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Journal Issue Title
 
Popular Music History Vol 3 No. 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places View
Jonathan Feig
 
Perfect Beat Vol 17 No. 1 (2016) Musical Landscapes of Lihir: Exploring Performance and Place in a Museum Exhibition View
Kirsty Gillespie
 
Perfect Beat Vol 3 No. 3 (1997) GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 View
RYUICHI TAI
 
Journal of World Popular Music Vol 1 No. 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” View
Chris Tonelli
 
Perfect Beat Vol 9 No. 1 (2008) Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate View
GEOFF KING
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Journal of World Popular Music Vol 3 No. 1 (2016) Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) View
Alf Arvidsson
 
Perfect Beat Vol 17 No. 1 (2016) Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp View
Ariane Gruet-Pelchat
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) CD recording of Karel-Lodewikj Hanssens (1865) Aux Mânes d’un Frére qui fut Roi. Maconnieke rouwcantate voor Leopold 1. Performed by Metropolis Orkest & Koor dir. Jaak Gregoor. GBF Music, Dendermonde. Belgium (2015). €12.40. info@ gbfmusic.com View
Andrew Pink
 
Journal for the Academic Study of Religion Vol 29 No. 3 (2016) Monique Ingalls, Carolyn Landau and Tom Wagner (eds.), Christian Congregational Music: Performance, Identity and Experience. Surrey: Ashgate, 2013, pp. xiii + 228, ISBN: 978-1-4094-6602-4 (hbk). View
Sarah Penicka-Smith
 
Popular Music History Vol 3 No. 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). View
Dave Laing
 
Rufus Wainwright View
Katherine Williams
 
Prince View
Annie Potts
 
Equinox eBooks Publishing The Godfather of British Jazz Time and Changes View
Clark Tracey
 
Perfect Beat Vol 17 No. 1 (2016) Virtual Micronesia: Performance and Participation in a Pacific Facebook Community View
Brian Diettrich
 
Perfect Beat Vol 14 No. 2 (2013) Popular music, cultural policy, and the Festival of Pacific Arts View
Dan Bendrups
 
Perfect Beat Vol 3 No. 4 (1998) EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire View
JULIE RICKWOOD
 
Perfect Beat Vol 11 No. 1 (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea View
Kirsty Gillespie
 
Perfect Beat Vol 16 No. 1-2 (2015) Music review: In a State of Flux: An Experimental Music Gallery, 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists View
Patricia Alessi
 
Perfect Beat Vol 3 No. 2 (1997) DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir View
ALEX GIBB, MEAGAN LOADER
 
Bob Dylan View
Keith Negus
 
Perfect Beat Vol 11 No. 1 (2010) State of play: Live original music venues in Western Australia View
Dawn Bennett
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Open Up the Doors View
Mark Evans
 
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