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Journal | Issue | Title | |
International Journal for the Study of New Religions | Vol 3 No. 1 (2012) | Poking fun at the Pope: Anti-Catholic Dialogue, Performance and the ‘Symbolic Construction’ of Identity in the International Raelian Movement | View |
Stephen E. Gregg | |||
CALICO Journal | Vol 31 No. 1 (2014) Web 2.0 and Language Learning | The Effect of Target Language Use in Social Media on Intermediate-Level Chinese Language Learners’ Writing Performance | View |
Shenggao Wang, Camilla Vásquez | |||
Implicit Religion | Vol 21 No. 1 (2018) | Christian Discourses and Cultural Change: The Greenbelt Art and Performance Festival as an Alternative Community for Green and Liberal Christians | View |
Maria Nita | |||
Equinox eBooks Publishing | Identity, Multilingualism and CALL | Cycles of Translanguaging and Group Identity Performances in Multi-Party Video Mediated Telecollaboration: Triggers, Consequences, and Implications | View |
Liudmila Klimanova | |||
Equinox eBooks Publishing | Identity, Multilingualism and CALL | Construction and Performance of Online Foreign Language Teacher Identity: A Case Study of Korean as a Foreign Language Teachers | View |
Seojin Park | |||
Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
Paul Carr | |||
Perfect Beat | Vol 3 No. 2 (1997) | A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen | View |
MICHAEL WEBB | |||
International Journal of Speech Language and the Law | Vol 27 No. 1 (2020) | Assessing the effects of accent-mismatched reference population databases on the performance of an automatic speaker recognition system | View |
Dominic Watt, Philip Harrison, Vincent Hughes, Peter French, Carmen Llamas, Almut Braun, Duncan Robertson | |||
Gender and Language | Vol 6 No. 1 (2012) | The performance of gender as reflected in American evidence rules: Language, power, and the legal construction of liability | View |
Janet Ainsworth | |||
Journal of Interactional Research in Communication Disorders | Vol 7 No. 1 (2016) . | Intact reported speech use in traumatic brain Injury: How to think about ‘intact’ performance in the context of heterogeneity | View |
Natalie Covington, Melissa Duff | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba | View |
Iván Darias Alfonso | |||
Sociolinguistic Studies | Vol 2 No. 2 (2008) | Complaint stories revisited: the "masculine" performance of a "feminine" narrative genre in a conversation among Galician men | View |
Virginia Acuña Ferreira | |||
Sociolinguistic Studies | Vol 4 No. 1 (2010) | Effects of sociolinguistic environment and the length of residence on the linguistic performance in Catalan and Spanish of sixth grade immigrant pupils in Catalonia | View |
Judith Oller, Ignasi Vila | |||
Religions of South Asia | Vol 11 No. 1 (2017) | Seven Days of Nectar: Contemporary Oral Performances of the Bhāgavatapurāṇa, by McComas Taylor. New York: Oxford University Press, 2016. 248 pp., $105.00. ISBN 978-0-190-61191-0. | View |
Anandi Silva Knuppel | |||
Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | CD recording of Karel-Lodewikj Hanssens (1865) Aux Mânes d’un Frére qui fut Roi. Maconnieke rouwcantate voor Leopold 1. Performed by Metropolis Orkest & Koor dir. Jaak Gregoor. GBF Music, Dendermonde. Belgium (2015). €12.40. info@ gbfmusic.com | View |
Andrew Pink | |||
Perfect Beat | Vol 13 No. 2 (2012) | Marvin D. Sterling. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan. Durham and London: Duke University Press. ISBN 978-0-8223-4722-4 (pbk). 299pp. | View |
James R. Edwards | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) | View |
Alf Arvidsson | |||
Sociolinguistic Studies | Vol 10 No. 4 (2016) Space, bodies and boundaries: Piropos and other forms of flirtatious street talk as contested discursive practices | Thank you for dying for our country: Commemorative texts and performances in Jerusalem Chaim Noy (2015) Oxford and New York: Oxford University Press ISBN: 978-0-19-939897-3. Pp. 304 | View |
Vesa Koskela | |||
Journal for Research into Freemasonry and Fraternalism | Vol 3 No. 1 (2012) | Porter, Joy, Native American Freemasonry: Associationalism and Performance in America (Lincoln, NE: University of Nebraska Press, 2011), xxiv + 329 pp., 14 illus., $60, Hbk., ISBN: 9780803225473. | View |
Aimee E. Newell | |||
Journal for the Academic Study of Religion | Vol 29 No. 3 (2016) | Monique Ingalls, Carolyn Landau and Tom Wagner (eds.), Christian Congregational Music: Performance, Identity and Experience. Surrey: Ashgate, 2013, pp. xiii + 228, ISBN: 978-1-4094-6602-4 (hbk). | View |
Sarah Penicka-Smith | |||
Popular Music History | Vol 3 No. 3 (2008) | Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). | View |
Dave Laing | |||
Fieldwork in Religion | Vol 5 No. 1 (2010) | St John, Graham, ed. 2008. Victor Turner and Contemporary Cultural Performance. New York and Oxford: Berghahn Books. ix +358 pp. ISBN 978-1-84545-462-3 (hbk). £47.50 | View |
Stephen Jacobs | |||
Implicit Religion | Vol 11 No. 3 (2008) | Sacred to Profane: Writings on worship and performance, edited by Anjum Katyal. Calcutta: Seagull Books, 2006. 284pp., pbk ISBN 9781905422166; hbk ISBN 9781905422159 | View |
Rina Arya | |||
Journal for the Academic Study of Religion | Vol 24 No. 2 (2011) | Review: Graham St John (ed.), Victor Turner and Contemporary Cultural Performance. New York and Oxford, Berghahn Books, 2008, pp. 368, ISBN 978-1-84545-462-3 (Hbk).Review doi: 10.1558/arsr.v24i2215. | View |
Alex Norman | |||
Fieldwork in Religion | Vol 3 No. 1 (2008) | ARWECK, Elisabeth, and William Keenan, eds. 2006. Materializing Religion: Expression, Performance and Ritual. Aldershot: Ashgate. xvi + 242 pp. ISBN: 0-7546-5094-2. £55.00 | View |
Ron Geaves | |||
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