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Guest Editors: Kyung Hyun Kim and CedarBough Saeji
Table of Contents
Introduction to Special Issue
| Introduction: A Short History of Afro-Korean Music and Identity |
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| Kyung Hyun Kim , CedarBough T. Saeji | 115–124 |
Articles
| Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea |
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| Robert Hamilton | 125–144 |
| Rhyming Techniques and Identity in Korean Hip Hop |
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| Jinny Park | 145–167 |
| Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse |
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| Jae-hyun Im | 168–189 |
| Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX |
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| Pil Ho Kim , Wonseok Lee | 190–208 |
| Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju |
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| Amos Farooqi | 209–227 |
| A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers |
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| Iljung Kim | 228–249 |
Reviews
| Myoung-Sun Song. 2019. Hanguk Hip Hop, Global Rap in South Korea. |
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| Hyun Joo Sandy Oh | 250–253 |
| Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. |
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| Kwami Coleman | 254–259 |
| David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. |
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| Jason Buchea | 260–263 |
| Shane Greene. 2016. Punk and Revolution: Seven More Interpretations of Peruvian Reality. |
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| Emily Margot Gale | 264–267 |
| Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. |
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| Arnar Eggert Thoroddsen | 268–270 |
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