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| Journal | Issue | Title | |
| Ivor Cutler | View | ||
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Assessing Speaking | 6. Use of Technology in Rating Speaking Tests | View |
| Fumiyo Nakatsuhara, Vivien Berry, Chihiro Inoue, Nahal Khabbazbashi | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Music review: In a State of Flux: An Experimental Music Gallery, 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists | View |
| Patricia Alessi | |||
| CALICO Journal | Vol 33 No. 1 (2016) Automated Writing Evaluation | Automated Error Detection for Developing Grammar Proficiency of ESL Learners | View |
| Hui-Hsien Feng, Aysel Saricaoglu, Evgeny Chukharev-Hudilainen | |||
| CALICO Journal | Vol 29 No. 2 (2012) | Wiki and Digital Video Use in Strategic Interaction-based Experiential EFL Learning | View |
| Jonathan deHaan | |||
| Gender and Language | Vol 5 No. 2 (2011) | How effective is ‘femininity’? Media portrayals of the effectiveness of the first Spanish Woman Defence Minister | View |
| Mercedes Bengoechea | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 1 No. 2 (2010) | The Spectatorial Situation in Masonic Self-Construction | View |
| Eleonore Kalisch, Michael Franz | |||
| The Beatles | View | ||
| Ian Inglis | |||
| Gender and Language | Vol 12 No. 3 (2018) | Voices of the hero: dominant masculine ideologies through the speech of Japanese shōnen protagonists | View |
| Hannah E. Dahlberg-Dodd | |||
| CALICO Journal | Vol 23 No. 2 (2006) | A Comparison Study of the Effects of a Story-based Video Instructional Package Versus a Text-based Instructional Package in the Intermediate-level Foreign Language Classroom | View |
| Carol Herron, Holly York, Cathleen Corrie, Steven P. Cole | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Biography and Presence in Late New Kingdom Egypt | View | ||
| Elizabeth Frood | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| CALICO Journal | Vol 1 No. 4 (1983) | AN EXPERIENCE WITH VOICE-BASED LEARNING | View |
| Robert L. Baker | |||
| International Journal of Speech Language and the Law | Vol 5 No. 1 (1998) Forensic Linguistics: The International Journal of Speech, Language and the Law | The ability of expert witnesses to identify voices: a comparison between trained and untrained listerners | View |
| Niels O. Schiller, Olaf Köster | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Dora Bright | View | ||
| Anthony Bilton | |||
| Health and Social Care Chaplaincy | Vol 5 No. 2 (2017) Special Issue: Chaplain Case Study Research | Case Study of “Moral Injury”: Format Dutch Case Studies Project | View |
| Guus Van Loenen, Jacques Körver, Martin Walton, Reijer De Vries | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 13 No. 10 (2011) Issue Number 12, May 2000 | Embarrassed by Our Origins: Denial and Self-Definition in Modern Witchcraft | View |
| Cat Chapin-Bishop, Peter E. Bishop | |||
| Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | Made In America | View |
| Ray Smith, Mike Pointon | |||
| Equinox eBooks Publishing | Ivor Cutler | A Life of Whimsical Fantasies | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Indigenous Religious Traditions in Five Minutes | 74. Why do so many Indigenous religions include trickster figures or ceremonial clowns? | View |
| Chris Jocks | |||
| Religions of South Asia | Vol 11 No. 1 (2017) | ‘She Doesn’t Need Muṭiyēṯṯu’ There’: The Interplay of Divine Mood, Taste and Dramatic Offerings in South Indian Folk Hinduism | View |
| Marianne Pasty-Abdul Wahid | |||
| Sexed Texts | View | ||
| Paul Baker | |||
| Gender and Language | Vol 5 No. 1 (2011) | Language, sexuality and place: The view from cyberspace | View |
| Brian W. King | |||
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