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Journal Issue Title
 
Journal of Film Music Vol 5 No. 1-2 (2012) Melodrama Made Good: Ennoblement by Deletion in Edgar Stillman Kelley’s Score to Ben-Hur View
Luke Hannington
 
Journal of Film Music Vol 5 No. 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring View
Katherine K. Preston
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 12 No. 2 (2013) Pype, Katrien, The Making of the Pentecostal Melodrama: Religion, Media, and Gender in Kinshasa. Anthropology of the Media, vol. 6. New York: Berghahn Books, 2012. 348pp. Hbk. ISBN 9780857454942. $95.00/£60.00. View
Moritz Fischer
 
Journal of Film Music Vol 5 No. 1-2 (2012) Melodramatic Music in the Western View
Mariana Whitmer
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Ben-Hur Legacy View
Roger Hickman
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Continuity of Melos: Beginnings to the Present Day View
Anne Dhu McLucas
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
Nathan Platte
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
Journal of Film Music Vol 6 No. 1 (2013) Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York View
Roger Hickman
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” View
Michael V. Pisani
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Caryl Flinn: The New German Cinema: Music, History,and the Matter of StyleBerkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2] View
Anjelica Fenner,
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Journal for the Study of Religion, Nature and Culture Vol 8 No. 1 (2014) Review of Cave View
Alice B Kehoe
 
Journal of Film Music Vol 4 No. 2 (2011) Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials View
Nicol William Snedden
 
Journal of Film Music Vol 5 No. 1-2 (2012) Towards a Theory of Musicodramatic Practice in Film: Questions of Method View
David Revill
 
Journal of Film Music Vol 5 No. 1-2 (2012) Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera View
Jacqueline Avila
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 1 No. 2-3 (2005) Muslim Martyrs and Pagan Vampires: Popular Video Films and the Propagation of Religion in Northern Nigeria View
Matthias Krings
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Journal of Film Music Vol 6 No. 1 (2013) Modal Interchange and Semantic Resonance in Themes by John Williams View
Tom Schneller
 
Journal of Film Music Vol 2 No. 2-4 (2009) Wavering Sonorities and the Nascent Film Noir Musical Style View
Roger Hickman
 
Postscripts: The Journal of Sacred Texts and Contemporary Worlds Vol 1 No. 2-3 (2005) Devotional Transformation: Miracles, Mechanical Artifice, and Spectatorship in Indian Cinema View
Ravi Vasudevan
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Early jazz in Australia as oriental exotica View
Aline Scott-Maxwell
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns View
Michael Beckerman, William H. Rosar
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of Catching Light; Looking for God in the Movies by Roy M. Anker View
Paul Nathanson
 
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