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Journal Issue Title
 
Popular Music History Vol 3 No. 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places View
Jonathan Feig
 
Perfect Beat Vol 17 No. 1 (2016) Musical Landscapes of Lihir: Exploring Performance and Place in a Museum Exhibition View
Kirsty Gillespie
 
Perfect Beat Vol 3 No. 3 (1997) GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 View
RYUICHI TAI
 
Journal of World Popular Music Vol 1 No. 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” View
Chris Tonelli
 
Perfect Beat Vol 9 No. 1 (2008) Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate View
GEOFF KING
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Journal of World Popular Music Vol 3 No. 1 (2016) Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) View
Alf Arvidsson
 
Perfect Beat Vol 17 No. 1 (2016) Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp View
Ariane Gruet-Pelchat
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) CD recording of Karel-Lodewikj Hanssens (1865) Aux Mânes d’un Frére qui fut Roi. Maconnieke rouwcantate voor Leopold 1. Performed by Metropolis Orkest & Koor dir. Jaak Gregoor. GBF Music, Dendermonde. Belgium (2015). €12.40. info@ gbfmusic.com View
Andrew Pink
 
Journal for the Academic Study of Religion Vol 29 No. 3 (2016) Monique Ingalls, Carolyn Landau and Tom Wagner (eds.), Christian Congregational Music: Performance, Identity and Experience. Surrey: Ashgate, 2013, pp. xiii + 228, ISBN: 978-1-4094-6602-4 (hbk). View
Sarah Penicka-Smith
 
Popular Music History Vol 3 No. 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). View
Dave Laing
 
Perfect Beat Vol 17 No. 1 (2016) Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp View
Jared Mackley-Crump
 
Rufus Wainwright View
Katherine Williams
 
Equinox eBooks Publishing The Godfather of British Jazz Exotic for the English View
Clark Tracey
 
Prince View
Annie Potts
 
Perfect Beat Vol 17 No. 1 (2016) Virtual Micronesia: Performance and Participation in a Pacific Facebook Community View
Brian Diettrich
 
Perfect Beat Vol 14 No. 2 (2013) Popular music, cultural policy, and the Festival of Pacific Arts View
Dan Bendrups
 
Perfect Beat Vol 3 No. 4 (1998) EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire View
JULIE RICKWOOD
 
Perfect Beat Vol 11 No. 1 (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea View
Kirsty Gillespie
 
Perfect Beat Vol 16 No. 1-2 (2015) Music review: In a State of Flux: An Experimental Music Gallery, 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists View
Patricia Alessi
 
Bob Dylan View
Keith Negus
 
Perfect Beat Vol 3 No. 2 (1997) DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir View
ALEX GIBB, MEAGAN LOADER
 
Perfect Beat Vol 11 No. 1 (2010) State of play: Live original music venues in Western Australia View
Dawn Bennett
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
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