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Journal | Issue | Title | |
Journal of World Popular Music | Vol 6 No. 1 (2019) | Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics | View |
Samuel Horlor | |||
CALICO Journal | Vol 26 No. 2 (2009) | Synchronous Versus Asynchronous CMC and Transfer to Japanese Oral Performance | View |
Maki Hirotani | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon | View |
Michael Borshuk | |||
Journal for Research into Freemasonry and Fraternalism | Vol 1 No. 2 (2010) | Performing Freemasonry: The practical-symbolic Constitution of a Civic Habitus in Eighteenth-Century England | View |
Kristiane Hasselmann | |||
Implicit Religion | Vol 23 No. 2 (2020) New Directions in the Study of Scientology | Researching and Teaching Scientology: Perception and Performance of a New Religion | View |
Stephen E. Gregg | |||
Journal of Applied Linguistics and Professional Practice | Vol 7 No. 1 (2010) | Reconfiguring self/identity/status/role: The case of professional role performance in healthcare encounters | View |
Srikant Sarangi | |||
Equinox eBooks Publishing | Identity, Multilingualism and CALL | #multilingualself: Hashtagging as a Resource for Performing a Multilingual Identity | View |
Ilona Vandergriff | |||
Gender and Language | Vol 11 No. 2 (2017) | Academy of devotion: performing status, hierarchy, and masculinity on reality TV | View |
Cindi L. SturtzSreetharan | |||
Perfect Beat | Vol 3 No. 2 (1997) | UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s | View |
ROBIN RYAN | |||
Equinox eBooks Publishing | Embodied Reception | 10. Osho in a Nutshell? Dynamic Meditation and the Relationship of Bodily Performance and Meaning-Making | View |
Henriette Hanky | |||
CALICO Journal | Vol 27 No. 2 (2010) | Effects of Self-Monitoring on Web-Based Language Learner's Performance and Motivation | View |
Mei-Mei Chang | |||
Gender and Language | Vol 11 No. 2 (2017) | Emerging genders: semiotic agency and the performance of gender among genderqueer individuals | View |
Anna I. Corwin | |||
Writing & Pedagogy | Vol 1 No. 1 (2009) | Professional Development and High-Stakes Testing: Disparate Influences on Student Writing Performance | View |
Candace Roberts | |||
Perfect Beat | Vol 4 No. 3 (1999) | GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts | View |
ROBIN RYAN | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 2 No. 2-3 (2006) | From Performance to Casket Copy: Comparing the Homeric Epics with the Tanakh as Scriptures | View |
Cordell M. Waldron | |||
Journal of Mediterranean Archaeology | Vol 30 No. 2 (2017) | Queering the Minoans: Gender Performativity and the Aegean Color Convention in Fresco Painting at Knossos | View |
Alana N. Newman | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima | View |
Elonda Clay | |||
Equinox eBooks Publishing | Assessment Across Online Language Education | 5. Issues and Challenges in the Assessment of Online Language Teacher Performance | View |
Barbara Lafford, Carmen King de Ramirez, James Wermers | |||
Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Representing affective labour and gender performativity in knowledge work: a multimodal critical discourse analysis | View |
Ian Roderick | |||
Religious Studies and Theology | Vol 37 No. 1 (2018) | Becoming a Hijabi Now? Identity Performances of Muslim Women in Canada | View |
Fatemeh Mohammadi | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 10 No. 1-2 (2019) Special Issue: Books as Bodies and Sacred Beings | Performing Scriptures: Ritualizing Written Texts in Seolwi-seolgyeong, the Korean Shamanistic Recitation of Scriptures | View |
Yohan Yoo | |||
Equinox eBooks Publishing | Embodied Reception | 9. Kaḷarippayaṟṟ˘ in Performance: Adoptions and Adaptations of a South Indian Martial Art | View |
Lucy May Constantini | |||
Fieldwork in Religion | Vol 11 No. 2 (2016) | Fieldwork on Anzac Day: A Performance Analysis of the Dawn Service and Other Rituals, 25 April 2015 | View |
Zoe Alderton, Christopher Hartney, Daniel J. Tower | |||
Perfect Beat | Vol 3 No. 3 (1997) | GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 | View |
RYUICHI TAI | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 4 No. 1 (2008) | "Write the Text Letter-by-Letter in the Heart": Non-Literacy, Religious Authority, and Female Sadhus' Performance of Asceticism through Sacred Texts | View |
Antoinette Elizabeth DeNapoli | |||
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