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Journal | Issue | Title | |
Journal of Film Music | Vol 3 No. 2 (2010) | A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" | View |
David Cooper, Ian Sapiro | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film | View |
Erin Michelle Brooks | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Local interpretation: Music Video, Heritage and Community in Contemporary Vanuatu | View |
Phil Hayward | |||
Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
Emma Baulch | |||
Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
Hyunjoon Shin | |||
Perfect Beat | Vol 13 No. 1 (2012) | Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music | View |
Anthony Kwame Harrison | |||
Perfect Beat | Vol 14 No. 2 (2013) | ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity | View |
Paul Oldham | |||
Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
Chris Gibson | |||
Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
Catherine Strong | |||
Perfect Beat | Vol 1 No. 4 (1994) | WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT | View |
Michael Flint | |||
Perfect Beat | Vol 9 No. 1 (2008) | MELBOURNES BY THE DOZEN Four rock albums and the evocation of place | View |
JOHN ENCARNACAO | |||
Perfect Beat | Vol 8 No. 3 (2007) | ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs | View |
KIRSTEN ZEMKE-WHITE | |||
Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
SHUHEI HOSOKAWA | |||
Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
TONY MITCHELL, ROY SHUKER | |||
Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
DAVID GOLDSWORTHY | |||
Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
TONY MITCHELL | |||
Perfect Beat | Vol 2 No. 1 (1994) | EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s | View |
SHUHEI HOSOKAWA | |||
Bulletin for the Study of Religion | Vol 41 No. 4 (2012) | Evidentiary Boundaries and Improper Interventions: Evidence, Implications, and Illegitimacy in American Religious Studies | View |
Kelly J. Baker | |||
Bulletin for the Study of Religion | Vol 44 No. 3 (2015) Bulletin for the Study of Religion | Disruptive Narratives of Jesus: Feuerbach and Ricoeur in Dialogue | View |
Catherine Caufield | |||
PentecoStudies | Vol 8 No. 1 (2009) | The Florida ‘Outpouring’ Revival: A Melting Pot for Contemporary Pentecostal Prophecy and Eschatology? | View |
Stephen Hunt | |||
PentecoStudies | Vol 10 No. 1 (2011) | Modernity and the Arrival of Pentecostalism in Britain | View |
William K. Kay | |||
PentecoStudies | Vol 10 No. 1 (2011) | Missing Links: Phoebe Palmer, Carrie Judd Montgomery, and Holiness Roots within Pentecostalism | View |
Jennifer A. Miskov | |||
PentecoStudies | Vol 11 No. 1 (2012) | Spirit Baptism, Socialization and Godly Love in the Church of God (Cleveland, TN) | View |
Kimberley Ervin Alexander, James P. Bowers, Mark J. Cartledge | |||
PentecoStudies | Vol 13 No. 1 (2014) | To Live the Biblical Narratives: Pentecostal Autobiographies and the Baptism in the Spirit | View |
Greger Andersson | |||
PentecoStudies | Vol 13 No. 1 (2014) | Pentecostal Power: The Politics of Divine Healing Practices | View |
Candy Gunther Brown | |||
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