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Issue Title
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. Details
Kheng K. Koay
 
Vol 4, No 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* Abstract
Sarah Reichardt Ellis
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Rerecording Max Steiner: Brandenburg Philharmonic Orchestra/Richard Kaufman. Naxos, 2005. Moscow Symphony Orchestra and Chorus / William Stromberg. Naxos, 2004; Moscow Symphony Orchestra/William Stromberg. Naxos 2004 Details
Brian C. Thompson
 
Vol 2, No 1 (2007) Roger Hickman. Reel Music: Exploring 100 Years of Film Music Details
Lora Matthews
 
Vol 2, No 2-4 (2009) Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. Details
Paul A. Merkley
 
Vol 5, No 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film Abstract
Erin Michelle Brooks
 
Vol 1, No. 2/3: Herrmann Studies Self Borrowing in the Music of Bernard Herrmann Abstract
William Wrobel
 
Advance Access Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle Abstract
Maurizio Corbella
 
Vol 2, No 2-4 (2009) Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? Abstract
Roberto Kolb-Neuhaus
 
Vol 4, No 2 (2011) Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials Abstract
Nicol William Snedden
 
Vol 1, No. 2/3: Herrmann Studies Sound and Vision: 60 Years of Motion Picture Soundtracks Details
Jon Burlingame
 
Advance Access Source and Myth: Opera in Italian Cinema of the 1960s Abstract
Matteo Giuggioli
 
Vol 1, No. 2/3: Herrmann Studies Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann Details
Richard Littlefield
 
Vol 3, No 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content Abstract
Michael Remson
 
Vol 6, No 2 (2013) The Barry Gray Archive Abstract
François Evans
 
Vol 5, No 1-2 (2012) The Ben-Hur Legacy Abstract
Roger Hickman
 
Vol 6, No 2 (2013) The British Library’s Francis Chagrin Collection: Joining the Dots Abstract
Alexis Bennett
 
Vol 5, No 1-2 (2012) The Continuity of Melos: Beginnings to the Present Day Abstract
Anne Dhu McLucas
 
Vol 5, No 1-2 (2012) The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” Abstract
Michael V. Pisani
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift The Door to Atonality Abstract
Leith Stevens †
 
Vol 2, No 2-4 (2009) The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony Abstract
Beth E. Levy
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift The Hollywood Composer Abstract
Leith Stevens †
 
Vol 2, No 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns Abstract
Michael Beckerman, William H. Rosar
 
Vol 2, No 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns Abstract
Michael Beckerman, William H. Rosar
 
Advance Access The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s Abstract
Alessandro Cecchi
 
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