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Issue Title
 
Vol 5, No 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring Details
Katherine K. Preston
 
Advance Access Italian Cinema’s Sound Archives: Foley Practices and Post-production Techniques, 1960–70 Abstract
Ilario Meandri
 
Vol 2, No 1 (2007) Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] Details
Tom Schneller
 
Vol 2, No 1 (2007) James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] Details
David Cooper
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis Abstract
Patrick Wood
 
Vol 5, No 1-2 (2012) Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera Abstract
Jacqueline Avila
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. Details
Bradford Lee Eden
 
Vol 1, No 1 (2002) Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. Details
Charles Leinberger
 
Vol 2, No 2-4 (2009) Kathryn Kalinak. How the West Was Sung: Music in the Westerns of John Ford Berkeley, Los Angeles, and London: University of California Press, 2007. [x, 256 p. ISBN: 9780520252349. $24.95 ] Music examples, illustrations, bibliography, index Details
Tom Schneller
 
Vol 6, No 1 (2013) Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier Abstract
Mark Durrand
 
Vol 5, No 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda Abstract
William H. Rosar
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Amadeus Stevens: Early Years and Family History Abstract
Zolona E. Stevens Moss †
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: In Memoriam Details
John G. Gordon †
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television Abstract
Mark Brill
 
Vol 7, No 1 (2014) Leo Zeitlin, Palestina: An Overture for the Capitol Theatre, New York Edited by Paula Eisenstein Baker and Robert S. Nelson. Middleton, Wisconsin, 2014. [Full score, xix + 59 pp. ISBN 978-0-89579-800-8]. Details
Aaron Fruchtman
 
Vol 1, No 1 (2002) Linda Danly. Hugo Friedhofer: The Best Years of His Life: A Hollywood Master of Music for the Movies Lanham, MD: Scarecrow Press, 1999. [xi, 212 p. ISBN: 0810835827. $39.50] Details
Linda Schubert
 
Advance Access Listening to Another Italy: Egisto Macchi’s New Music for Italian Documentaries of the 1960s Abstract
Marco Cosci
 
Vol 6, No 1 (2013) Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf Abstract
Alexis Luko
 
Advance Access Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s Abstract
Alessandro Bratus
 
Vol 2, No 1 (2007) Louis Kaufman and Annette Kaufman: A Fiddler’s Tale: How Hollywood and Vivaldi Discovered Me. Details
Styra Avins
 
Vol 4, No 1 (2011) Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera. Details
James L. Zychowicz
 
Vol 4, No 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. Details
James Wierzbicki
 
Vol 1, No 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] Details
Linda Schubert
 
Vol 5, No 1-2 (2012) Melodrama Made Good: Ennoblement by Deletion in Edgar Stillman Kelley’s Score to Ben-Hur Abstract
Luke Hannington
 
Vol 5, No 1-2 (2012) Melodramatic Music in the Western Abstract
Mariana Whitmer
 
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