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Issue Title
 
Vol 5, No 1-2 (2012) "'Leitmotif': On the Application of a Word to Film Music" Abstract
Stephen C. Meyer
 
Vol 2, No 1 (2007) The Manchurian Candidate (1962): An Interview with David Amram Abstract
William H. Rosar
 
Vol 4, No 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) Abstract
Linda K. Schubert
 
Vol 1, No. 2/3: Herrmann Studies A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie Abstract
Ronald Burbella
 
Vol 3, No 2 (2010) A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" Abstract
David Cooper, Ian Sapiro
 
Vol 2, No 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood Abstract
Helen Mitchell
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] Details
James Wierzbicki
 
Vol 7, No 1 (2014) Anna Morcom, Hindi Film Songs and the Cinema Aldershot, Hampshire: Ashgate, 2007 [xii, 281 pp. ISBN 9780754651987. $44.95 (paperback)]. SOAS Musicology Series. Details
Beth Szczepanski
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” Details
Lora Matthews
 
Vol 6, No 2 (2013) Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana Abstract
C. Letcher
 
Vol 6, No 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops Abstract
Emilio Audissino
 
Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still Abstract
E. Todd Flegel
 
Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? Details
William H. Rosar
 
Vol 3, No 2 (2010) Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] Details
Roger Hickman
 
Vol 3, No 2 (2010) Book Review: Michal Grover–Friedlander. Vocal Apparitions: The Attraction of Cinema to Opera. Princeton and Oxford: Princeton University Press, 2005. [xii, 186 p. ISBN 0691120080. $39.95 (hard cover)] Princeton Studies in Opera. Details
Stephanie Poxon
 
Vol 3, No 2 (2010) Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. Details
Jennifer Matthews
 
Vol 4, No 2 (2011) Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema Abstract
Tony Fonseca
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Caryl Flinn: The New German Cinema: Music, History,and the Matter of StyleBerkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2] Details
Anjelica Fenner,
 
Vol 2, No 2-4 (2009) Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. Details
Lori Stevens
 
Vol 4, No 2 (2011) Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical Abstract
Melissa Ursula Dawn Goldsmith
 
Vol 2, No 2-4 (2009) Christian DesJardins. Inside Film Music: Composers Speak Los Angeles: Silman–James Press, 2003. [xxv, 358 p. ISBN: 1879505886. $ 20.95 (trade paper)] Index. Details
Tony Fonseca
 
Vol 5, No 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History Abstract
Peter Moormann
 
Vol 4, No 2 (2011) D. Kern Holoman. The Orchestra: A Very Short Introduction Abstract
Melissa Ursula Dawn Goldsmith
 
Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book Details
Eric Hung
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples Details
Matthew Brown
 
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