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| Journal | Issue | Title | |
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. | View |
| Sarah Kenny | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” | View |
| Chris Tonelli | |||
| Sociolinguistic Studies | Vol 14 No. 4 (2020) | African Youth Language: New Media, Performance Arts and Sociolinguistic Development Ellen Hurst-Harosh and Fridah Kanana Erastus (eds) (2019) | View |
| Stephen Olabanji Boluwaduro | |||
| Perfect Beat | Vol 15 No. 2 (2014) | Sounding the aquapelago: The cultural-environmental context of ni-Vanuatu women’s liquid percussion performance | View |
| Philip Hayward | |||
| Equinox eBooks Publishing | Books as Bodies and as Sacred Beings | Performing Scriptures: Ritualizing Written Texts in Seolwi-seolgyeong, the Korean Shamanistic Recitation of Scriptures | View |
| Yohan Yoo | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate | View |
| GEOFF KING | |||
| International Journal of Speech Language and the Law | Vol 20 No. 1 (2013) | Assessing non-contemporaneous forensic speech evidence: acoustic features, formant frequency-based likelihood ratios and ASR performance | View |
| Richard Rhodes | |||
| Religions of South Asia | Vol 11 No. 1 (2017) | Making ‘Ethical Hindus’: Sanskrit Traditions, Oral Performance, and Hindu Nationalism in Contemporary India | View |
| Ketan Alder | |||
| Journal of Interactional Research in Communication Disorders | Vol 6 No. 2 (2015) . | The language performance of hearing aid and cochlear implant adult users: A pragmatic approach | View |
| Sara Meilijson, Jaclyn B Spitzer | |||
| Equinox eBooks Publishing | Words of Experience | Writing, Doing and Performing the Future of Islamic Studies: The Practical Example of Carl W. Ernst | View |
| Ilyse Morgenstein Fuerst | |||
| International Journal of Speech Language and the Law | Vol 24 No. 1 (2017) | Effect of covert recordings from vehicles on the performance of forensic automatic speaker recognition | View |
| Hermann J. Künzel | |||
| Linguistics and the Human Sciences | Vol 9 No. 1 (2013) | ‘A (Sensitive New Age Guy) with difference’: Gendered performances in online personal advertisements | View |
| Kesumawati A. Bakar | |||
| Perfect Beat | Vol 4 No. 4 (2000) | BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola | View |
| ELIZABETH MACKINLAY | |||
| Gender and Language | Vol 10 No. 1 (2016) | Subjects and objects: linguistic performances of sexuality in the lyrics of black female hip-hop artists | View |
| Maeve Eberhardt | |||
| Journal for the Academic Study of Religion | Vol 21 No. 2 (2008) | Review of Materializing Religion: Expression, Performance & Ritual edited by Elisabeth Arweck and William Keenan | View |
| John Hilary Martin, O.P. | |||
| Equinox eBooks Publishing | Identity, Multilingualism and CALL | Examining Identity Performance of Multilingual Students in Computer Science Education: A Narrative Case Study | View |
| Sharin Jacob, Jonathan Montoya, Mark Warschauer | |||
| Religions of South Asia | Vol 6 No. 1 (2012) | Rādhe, Rādhe!: Continuity and Change in the Contemporary Oral Performance of the Bhāgavatapurāṇa | View |
| McComas Taylor | |||
| Journal of Applied Linguistics | Vol 2 No. 1 (2005) | Fitting stories into boxes: rhetorical and textual constraints on candidates' performances in British job interviews | View |
| Celia Roberts, Sarah Campbell | |||
| Journal of Applied Linguistics and Professional Practice | Vol 2 No. 1 (2005) JAL Vol 2, No 1 (2005) | Fitting stories into boxes: rhetorical and textual constraints on candidates' performances in British job interviews | View |
| Celia Roberts, Sarah Campbell | |||
| Jazz Research Journal | Vol 7 No. 2 (2013) | Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career | View |
| Alex Lubet | |||
| Fieldwork in Religion | Vol 5 No. 2 (2010) | Fieldworking’ Deliverance Rituals in a Liberian Pentecostal Ministry: The Surprising Benefits of Embracing your "Otherness" While Taking Part in Religious Performance | View |
| Gwendolyn Heaner | |||
| Equinox eBooks Publishing | Sounds Northern | 4. ‘I Thought I Heard That up North Whistle Blow’: African American Blues Performance in the North of England | View |
| Tom Attah | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun | View |
| Jan Harm Schutte | |||
| CALICO Journal | Vol 23 No. 3 (2006) | Hybrid Courses and Their Impact on Student and Classroom Performance: A Case Study at the University of Virginia | View |
| Emily E. Scida, Rachel E. Saury | |||
| International Journal of Speech Language and the Law | Vol 26 No. 2 (2019) | Tuning the performance of automatic speaker recognition in different conditions: effects of language and simulated voice disguise | View |
| Radek Skarnitzl, Maral Asiaee, Mandana Nourbakhsh | |||
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