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Journal Issue Title
 
The Lifetime Soundtrack View
Lauren Istvandity
 
Equinox eBooks Publishing The Lifetime Soundtrack Foundation and Development of the Lifetime Soundtrack View
Lauren Istvandity
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Sound and Vision: 60 Years of Motion Picture Soundtracks View
Jon Burlingame
 
Perfect Beat Vol 1 No. 1 (1992) MUSIC POWER - KYLIE, BOWIE AND THE DELINQUENTS A study of the significance of the soundtrack to the financing, production and marketing of the Australian feature film The Delinquents. View
DIANA JAROSIEWICZ
 
Popular Music History Vol 9 No. 2 (2014) The lifetime soundtrack: Music as an archive for autobiographical memory View
Lauren Istvandity
 
Perfect Beat Vol 9 No. 1 (2008) Brophy, P (2004) 100 Modern Soundtracks, London: British Film Institute Publishing View
TONY MITCHELL
 
Perfect Beat Vol 18 No. 1 (2017) Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories View
Lauren Istvandity
 
Perfect Beat Vol 11 No. 1 (2010) Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan View
Mark Evans
 
Perfect Beat Vol 1 No. 3 (1993) SUCCESS IS IN THE AIR The Soundtrack, Music and Marketing of Strictly Ba!lroom View
Meret Valtwies
 
Perfect Beat Vol 13 No. 2 (2012) Planes of illusion: music soundtrack, rendition and attribution in Sanctum< (2011) View
Jon Fitzgerald, Philip Hayward, David Brennan
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Orientalism in Outer-space: The Ascendancy of Sanskrit Mantras in Hollywood Science Fiction Films and Soundtracks View
Scott Daniel Dunbar
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative View
Melissa Ursula Dawn Goldsmith
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples View
Matthew Brown
 
Journal of Film Music Vol 4 No. 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. View
James Wierzbicki
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” View
Lora Matthews
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) View
Yayoi Uno Everett
 
Popular Music History Vol 4 No. 2 (2009) Street ballets in magic cities: cultural imaginings of the modern American metropolis View
Tadhg O'Keeffe
 
CALICO Journal Vol 23 No. 1 (2006) Video Dubbing Projects in the Foreign Language Curriculum View
Jack Burston
 
Popular Music History Vol 5 No. 1 (2010) The deleted music and scenes from Journey to the Center of the Earth View
Bill Wrobel
 
Encyclopedia of Film Music and Sound View
Mark Evans
 
Equinox eBooks Publishing Ludomusicology Analyzing Game Musical Immersion: The ALI Model View
Isabella van Elferen
 
Perfect Beat Vol 10 No. 1 (2009) Television special Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC View
Jon Fitzgerald
 
Popular Music History Vol 1 No. 2 (2004) Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories View
Michael Brocken
 
Journal of Film Music Vol 6 No. 2 (2013) Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive View
Alessandro Bratus
 
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