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Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] View
Rebecca FÜlÖP
 
Journal of Film Music Vol 2 No. 2-4 (2009) Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. View
Christine Lee Gengaro
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. View
Judith Bernanke
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. View
Kheng K. Koay
 
Journal for the Academic Study of Religion Vol 30 No. 3 (2017) Laura Copier and Caroline Vander Stichele (eds). Close Encounters between Bible and Film: An Interdisciplinary Engagement. Atlanta, GA: SBL Press, 2016, pp. viii + 333, ISBN: 9781628371581 (pbk). View
Anton Karl Kozlovic
 
Journal of Film Music Vol 2 No. 2-4 (2009) Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. View
Paul A. Merkley
 
Journal of Film Music Vol 2 No. 2-4 (2009) Christian DesJardins. Inside Film Music: Composers Speak Los Angeles: Silman–James Press, 2003. [xxv, 358 p. ISBN: 1879505886. $ 20.95 (trade paper)] Index. View
Tony Fonseca
 
Journal of Film Music Vol 4 No. 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. View
James Wierzbicki
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Michael Schelle: The Score: Interviews with Film Composers Beverly Hills: Silman-James Press, 1999 [xviii, 427 p. ISBN: 1-879-50540-1] View
Nicholas Reyland
 
Journal of Film Music Vol 2 No. 1 (2007) James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] View
David Cooper
 
Perfect Beat Vol 4 No. 3 (1999) SCREEN SCORES View
JON FITZGERALD
 
Journal for the Academic Study of Religion Vol 30 No. 1 (2017) Stephen C. Meyer, Epic Sound: Music in Postwar Hollywood Biblical Films. Bloomington, IN: Indiana University Press, 2015, pp. xiv + 273, ISBN: 978-0-253-01451-1 (pbk). View
Anton Karl Kozlovic
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Theodor W. Adorno, and Hanns Eisler. Komposition für den Film, mit einem Nachwort von Johannes C. Gall und einer DVD “Hanns Eislers Rockefeller–Filmmusik– Projekt 1940–1942” Ed. Johannes C. Gall. Frankfurt am Main: Suhrkamp, 2006. View
James Parsons
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” View
Lora Matthews
 
Journal of Film Music Vol 2 No. 2-4 (2009) David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. View
Michael Remson
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 1 No. 2-3 (2005) Guest Editors' Preface View
Birgit Meyer, Stephen Hughes
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
Nathan Platte
 
Equinox eBooks Publishing The Northern Soul Scene Interviews with Elaine Constantine, Tony Palmer and Liam Quinn View
Tim Wall
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns View
Michael Beckerman, William H. Rosar
 
Journal of Film Music Vol 4 No. 2 (2011) Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials View
Nicol William Snedden
 
Journal of Film Music Vol 3 No. 2 (2010) A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" View
David Cooper, Ian Sapiro
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Re-visiting Denys Arcand’s Jesus of Montreal (1989): Metatextuality, Metaphor, Hermeneutics and Resurrection View
Lloyd Baugh
 
Earogenous Zones View
Bruce Johnson, Mark Evans, Matt Burgess, Lesley Chow, Clarice Butkus, James Wierzbicki, Philip Hayward, Emil Stoichkov, Laura Wiebe Taylor, Liz Giuffre, Kevin Clifton, Paul Warren, Marianne Tatom Letts, Ralph Marsh
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 1 No. 2-3 (2005) Religious Remediations: Pentacostal Views in Ghanaian Video-Movies View
Birgit Meyer
 
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