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Issue Title
 
Vol 2, No 2-4 (2009) Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. Details
Paul A. Merkley
 
Vol 5, No 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film Abstract
Erin Michelle Brooks
 
Vol 1, No. 2/3: Herrmann Studies Self Borrowing in the Music of Bernard Herrmann Abstract
William Wrobel
 
Vol 2, No 2-4 (2009) Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? Abstract
Roberto Kolb-Neuhaus
 
Vol 4, No 2 (2011) Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials Abstract
Nicol William Snedden
 
Vol 1, No. 2/3: Herrmann Studies Sound and Vision: 60 Years of Motion Picture Soundtracks Details
Jon Burlingame
 
Vol 1, No. 2/3: Herrmann Studies Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann Details
Richard Littlefield
 
Vol 3, No 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content Abstract
Michael Remson
 
Vol 6, No 2 (2013) The Barry Gray Archive Abstract
François Evans
 
Vol 5, No 1-2 (2012) The Ben-Hur Legacy Abstract
Roger Hickman
 
Vol 6, No 2 (2013) The British Library’s Francis Chagrin Collection: Joining the Dots Abstract
Alexis Bennett
 
Vol 5, No 1-2 (2012) The Continuity of Melos: Beginnings to the Present Day Abstract
Anne Dhu McLucas
 
Vol 5, No 1-2 (2012) The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” Abstract
Michael V. Pisani
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift The Door to Atonality Abstract
Leith Stevens †
 
Vol 2, No 2-4 (2009) The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony Abstract
Beth E. Levy
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift The Hollywood Composer Abstract
Leith Stevens †
 
Vol 2, No 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns Abstract
Michael Beckerman, William H. Rosar
 
Vol 2, No 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns Abstract
Michael Beckerman, William H. Rosar
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift The Logic of Concert Keys Abstract
Leith Stevens †
 
Vol 1, No. 2/3: Herrmann Studies The Mystery of Herrmann's Music for Selznick's Portrait of Jennie Abstract
Thomas DeMary
 
Vol 4, No 1 (2011) The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie Abstract
Ronald Rodman
 
Vol 7, No 1 (2014) The Paragon Ragtime Orchestra, The Pioneers of Movie Music: Sounds of the American Silent Cinema Rick Benjamin, director. Liner notes by Rick Benjamin. 2014. New World Records 80761-2. Details
Peter Graff
 
Vol 4, No 1 (2011) The Problem of Music in a Historical Film Abstract
Herbert Stothart
 
Vol 3, No 2 (2010) The Vision Scenes in Bernadette: Newman's and Powell's Contributions Abstract
Roland Jackson
 
Vol 1, No 1 (2002) Thematic Variation and Key Relationships: Charlotte's Theme in Max Steiner's Score for Now, Voyager Abstract
Charles Leinberger
 
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