: quantifying audiences’ perception of characters that speak in different varieties of English, Spanish and Catalan View
Laia Darder
 
Religions of South Asia Vol 1 No. 1 (2007) June 2007 Review of Filming the Gods: Religion and Indian Cinema, by Rachel Dwyer View
Lynn Foulston
 
Journal of Film Music Vol 2 No. 1 (2007) David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 View
Tom Schneller
 
Journal for the Academic Study of Religion Vol 30 No. 2 (2017) Terry Lindvall, J. Dennis Bounds and Chris Lindvall, Divine Film Comedies: Biblical Narratives, Film Sub-Genres, and the Comic Spirit. New York: Routledge, 2016, pp. viii + 212, ISBN: 978-1-138-95613-1 (pbk) View
Anton Karl Kozlovic
 
Journal for the Study of Religion, Nature and Culture Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality Spirituality and Resistance: Ursula Le Guin’s The Word for World is Forest and the Film Avatar View
David Barnhill
 
Journal of Film Music Vol 1 No. 1 (2002) Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. View
Charles Leinberger
 
Journal of Film Music Vol 2 No. 2-4 (2009) Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. View
Lori Stevens
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 1 No. 2-3 (2005) Being a Christian in the Catholic Way: Protestant and Catholic Versions of the Jesus Films and the Evangelization of Poland View
Esther Peperkamp
 
Journal of Film Music Vol 4 No. 1 (2011) Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. View
Tony Fonseca
 
Journal for the Study of Religion, Nature and Culture Vol 7 No. 1 (2013) Ken Burns (dir.), The National Parks: America’s Best Idea (Florentine Films and WETA Television, 2009), DVD, $99.99. View
Lynn Ross-Bryant
 
Journal for the Academic Study of Religion Vol 20 No. 2 (2007) Christopher Deacy, Faith in Film: Religious Themes in Contemporary Cinema. Ashgate, Aldershot, 2005, pp. 170, ISBN 0754651584 (hbk). View
Anton Karl Kozlovic
 
International Journal for the Study of New Religions Vol 4 No. 2 (2013) Cinema of the Occult: New Age, Satanism, Wicca, and Spiritualism in Film, by Carrol L. Fry. Bethlehem. Lehigh University Press, 2008. 301pp., hb., $62.50/ £39.95. ISBN-13: 9780934223959. View
Carole M. Cusack
 
Journal for the Academic Study of Religion Vol 22 No. 1 (2009) Christopher Deacy and Gaye Williams Ortiz, Theology and Film: Challenging the Sacred/Secular Divide. Blackwell, Malden, MA, 2008, pp. xiv+245, ISBN 978-1-4051- 4438-4 (pbk) View
Anton Karl Kozlovic
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] View
Roger Hickman
 
Journal of Film Music Vol 4 No. 1 (2011) Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera. View
James L. Zychowicz
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi View
Linda Maria Koldau
 
Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
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