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Journal of Film Music Vol 6 No. 2 (2013) Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana View
C. Letcher
 
Equinox eBooks Publishing The Lifetime Soundtrack Constructing an Understanding of Musical Memories View
Lauren Istvandity
 
Equinox eBooks Publishing The Lifetime Soundtrack Emotion, Affect and Musical Memories View
Lauren Istvandity
 
Journal of Film Music Vol 6 No. 1 (2013) Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf View
Alexis Luko
 
Equinox eBooks Publishing Ludomusicology Isaac’s Silence: Purposive Aesthetics in 'Dead Space' View
Mark Sweeney
 
Equinox eBooks Publishing The Lifetime Soundtrack Renewed Perspectives on Memory View
Lauren Istvandity
 
Equinox eBooks Publishing The Lifetime Soundtrack Music, Memory, Everyday Life View
Lauren Istvandity
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Globalization and World Music View
Simone Krüger Bridge
 
Equinox eBooks Publishing Ludomusicology Suture and Peritexts: Music Beyond Gameplay and Diegesis View
Michiel Kamp
 
Equinox eBooks Publishing Ludomusicology Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games View
William Gibbons
 
Equinox eBooks Publishing Scouse Pop Some Aspects of the Music Industry in Liverpool View
Paul Skillen
 
Equinox eBooks Publishing Sounds Icelandic 9. A Transnational Bedroom Community in Reykjavík View
Tony Mitchell
 
Perfect Beat Vol 18 No. 1 (2017) Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream View
Henry Johnson
 
Terror Tracks View
James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward
 
Journal of Film Music (2016) Advance Access issue 7.2 Not with a Bang . . . Silence, Noise and Musical Nihilism in Béla Tarr’s A torinói ló View
Talya Berger, Jonathan Berger
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto View
MALCOLM PHILPOTT, GREG SEETO
 
Perfect Beat Vol 4 No. 3 (1999) SCREEN SCORES View
JON FITZGERALD
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies View
DENNIS CROWDY
 
Perfect Beat Vol 13 No. 2 (2012) Introduction View
Denis Crowdy, Mark Evans
 
Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Journal of Film Music Vol 2 No. 1 (2007) James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] View
David Cooper
 
Journal of Film Music Vol 6 No. 1 (2013) Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier View
Mark Durrand
 
Popular Music History Vol 7 No. 1 (2012) Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). View
Faye Woods
 
Perfect Beat Vol 1 No. 3 (1993) CO-LOCATIONS - AN INTRODUCTION View
Philip Hayward
 
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