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| Journal | Issue | Title | |
| Popular Music History | Vol 2 No. 2 (2007) | Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage | View |
| Michael Brocken | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene | View |
| Myrtille Picaud | |||
| Writing & Pedagogy | Vol 7 No. 2-3 (2015) | Writing Assessment | View |
| Jane Lockwood | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Perfect Beat | Vol 15 No. 2 (2014) | ‘Lookin, searchin, seekin, findin’: A new beat | View |
| Shelley Brunt, Oli Wilson, Catherine Strong | |||
| Journal of Applied Linguistics and Professional Practice | Vol 4 No. 1 (2007) JAL Vol 4, No 1 (2007) | Defining academic literacies research: issues of epistemology, ideology and strategy | View |
| Theresa Lillis, Mary Scott | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) | View |
| Lawrence Davies | |||
| Buddhist Studies Review | Vol 31 No. 1 (2014) | Encountering Buddhism in Twentieth-Century British and American Literature, edited by Lawrence Normand and Alison Winch. Bloomsbury Academic, 2013. ix + 238pp. Hb. £59.99. ISBN-13: 9781441184764. Also available as an e-book | View |
| Sarah Shaw | |||
| Equinox eBooks Publishing | The History of European Jazz | 9b. Sweden: 1970-2000 | View |
| Måns Wallgren | |||
| Bulletin for the Study of Religion | Vol 47 No. 3–4 (2018) | A Whole New People of the Book: Lewis and Lund’s Muslim Superheroes: Comics, Islam, and Representation | View |
| Aaron Gaius Ricker | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s | View |
| Alessandro Cecchi | |||
| Linguistics and the Human Sciences | Vol 7 No. 1-3 (2011) | Evaluating the SLATE project | View |
| Ahmar Mahboob, Angela Chan, Jonathan J. Webster | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Extreme music for extreme people? Norwegian black metal and transcendent violence | View |
| Michelle Phillipov | |||
| Writing & Pedagogy | Vol 2 No. 1 (2010) | Writing in a Multiliterate Flat World, Part I: Multiliterate Approaches to Writing and Collaboration Through Social Networking | View |
| Vance Stevens | |||
| Writing & Pedagogy | Vol 2 No. 2 (2010) | Not (Entirely) in Their Own Words: Plagiarism, Process, and the Complicated Ethics of School Writing | View |
| Cary Moskovitz | |||
| Perfect Beat | Vol 1 No. 2 (1993) | TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea | View |
| Michael Webb | |||
| Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
| WILL STRAW | |||
| Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
| CORALIE JOYCE | |||
| Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
| FRED COLE, MICHAEL HANNAN | |||
| Popular Music History | Vol 9 No. 3 (2014) | Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music | View |
| Eve M Brank, Kathleen A Fox, Victoria Kaspar | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 10 No. 1-2 (2019) Special Issue: Books as Bodies and Sacred Beings | Body Building in the Hindu Tantric Tradition: The Advantages and Confusions of Scriptural Entextualization in the Worship of the Goddess Kālī” | View |
| Rachel Fell McDermott | |||
| Religious Studies and Theology | Vol 39 No. 2 (2020) | Interreligious Dialogue as Language Negotiation | View |
| Darren J. Dias | |||
| Equinox eBooks Publishing | Books as Bodies and as Sacred Beings | Body Building in the Hindu Tantric Tradition: The Advantages and Confusions of Scriptural Entextualization in the Worship of the Goddess Kali | View |
| Rachel McDermott | |||
| Gender and Language | Vol 7 No. 3 (2013) | Domestic violence and public participation in the media: The case of citizen journalism | View |
| Patricia Bou-Franch | |||
| International Journal of Speech Language and the Law | Vol 17 No. 2 (2010) | The use of textual, grammatical and sociolinguistic evidence in forensic text comparison: | View |
| M. Teresa Turell | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
| Gisa Jähnichen | |||
| Writing & Pedagogy | Vol 8 No. 1 (2016) | A 3-D Approach to Discovering and Creating the Features of Written Texts | View |
| Martha C. Pennington | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Playing bluegrass in Australia across country and folk scenes | View |
| Miriam Amy Jones | |||
| Equinox eBooks Publishing | On Verbal Art | Future Directions in the Study of Verbal Art | View |
| Wendy Bowcher | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 4 No. 2 (2008) | Comic Book Karma: Visual Mythologies of the Hindu Modern | View |
| J. Barton Scott | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 2 (2010) Vol 4, No 2(2010): Forests of Belonging: The Contested Meaning of Trees and Forests in Indian Hinduism | Forest Paradigms in Vrat Kathas | View |
| Robert Menzies | |||
| Sociolinguistic Studies | Vol 9 No. 1 (2015) | Underlining authenticity through the recreolization process in rap music: A case of an in-group answer to an identity threat | View |
| Pedro Álvarez Mosquera | |||
| Religions of South Asia | Vol 3 No. 1 (2009) Representations of Brahmins and Brahmanism in Early Buddhist Literature | Somā the Learned Brahmin | View |
| Alice Collett | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
| Anthony Y.H. Fung | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
| Christina Ballico | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice | View |
| Henry Johnson | |||
| Communication & Medicine | Vol 13 No. 2 (2016) | ‘Let’s talk more about this’: An analysis of how experts engage novice physicians in pedagogical dialogue | View |
| Diana L. Awad Scrocco | |||
| Communication & Medicine | Vol 13 No. 3 (2016) | Modality resources in Spanish during psychiatric interviews with Mexican patients | View |
| Dalia Magaña | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘Only one can rule the night’: Fairs and music in post-1945 Britain | View |
| Ian Trowell | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene | View |
| Zsolt Győri | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Still Rage-ing: Australia’s music video programme at 30 | View |
| Liz Giuffre | |||
| Popular Music History | Vol 11 No. 3 (2018) | A history of realistic rock rebellion: Rush, Heidegger and the spirit of authenticity | View |
| Lee Barron | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
| Toby Martin | |||
| Journal for the Study of Religion, Nature and Culture | Vol 13 No. 4 (2019) Popular Culture, Religion, and the Anthropocene | Imag(in)ing the Anthropocene: Nature Films and/as Creation Tales | View |
| Luis A. Vivanco | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Rhyming Techniques and Identity in Korean Hip Hop | View |
| Jinny Park | |||
| Popular Music History | Vol 13 No. 3 (2020) | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
| Journal for the Study of Religion, Nature and Culture | Vol 7 No. 3 (2013) | Disaster Movies and the ‘Peak Oil’ Movement: Does Popular Culture Encourage Eco-Apocalyptic Beliefs in the United States? | View |
| Matthew Schneider-Mayerson | |||
| CALICO Journal | Vol 22 No. 3 (2005) | Evolutionary Trajectories, Internet-mediated Expression, and Language Education | View |
| Steven L. Thorne, J. Scott Payne | |||
| Writing & Pedagogy | Vol 10 No. 1-2 (2018) | Practices and context of L2 writing feedback: A case of an experienced L2 writing instructor | View |
| Masakazu Mishima | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| International Journal of Speech Language and the Law | Vol 11 No. 2 (2004) | A critical examination of the use of language analysis interviews in asylum proceedings: a case study of a West African seeking asylum in The Netherlands | View |
| Chris Corcoran | |||
| International Journal of Speech Language and the Law | Vol 2 No. 2 (1995) | J. Gibbons (ed.) (1994) Language and the Law, Harlow: Longman. 476 pp. Language in Social Life Series, ISBN 0 582 229766 (CSD), 0 582 10145 X (PPR). | View |
| Charles Owen | |||
| Linguistics and the Human Sciences | Vol 2 No. 3 (2006) | Referring to Others in the Scientific Journal Article. A brief history | View |
| David Banks | |||
| Linguistics and the Human Sciences | Vol 3 No. 2 (2007) | An application of multiple coding for the analysis of ATTITUDE in an academic argument | View |
| Sook Hee Lee | |||
| Linguistics and the Human Sciences | Vol 6 No. 1-3 (2010) | Annotating thematic features in English and Spanish: A contrastive corpus-based study | View |
| Jorge Arús, Julia Lavid, Lara Moratón | |||
| Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
| Morten Michelsen | |||
| Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
| Alf Arvidsson | |||
| Popular Music History | Vol 4 No. 3 (2009) | The end of the revival: the folk aesthetic and its ‘mutation’ | View |
| Allan Moore | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | New jazz histories: Can a reconciliation of widely differing source material offer new opportunities for the jazz historian? | View |
| Alyn Shipton | |||
| Writing & Pedagogy | Vol 3 No. 1 (2011) | Writing Across the Curriculum for Secondary School English Language Learners: A Case Study | View |
| Kristen C. Wilcox | |||
| Writing & Pedagogy | Vol 5 No. 1 (2013) | Discoursal Negotiation of Identity in the Writing of Adult Students: A Case Study | View |
| Michael J. Michaud | |||
| Communication & Medicine | Vol 5 No. 2 (2008) | Patient-directed medicine labeling: Text differences between the United States and Spain | View |
| Ulla Connor, Miguel F. Ruiz-Garrido, William Rozycki, Elizabeth Goering, Eleanor D. Kinney, Julia M. Koehler | |||
| Communication & Medicine | Vol 10 No. 3 (2013) | Informed consent: Towards improved lay-friendliness of patient information sheets | View |
| Morten Pilegaard, Hanne Berg Ravn | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
| Michael Richard Clement Jr. | |||
| Journal of Applied Linguistics and Professional Practice | Vol 4 No. 1 (2007) JAL Vol 4, No 1 (2007) | Emerging Literacies in Online Learning | View |
| Mary R. Lea | |||
| Journal of Applied Linguistics and Professional Practice | Vol 4 No. 1 (2007) JAL Vol 4, No 1 (2007) | Boundary Crossing: Networking and Transforming Literacies in Research Processes and College Courses | View |
| Roz Ivanič, Candice Satchwell | |||
| Equinox eBooks Publishing | New Age in Norway | New Age in Norwegian Religion Education: An Analysis of Development in Curricula and Textbooks for RE in Secondary and Upper-secondary Education 1996-2008 | View |
| Bengt-Ove Andreassen | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | Place and imagined community in jazz | View |
| Elina Hytönen-Ng | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s | View |
| Zlatko Jovanovic | |||
| Equinox eBooks Publishing | On Verbal Art | Openings in Fiction: An Approach to Verbal Art Based on Hallidayian, Cognitive and Hasanian Principles | View |
| Peter Wenzel | |||
| Equinox eBooks Publishing | The History of European Jazz | 36. Django Reinhardt and jazz manouche | View |
| Michael Dregni | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop | View |
| Mark V. Campbell, Maya Stitski | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] | View |
| Brent Keogh | |||
| Journal of Applied Linguistics and Professional Practice | Vol 13 No. 1-3 (2016) Special Volume on Researching and Impacting Professional Practice: In Memory of Chris Candlin | ‘Timeless places’ – Narratives about flight, exile and belonging | View |
| Ruth Wodak | |||
| Buddhist Studies Review | Vol 35 No. 1-2 (2018) Special Issue: Buddhist Path, Buddhist Teachings: Studies in Memory of L.S. Cousins | Jātaka Stories and Paccekabuddhas in Early Buddhism | View |
| Naomi Appleton | |||
| Writing & Pedagogy | Vol 11 No. 1 (2019) | The Language Zone: Differentiating writing instruction for students who are d/Deaf and hard of hearing | View |
| Hannah M. Dostal, Kimberly A. Wolbers, Jennifer Renée Kilpatrick | |||
| Implicit Religion | Vol 21 No. 4 (2018) | Through the Looking Glass: Ghost in the Shell, Transhumanism, and Transcendence through the Virtual | View |
| Danielle Shalet | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Ghost Singers: The Singing Voice in Korean Pop Cinema | View |
| Sarah Keith, Alex Mesker | |||
| CALICO Journal | Vol 36 No. 3 (2019) | Using Visual Social Media in Language Learning to Investigate the Role of Social Presence | View |
| Fabrizio Fornara, Lara Lomicka | |||
| Linguistics and the Human Sciences | Vol 10 No. 3 (2014) | On the Chief Modes of Multimodal Prose | View |
| Hu Zhuanglin | |||
| Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
| Brock Silversides | |||
| Writing & Pedagogy | Vol 6 No. 3 (2014) | Children’s Writing Perspectives on Teaching and Learning in Elementary School and Middle School | View |
| Sheryl V. Taylor | |||
| Bulletin for the Study of Religion | Vol 42 No. 2 (2013) | Bruce Lincoln’s “How to Read a Religious Text”: An Experiment of Application. | View |
| Ipsita Chatterjea | |||
| CALICO Journal | Vol 12 No. 1 (1994) | Improved Delivery of Lexical Information in a Computer Assisted Reading Instruction Program | View |
| Hiroshi Nara | |||
| Journal of Research Design and Statistics in Linguistics and Communication Science | Vol 4 No. 1 (2017) | Mathematical modeling of the frequencies of words of different lengths in written Hindi language corpora and examination of the role of texts’ stylistic factor in model’s parameters | View |
| Hemlata Pande, Hoshiyar S. Dhami | |||
| Gender and Language | Vol 8 No. 2 (2014) Gender, language and the media | Narrating Women in Comics | View |
| Mark Nixon | |||
| Equinox eBooks Publishing | The History of European Jazz | 15. Slovakia | View |
| Yvetta Kajanova | |||
| Perfect Beat | Vol 19 No. 2 (2018) | An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology | View |
| Gene Shill | |||
| Comparative Islamic Studies | Vol 8 No. 1-2 (2012) | Earth, Empire and Sacred Text: Muslims and Christians as Trustees of Creation, by David L. Johnston | View |
| Jonathan E Brockopp | |||
| Gender and Language | Vol 3 No. 1 (2009) | Metaphor and gender in business media discourse: A critical cognitive study. Veronika Koller. Hampshire, England: Palgrave Macmillan. 2004. pp. 256. | View |
| Charlotte White | |||
| Gender and Language | Vol 7 No. 3 (2013) | Gender Matters: Feminist Linguistic Analysis. Sara Mills (2012) London: Equinox, pp. 279 | View |
| Laura Coffey | |||
| Gender and Language | Vol 7 No. 3 (2013) | Emergent Writing Methodologies in Feminist Studies. Edited by Mona Livholts (2012) London: Routledge, pp. 209 | View |
| Dawn Mannay | |||
| Gender and Language | Vol 9 No. 1 (2015) Gender and the Greek language | Seven Stories of Threatening Speech: Women’s Suffrage Meets Machine Code Ruth A. Miller (2012) Ann Arbor, MI: University of Michigan Press, 289pp. | View |
| Perry Sherouse | |||
| Implicit Religion | Vol 10 No. 2 (2007) | Review of Common Sense: Its History, Method, and Applicability by Marion Ledwig | View |
| William Keenan | |||
| Implicit Religion | Vol 14 No. 4 (2011) Psychological Perspectives on Implicit Religion | Book Review: Sacred Matters: Celebrity Worship, Sexual Ecstasies, The Living Dead, and Other Signs of Religious Life in the United States, by Gary Laderman. The New Press, 2009. 224pp., pb. $17.95. ISBN-13: 9781595584847. | View |
| Lynn E. McCutcheon | |||
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