Afropop Worldwide & Electric Jive
DOI:
https://doi.org/10.1558/jwpm.29615Keywords:
African popular music, cultural heritage, music archives, archival activists, independent and community-led archivesAbstract
Afropop Worldwide: http://www.afropop.org
Electric Jive: http://electricjive.blogspot.co.uk
References
Baker, Sarah and Jez Collins. 2015. “Sustaining Popular Music’s Material Culture in Community Archives and Museums”. International Journal of Heritage Studies 21/10: 983–96. http://www.tandfonline.com/doi/full/10.1080/13527258.2015.1041414
Collins, Jez. 2015. “Doing-It-Together: Public History-making and Activist Archivism in Online Popular Music Archives”. In Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together, ed. Sarah Baker, 77–90. Abingdon, Oxon: Routledge.
Collins, Jez and Oliver Carter. 2015. “‘They’re not pirates, they’re archivists’: The Role of Fans as Curators and Archivists of Popular Culture Heritage”. In Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together, ed. Sarah Baker, 126–38. Abingdon, Oxon: Routledge.
Flinn, Andrew. 2011. “Archival Activism: Independent and Community-led Archives, Radical Public History and the Heritage Professions”. InterActions: UCLA Journal of Education and Information Studies 7/2: 1–20. http://escholarship.org/uc/item/9pt2490x
Leonard, Marion. 2007. “Constructing Histories through Material Culture: Popular Music, Museums and Collecting”. Popular Music History 2/2: 147–67. https://doi.org/10.1558/pomh.v2i2.147
Pelofsky, Jeremy. 2012. “U.S. Accuses Megaupload of Copyright Infringement”. Reuters US Edition, Washington. www.reuters.com/article/2012/01/19/us-usa-crime-piracy-idUSTRE80I24220120119 (accessed 2 September 2013).
Roberts, Lez and Sara Cohen. 2014. “Unauthorising Popular Music Heritage: Outline of a Critical Framework”. International Journal of Heritage Studies 20/3: 241–61 . https://doi.org/10.1080/13527258.2012.750619
Collins, Jez. 2015. “Doing-It-Together: Public History-making and Activist Archivism in Online Popular Music Archives”. In Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together, ed. Sarah Baker, 77–90. Abingdon, Oxon: Routledge.
Collins, Jez and Oliver Carter. 2015. “‘They’re not pirates, they’re archivists’: The Role of Fans as Curators and Archivists of Popular Culture Heritage”. In Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together, ed. Sarah Baker, 126–38. Abingdon, Oxon: Routledge.
Flinn, Andrew. 2011. “Archival Activism: Independent and Community-led Archives, Radical Public History and the Heritage Professions”. InterActions: UCLA Journal of Education and Information Studies 7/2: 1–20. http://escholarship.org/uc/item/9pt2490x
Leonard, Marion. 2007. “Constructing Histories through Material Culture: Popular Music, Museums and Collecting”. Popular Music History 2/2: 147–67. https://doi.org/10.1558/pomh.v2i2.147
Pelofsky, Jeremy. 2012. “U.S. Accuses Megaupload of Copyright Infringement”. Reuters US Edition, Washington. www.reuters.com/article/2012/01/19/us-usa-crime-piracy-idUSTRE80I24220120119 (accessed 2 September 2013).
Roberts, Lez and Sara Cohen. 2014. “Unauthorising Popular Music Heritage: Outline of a Critical Framework”. International Journal of Heritage Studies 20/3: 241–61 . https://doi.org/10.1080/13527258.2012.750619
Published
2017-06-02
Issue
Section
Heritage and History
How to Cite
Collins, J. (2017). Afropop Worldwide & Electric Jive. Journal of World Popular Music, 4(1), 110-115. https://doi.org/10.1558/jwpm.29615
